查询词典 freehand brushwork in traditional Chinese painting

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从"形"、"神"、"意"三方面对传统图形的精髓进行探讨，"形"主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；"神"主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，"意"主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从&形&、&神&、&意&三方面对传统图形的精髓进行探讨，&形&主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；&神&主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，&意&主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

This article from the Chinese point of view of traditional cultural resources on the Chinese traditional culture in modern management and reflect the application of analysis and study traditional culture and modern management of organic fit, that should be ferreted out the management of China's modernization of Chinese traditional culture treasure-house resources to absorb China's traditional culture "reasonable core" to promote the management of the development of our country.

本文从中国传统文化资源的角度论述了中国传统文化在现代管理中的体现和运用，分析和探讨传统文化与现代管理有机契合的问题，认为我国现代化管理应该深挖中国传统文化的资源宝库，吸收中国传统文化的&合理内核&，促进我国管理的发展。

In order to intensify the research work of the folk traditional sports, we should put into the practice in the following aspects: Firstly, quickening the research of its subject systems, embodying characteristic of time, totally programming, sticking out its feature, complementary, and expanding applications; Secondly, strengthening the research, bringing its items in dividing into four parts: fossil type, origin type, developing type, les-matured type, and fully-matured type, and build up the museum of the folk and traditional physical culture, new items and international "popular sports"; Thirdly, reinforcing the building of the cultivating systems of professionals in the field of the folk traditional sports; Once more, intensifying the applying research in combining the folk traditional sports with school education; Fifthly, the applying research that makes the folk traditional sports be one of the most efficient means for "sports for all" in China; Finally, research about the folk traditional sports and athleticism, which makes use of various games to promote the industrialization and socialization of the folk traditional sports.

为了进一步地加强我国的民族传统体育研究，应该从以下几个方面来实施：一是加快民族传统体育学学科体系的研究，体现出时代性、整体规划性、突出特色、注意互补性和拓展应用性；二是加大民族传统体育项目的研究力度，提出将民族传统体育的项目分为：化石型、原始型、发育期型、较成熟型和成熟型，建立民族传统体育文化博物馆、民族特色项目和创立国际&名牌&；三是加强民族传统体育专业人才培养体系的研究；四是强化民族传统体育与学校教育相结合的应用性研究；五是民族传统体育成为全民健身有效手段之一的应用研究；六是民族传统体育与运动竞赛的研究，利用各种运动会的形式促进民族传统体育的产业化和社会化。

The modern graphic design skeleton requires many kinds of artistic elements to support. Speaking of traditional Chinese painting , one form of China's traditional culture art, the perfect union of its traditional culture spirit, the words technique, methodicalness layout and a series of artistic experience and the theories, as well as visual elements such as poem, calligraphy, painting and seal has a significant influence and model function to the modern graphic design .

现代平面设计的构架需要多种艺术元素的支撑，就中国的传统文化艺术之中国画而言，它的传统文化精神、笔墨技法、章法布局等一系列艺术经验和理论，以及诗、书、画、印等视觉元素的完美结合对现代平面设计的影响与借鉴作用是重大的。

Some work directly connects to traditional Chinese art. The relationship between the portrayer of the object and the objected being portrayed is fundamentally altered. Therefore, multiple visual layers emerge. By creating a self-content painting world, this type of work reinterprets the literati paintings in the Ming and Qing Dynasties. While addressing ontological issues for painting, the work implies the elegant literati taste the artist is born with. Some works emphasize the interaction between space and traditional art materials, mechanically carrying out a repetition of a traditional scene.

参加"诗意现实：对江南的再解读"展览的近三十位艺术家的作品，我以为，也许大体可以把它们分为下面几种类型：有的直接与中国的艺术精神相续，在媒介和再现对象之间进行图像"转译"，并形成多重的视觉套层，从而建立起一个自足的绘画世界，来实现对明清文人画的重新审看和临写，在对绘画的本体问题进行实验的同时，传达自己与身俱来的优雅的文人意趣。

Han Chinese, Tibetan Chinese, Manchu Chinese, Mongol Chinese, Mohe Chinese, Malgal Chinese, Menggu Chinese, Jurchen Chinese, Kitan Chinese and Ugur Chinese.

有人回复：有56个，我知道一些，其余的你要自己去查：汉，藏。

Thirdly,the paper compares and analyses their identities and differences and finds out their crossing points,on the basis of analysing the rules of separate form beauty of the Chinese painting methodicalness and plane composition. And at last ,the paper spreads the change and unchanged in the creation of Chinese painting methodicalness and relates the reference value of plane composition from modern Chinese painting methodicalness .

第三部分是整篇论文的重点，在对中国画章法及平面构成各自形式美规律探索的基础上，通过对具体作品的分析找出中国画章法与平面构成在指导绘画创作上有异曲同工之妙，之后阐述两者虽有相通点，但在文化理念等方面存在诸多不同，不能简单替代，最后展开对中国画创作中常与变以及平面构成对当代国画章法的借鉴价值的论述。

The question Feng Bin and his postgraduates raise in Morphosis is how to push forward the development of Chinese Painting and open up the new possibilities of it in contemporary times. As a result, they face up to the challenge or risk that their art be questioned if it is still Chinese Painting as they introduce to their works the visual experience of images for the purpose of deviating from the established forms, methods and concepts of Chinese Painting since the 20th century.

冯斌及其研究生的"图变"所提出的问题，所面临的挑战和危险主要表现在：引进图像的视觉感受的目的，就是为了要偏离20世纪以来已经建构起来的中国画的形态和方式，以及因此而形成的中国画的观念，所以，他们的艺术就会受到人们的质疑：它还属于中国画吗？

Qian Songyan\'s artworks of important places of revolution paved a new path for Chinese landscape painting, and influenced Chinese landscape painting scene in the mid-and-late 20th century. His work and artistic journey reflected the relationship between art and its time, and greatly impacted the studies on contemporary Chinese Painting.

钱松喦关于革命圣地主题的创作为新中国山水画的发展，开辟了一条新的道路，同时也影响了20世纪中后期中国山水画的面貌，其具体作品和艺术经历印证了艺术与时代的关系，对于研究当代中国画的发展也具有特别的意义。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。