查询词典 freehand brushwork in traditional Chinese painting

To work consciously with concepts ultimately makes one proactive in one's approach of rhetoric. In another word, when painting becomes a problem, everything about painting will not be taken for granted. Many factors, including material, size, painting strokes, visuality, icon, image, narrative, taste, style, etc, should be examined under a new light in their new identities as rhetorical means.

观念的自觉必然会带来修辞的自觉，换句话说，绘画成为了一个问题，那么关于绘画的一切都不再是理所当然，包括材料、尺寸、笔触、视觉、图像、形象、叙事、趣味、风格等诸多的因素就必然要被重新审视，并进而被视为各种修辞手段。

Except for wood engraving, all of the three other painting techniques were in a real sense created in foreign countries, where oil painting is authentic, just like ink painting is authentic in china.

除木版之外的其他三版，从真正意义上讲，都是外国的发明。

It is also related to my understanding of painting. For me, painting is a word, a memory. My thoughts and actions, or a certain purpose born out of it, or a certain reason are what I consider in painting. This assembly of things could appear to be rather absurd at times.

再有我对绘画的认识，绘画于我来说是一个词，一个记忆，由它生发的以后的想和做，或某种目的性，某种理由，我都把它们理解成绘画，这种综合有时展示出来是比较荒唐的。1

The design realm in the province of Jilin, use more software is the bridge Doctor system, bridge master, system of ASBEST, procedure of QJX and province highway of Jilins survey to design the hospital to by oneself develop of the T beam plank beam painting procedure, the cover beam calculation painting procedure, a pillar calculation procedure, the upper part procedure compute a procedure mostly, even some procedures can paint, but the province painting of basic and dissatisfied foot Jilin of born diagram paper style, the diagram paper the modification quantity compare greatly, the procedure that the lower part procedure adopts to by oneself

在吉林省内设计领域，使用较多的软件是桥梁博士系统、桥梁大师、ASBEST系统、QJX程序及吉林省公路勘测设计院自行研发的T梁板梁绘图程序，盖梁计算绘图程序，桩柱计算程序，上部程序多是计算型程序，即使有些程序能够绘图，但生成图纸基本不满足吉林省绘图风格，图纸修改量较大，下部程序多采用自行编制的程序，但大多数程序是DOS系统的程序，使用不方便，同时与现行规范多有不符。

This article select the topic, in order to study the influence of the painting schema existed playing on the painter's art activity in his painting career, through the analysis to some problems concerning painting and schema. Then inquire how the painter particularly for the contemporary painter treat and make use of the forepassed schema from the angle of the development of art.

本文选此题目，通过对绘画、图式及有关问题的剖析，研究画家在其绘画生涯里，已经存在的绘画图式对其艺术行为的影响，并从发展的角度探讨画家，尤其是当代画家该如何对待图式，并如何运用图式。

First,daubing a board with lacquer and dope as bottom layer and making the surface of this bottom layer smooth by grinding ,hen,drawing all sorts of ve-ins you liked by using colorful lacquer on the surface,by lacquering different thickness,bring changeful light andsh-ade surface with strong stereo,in the process of painting,in order to represe-nt the obgect more reality.we usually use some material such as precious st-one,eggshell,gold,silver,stannum,by enchasing process to make the printi-ng more rich and colorful,at last,grind-ing the surface and hooding it with tre-nsparent lacquer,just about thegrinding is embodiment of FUZHOU's painting skill,so we call it lacquer painting.

先以漆和瓦灰按脱胎工艺技法在木板上上漆打底、磨制光滑，然后用调好的色漆在底板上层层描绘出各种纹样，利用上漆的厚薄不均使画面产生富于变化的明暗调子，从而具有立体感。在作画的过程中，为了更好的表现物体，还根据画面内容的需要，采用宝石、螺钿、蛋壳、金、银、锡等材料进行镶嵌，使画面层次更加丰富。最后经打磨并罩上透明漆用细瓦灰与生油推光，正因为&磨&体现了福州漆画的独特工艺故称为&磨漆画&。

His painting is strictly a simple transformation within academic style, applying in a large background some pure monochromic color in graffiti-style, his painting is much more profound than regular cartoon painting.

人物形象不是逃离现实世界，而是重返自我心灵深处，充满一种无声的诉说。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

It should be pointed out that Wang Liwei's painting is an utter monolog from the deep of the heart, which distinguishes himself from so-called contemporary fashionable artist. Consistent with content, explicit painting language is a kind of orient impressionistic rough manner. But we can feel life dualism in his painting, and observe a sort of subtleness, simplicity and mildness.

应该说，王立伟的画儿，完全是一种发自内心的独白，这使他有别于那些标榜当代的时尚艺术家，与这种内容相适应的外在绘画语言是一种带有东方写意感的较粗狂犷的表现方式，但透过他的画作我们也可感受到一种生命中双重性的显现，我们可以看到一种细腻、纯朴与温和。

Now this painting stood under the great high arches of the palace gates somewhere over there. And a soldier put up a ladder to go and get the painting and somebody rushed out of the crowd and pushed the ladder down and killed the soldier. But the other soldiers took the painting down and arrested the person who had killed their friend and they had her executed. And Saint Theodosia the virgin martyr became the first victim of iconoclasm.

这幅画位于宫殿的大拱门下，就在那里的某处，一位士兵爬上梯子拆画像，有个人从群众当中冲出来推倒梯子，士兵倒地而死，但其他士兵还是拆下了画像，逮捕害死他们同伴的人，并将她处死，殉教士圣西奥多西娅成为第一个捣毁圣像的牺牲者。

Nowadays, most of research are to build a transmutative Petri Nets through adding controlling place sets, controlling arc sets and controlling policy to the basic Petri Nets, while the Controlled Petri Nets could be used to argue many controlling theory problems conveniently and to induce many logically and physically supervisory and solve the Event Feedback Controlling Problems and State Feedback Controlling Problem in DEDS supervisory theory.

目前大多数的研究表现为在变形后的受控Petri网基础上，利用各种方法求得各种逻辑型、结构型控制器，解决DEDS监控理论中的事件反馈控制问题与状态反馈控制问题。

On one hand, there are discussions with the works council and union about extension of short time working up to the end of September.

一方面，有讨论，工程理事会和联盟关于延长工作时间短至9月底。