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freehand brushwork in traditional Chinese painting相关的网络例句

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与 freehand brushwork in traditional Chinese painting 相关的网络例句 [注:此内容来源于网络,仅供参考]

In a painting,broad brushwork establishes theme and mood;fine brushwork embroiders a memorable image.

在绘画,宽广的绘画建立题材和心情;美好的绘画绣一个难忘的图象。

These incidental triangular brushworks are something popping up along the way I further my imagination. Breakthrough is needed. If problems are caused, I will discard them without any hesitation. It is not my intention to conduct study by separating the supporting factors of painting such as brushwork from the work. But when viewers appreciate paintings, they are used to starting from color and brushwork in order to quickly get the gist of the work and get a clear answer. This is quite a trouble to painters.

这些附带的三角笔触是我想像深入途中的东西,它们有待突破,如果由此造成问题,那我会毫不犹豫地摒弃它们,把诸如色彩,笔触等这种画面形式支撑的因素单独抽离出来做切片研究,有悖我的本意,但是观众在解读画面的时候,习惯先通过颜色、笔触去理解作品,然后快速把握作品,以获得一个明了的答案,如此,对于画家来说也是一个不小的麻烦。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花,突破了五大官窑单色釉的局限,具有传统水墨画的艺术效果,把中国的传统绘画、书法技艺与陶瓷工艺结合起来,创造了新的综合艺术,开拓了古代陶瓷美学的新境界,并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩,别具一格,画师们采用极其潇洒的手法和高超精湛的画技,将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上,保留了大量古代民间绘画、书法及反映民俗民风的实物资料,形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色,对国内及世界陶瓷产生了深远而巨大的影响,成为声震古今、享誉中外的一代名窑。

The poem phrase painting participate the formation of the park thing elephant view;Poem phrase painting to the body of park artistic conception now;The poem phrase painting openned widely content and outside of park artistic conception to postpone;Manifestation the region the scenery can't mean of person, thing or cordiality;The poem phrase, horizontal tablet, scrolls...etc. in the park literature delineate to exaggerate artistic conception;Poem phrase, horizontal tablet, scrolls, painting in the timespace idea the top the park art of artistic conception and park literature of mutually and dissimilitude;The park art establish the material entity of material painting to compare with poem phrase, on the form view more elephant,on the establish of artistic conception more of thorough;The expression of artistic conception of the park art painting to compare with poem phrase, on the timespace more direct, thorough.

诗词绘画参与园林物象景观的形成;诗词绘画对园林意境的体现;诗词绘画拓宽了园林意境的内涵和外延;显示当地景物所不能表示的人、物或情意;园林文学中的诗词、匾额、对联等勾勒渲染意境;在时空观念上园林艺术的意境和园林文学中诗词、匾额、对联、绘画的相通和相异;园林艺术的创设素材的物质实体性较诗词绘画在表观上更具象、在意境的创设上更加的深入;在时空上园林艺术意境的表达较诗词绘画更直接、深入。

This article is closely focus on the development and inditement of the classical realistic oil painting in China, it expatiate the concept and category of the " classical realistic oil painting in China", and make a brief review of the spread and sprout of the earlier period European classical oil painting in China, it also analyze the status which realistic painting predominate the whole condition of painting for a long period, it had an impact on the inditement of classic realistic oil painting in China over a long period of time.

本文紧紧围绕中国古典写实油画的发展与创作这一中心,阐述了"中国古典写实油画"的概念与范畴,并简要回顾欧洲古典油画在中国的早期传播、早期萌芽,分析了写实性绘画长期占主导地位的状况对中国古典写实油画产生的重要作用。

This is not only because we all started our art career from traditional Chinese art. We find it regrettable that traditional art forms are in their muteness in contemporary culture. In our respective artistic practice, we have formed a common understanding about contemporaneity of Chinese Painting: Chinese Painting needs to be explored and reformed from the legacy of tradition; Chinese Painting needs to obtain its contemporary cultural significance.

这不但是因为我们都是从学习传统的中国绘画艺术开始我们的艺术之旅的,更因为我们对传统艺术方式在当代文化中无所作为的失语状态有切肤之感,在各自的艺术实践中对中国艺术的当代性有一个共同认知:中国艺术需要从传统中发掘和更新、中国艺术要努力具有当代文化的意义。

Chinese painting shouldn't be negatived at all only for some shortage in traditional painting elements. Meanwhile, in the college , which is regarded as one of the most important way to hand down Chinese painting, Chinese painting education also faced unprecedented challenge.

做为传承中国画最重要的方式之一的学院中国画教育同时也面临着空前的挑战,而中国画教学问题的根本仍然是中国画自身的问题,中国画教育问题的混乱正反映了中国画问题的混乱。

The author apply a new way to analyze calligraphy and painting market, which according to creativity or reprography of a calligraphy or painting work, not by the old way of cataloguing the market into Chinese painting, Chinese calligraphy, oil painting, board-craving painting etc.

发展书画市场就要研究书画市场,笔者一改国内对于书画市场研究分中国画、油画、版画等门类的方法,打破具体书画艺术门类的界限,对书画市场进行调查后,按照书画的创意性和是否可复制的特性进行分类、研究。

These two kinds of tendency are no matter in traditional brushwork, still reflect somewhat in contemporary brushwork.

这两种倾向不论在传统绘画中,还是在现代绘画中都有所体现。

There are about three types of the form of Chinese modernism novels in 1980s: 1. deformation and freehand brushwork; 2 .symbolism and allegory; 3 .dreaminess and fabrication.

因此,他们的作品的艺术范式还是西方的基本类型:1、变形和写意,2、象征和寓言,3、梦幻和虚构。

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The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

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文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用,并详细阐述了注浆技术的施工流程。

I knew nor shyness nor fear, my life was boisterous.

我不懂得羞怯和惧怕,我的