查询词典 freehand brushwork in traditional Chinese painting

The emblem as shown above embodies both rich local features of Nanjing and the international color of the WHCCE; the bilingual name of the Exposition is symbolic of a platform for cross-culture exchanges; the red-hued brushwork of the traditional Chinese painting stands for a long splendid history of Nanjing, as well as a long history of cultural intercourse between the East and the West; the red hue that the emblem takes on symbolizes vigor, hospitality, and prosperity on the part of the city of Nanjing and her residents, who are looking forward to meeting friends around the world in the historical and cultural city of Nanjing, a city of fraternity and joy.

会徽既具有浓郁的南京地域特色，同时也体现了名城会的国际化色彩。中、英两种文字点明的名城会名称象征着名城会是中外文化交流的平台。名城会名称上方的一抹红色国画笔触既象征着南京文脉源远流长，也象征着东西方文化融会贯通。会徽采用红色，寓意热情、希望和生机，代表热情的南京人民与海内外朋友们&相聚在文化名城，狂欢在博爱之都&的期盼与喜悦之情，也象征着南京文化事业和文化产业的蓬勃发展。

The reason for us to say that Shu Yong's oil painting is innovative and fresh is that other artists used to represent themes like Eight Immortals Crossing the Sea, A Bumper Harvest, Happy Marriage, and Wish My Son Succeed in Life directly in the form of painting including colour ink, woodcut and New Year painting, or sculpture including porcelain, wood and bamboo; while SHU Yong does not use his skilled language techniques of oil painting to represent these traditional mythologies and prayer stories, but turns these mythological figures into folk colour carving on porcelain and located on the water surface seemingly visionary as the abode of Fairy Mother Goddess.

之所以说舒勇的油画有新意是因为，以往表现诸如"八仙过海"、"五谷丰登"、"喜结良缘"、"望子成龙"等等题材时，都是直接用某种艺术形式，比如彩墨、木版、扑灰年画等绘画形式，或者陶瓷、木头、竹子等雕塑形式。到了舒勇这里，他并没有直接用油画自身所擅长的语言技巧去表现这些传统神话和祈福故事，而是将这些神话和故事的人物形象转换成民间彩色刻瓷的形式，被安置在一种类似瑶池一般虚幻神秘的水面上。

Accordingly, this study, to take the craftsmen of painting in Tainan as an example, based on the concrete example of painting in temples and the investigation of field, is to probe the possibility that the type of painting motif in some space follows; to explore the relation of stratum between the extension of motif and the distribution of images before the traditional craftsmen began to paint, and then to understand their thought pattern. Second, to analyze the contents of images and the origin and development of painting style, and to amplify the implicative esthetic sense, symbolism, and the common people's value in the sequence of culture.

有鉴於此，本研究以台南地区画师为例，透过彩绘在庙宇空间实例与田野调查为基础，梳理彩绘题材类型在空间主题展开所依循的可能性，探讨传统工匠面对彩绘施作前，主题展开与图像分布的阶层关系，以了解画师的思维运作模式，其次分析图像内容、绘画风格演变与源流，以阐述内蕴的审美意识、象徵意涵，及文化脉络中常民价值观。

Under his father's influence, Chung Hai's wash drawing and landscape painting with confident painting style and steady brushwork that among the mixed water and ink, he continuously seeks the flowing feeling of change to have the dancing aroma in the work, even with the angle of active feeling.

水墨山水画在其父之影响下，下笔大胆、用笔沉穏，水墨相溶之中，不断追求流动变化之感，使作品中含有舞蹈的韵味，更带有动感的视角。

Who should be conditional on Chinese traditional painting materials for study and application, Chinese painting and it is particularly reflected Painting the material beauty Everbright succession, it is up the sky.

有条件者应当对中国传统绘画材料加以研究和运用，而使其中国绘画尤其是工笔画中体现出的材质美继承光大，殊放异彩。

The issue mentioned in this paper is related with modeling of Chinese painting, it starts from "To perceive object voluntary and paint it" and discuss the modeling rule of Chinese traditional painting, meanwhile analyze the modeling of ancient scholars' painting based on this rule.

本文研究的问题与中国画造"形"有很大的关系，从"应物象形"入手，探讨中国传统绘画的造"形"法则，并以这个法则来分析文人画的造"形"。

It mainly sales various of high-grade oil paintings, such as Chinese paintings, calligraphy painting, decorative paintings, Hunan embroidery, painting with no frame, high-grade gold and silver parked painting, painting wood craft, craft jewelry and so on.

经营各种中高档油画，国画、名家字画、装饰画、湘绣、无框画，高档金银泊画、木雕工艺画、工艺饰品等。

It also accelerated the pace of Chinese commercial painting, and furthermore, it brought tremendous influence to Shanghai treaty port painting, neoteric Canton area painting and"reformative"painting. It also inspired the Europe industrial arts and garden design of 17-18 century.

西洋风绘画促进了东西方贸易的发展，加速了中国绘画的商品化；对近代岭南绘画、上海开埠绘画及"改良派"绘画产生了影响；并成为17、18世纪欧洲中国风工艺美术设计和园林设计的重要灵感来源。

His concept of creation of painting. In his opinion, pure painting art has to be relative to lives and unpractical. And an artist should have a respectable character as well as skillful techniques. He thought the Chinese painting was more subjective and metaphysical but the western one is more objective and realistic. Feng had great achievement on cartoons because it was the kind of painting that relied on simple brushworks, meaning, symbols, and literary which all correspond to his principles.

二、绘画创作理念：在绘画艺术方面，丰氏认为其要与生活相关联，并且不具有实际之效用，方才是纯正之绘画艺术；而艺术家除了具备巧妙的技法之外，更重要的是要具有高尚的人格；在中西绘画方面，丰氏认为中国画较主观、写意，西洋画则较客观、写实；而因为认为漫画是简笔而注重意义的一种绘画，并具有象徵性、文学性，最符合其作画原则，因此丰氏在此领域著墨最多，成就也最高。

The symbol color of Confucian ethic affects the color development of Chinese figure painting, esp. on the figure's dress. Buddhism has developed closely with the magnificent style of "Royal academic painting" in Sui and Tang Dynasties. While in Song and Yuan Dynasties, literati painting type that focus on adding washes of ink or color to a drawing affected by Taoist ideas holds the mainstream of the position in painting ciders and all lasts to modem times.

儒家的伦理象征色影响了中国人物的色彩发挥（主要是对人物服饰的影响），佛教与隋唐之际金碧辉煌的&院画&风格的形成有关系；到了宋元，受道家思想影响的水墨渲淡为主的文人画风占据了画坛的主流地位，并一直影响到近现代。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。