查询词典 freehand brushwork in traditional Chinese painting

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

If In the cool air have a few beams sunlight passing through be consider as freehand brushwork, then add some hearth and drinking song should been consider as considerable freehand brushwork.

如果清冷的空气中有几束阳光透过是写意的，那么再加上火塘和酒歌就算得是大写意了。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

Through traditional Chinese painting study in the period of University and oil painting art study in the period of graduate student for 3 years, I seriously compared and studied the colouration between traditional Chinese painting and oil painting, I think, no matter what tradition Chinese painting is or oil painting, colouration as an art form in Chinese-the West culture systems has many difference in different history stages, their painting concept is different.

通过在大学时的中国画学习和三年研究生阶段对油画技法及创作艺术的研习，对中西绘画的色彩观进行了认真的比较研究，我认为在色彩上无论是中国画还是油画，作为中西两种不同文化体系中的艺术形式，其色彩观念上有许多不同之处，在不同的绘画历史阶段，他们的绘画色彩观念也并不一样。

They indicated that the culture intension of traditional Chinese painting and the good points and function in Chinese knowledge education. The traditional Chinese painting pay attention to the traditional Chinese culture. It combimes firmly with poems and calligraphy and seal cutting. Chinese painting with other three greatest art Chinese zither, chesses, poems of Chinese classic four greatest arts combine extremely close. The traditional Chinese painting take a great part in knowledge education system .

第二，三章是全文的重点，主要论述了中国画的文化内涵以及中国画在知识教育体系中的优势以及作用，中国画重视与中国传统文化的结合，重视与诗文书印的结合，中国画还和中国古典四大艺术的其他三大艺术琴、棋、书结合得极为紧密，中国画教育是中国特色的知识教育体系的重要组成部分。

It is a model of the combination of realistic painting and freehand brushwork in traditional Chinese painting, realism and romanticism, thus it has high research value.

是写实性与写意性、现实主义与浪漫主义相结合的典范，有着较高的研究价值。

Some of his works are selected in Works of Famous Chinese Painters, Painting and Calligraphy Works of Modern Artists, Opusculum Paintings by Famous Chinese Artists, Paintings of Chinese in Unison, Painting and Calligraphy Works of Central and National Organizations, China's Gold Prize Winning Works, Painting and Calligraphy Works of CCTV, Paintings for the Fighting against SARS, Painting and Calligraphy Works for China ' s Cymbidium Festival, National Painting and Calligraphy Works for the Summer in Qinhuangdao, National Painting and Calligraphy Works Dedicated to the Yellow River, National Painting and Calligraphy Works for 21st Century and so on.

部分作品选入《中国画名家作品集》、《当代艺术家书画集》、《中国书画名家小品画集》、《中华儿女众志成城画集》、《中央国家机关书画家作品集》、《中国美术金彩奖作品集》、《中央电视台书画展作品集》、《翰墨丹青战非典作品集》、《中国兰花节书画作品集》、《秦皇岛之夏全国书画展作品集》、《黄河情全国书画展作品集》《二十一世纪全国书画展作品集》等。2001年举办个人画展。2002年与李春海、赵占东、王玉良、孙志钧等举办联展。2003年举办谷福海百扇诗书画展。2005年举办谷福海、郑绍敏、柴京津书画联展。

A lot of consumer are alive house of life of kitchen of type of fine ambry experience " the experience is consumed " when discovery, the room of each kitchen example in the exhibition hall, resembling is each vogue arena, maintain his composure to people in natural freehand brushwork in traditional Chinese painting the ground shows the kitchen popularity new trend 2006: Teak color reflects the rich sense that gives ambry, its dignified and dignified of showily nature, of primitive simplicity, easy characteristic is shown without involuntary discharge of urine.

很多消费者在世嘉橱柜体验式厨房生活馆"体验消费"时发现，展厅里的一个个厨房样板房，像是一个个时尚舞台，在自然写意中向人们不动声色地展示2006年的厨房流行新趋势：柚木色体现出橱柜的珍贵感，其华贵自然、古朴凝重、端庄大方的特点展露无遗。

Freehand brushwork in traditional Chinese painting is an important characteristic, it characterized by vivid expression and bold outline.

写意是传统中国画的最大特点。不须具体的描绘，只描述物体给人的印象。

Freehand brushwork in traditional Chinese painting is gradually formed in long artistic practice.

写意画是在长期的艺术实践中逐步形成的，其中文人参与绘画，对写意画的形成和发展起了积极的作用。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。