查询词典 fox-brush

AS soon as we reckoned everybody was asleep that night we went down the lightning-rod, and shut ourselves up in the lean-to, and got out our pile of fox-fire, and went to work.

那天晚上，估计大家都熟睡了，我们便顺着避雷针滑了下来，躲进那个披间，把那一堆烂木头狐火取出来，就动手干了起来。

20Th Century Fox declined comment, but in a news release announcing 7-Eleven's promotion with the movie, Lisa Licht, the studio's executive vp global marketing partnerships, said the promotional strategy was to "partner with companies that would execute programs that have never been done before."A source close to the movie's promotions said that the studio and the filmmakers were "extraordinarily selective and specific in terms of the creative content" for tie-ins.

二十世纪福克斯拒绝评论，但在一份新闻稿公布 7-11的推广与影片中，丽莎 licht ，工作室的执行 VP的全球营销夥伴说的宣传策略是"合作夥伴的公司将执行的节目，从来没有做过，"一位接近电影的促销说制片厂和制片人"非常有选择性的，具体在从创作内容"，为配合行窃。

Chapter 36 第三十六章 AS soon as we reckoned everybody was asleep that night we went down the lightning-rod, and shut ourselves up in the lean-to, and got out our pile of fox-fire, and went to work.

Then he says：那天晚上，估计大家都熟睡了，我们便顺着避雷针滑了下来，躲进那个披间，把那一堆烂木头狐火取出来，就动手干了起来。

There are a lot of cadavers in late night," said Peter Liguori, president of entertainment, Fox Broadcasting."Once we find someone we want to do a show with, or find a show we want to put in late night, launch it in a more measured fashion -- maybe in a protected time period, late night Saturday night or Friday night. MediaPost Communications 1/18

深夜节目有太多都完全没人看，"福克斯广播公司娱乐总裁 Peter Liguori 说，"一旦我们找到了可以合作的主持人选或者我们找到了我们愿意在午夜播出的节目，以更为谨慎的方式来播出——可能会选择一个比较保险的时间段，比如说周六或者周五晚上的晚些时候。

"While most game shows measure how smart you are, this is a show that will measure how dumb you are," said Peter Liguori, Fox entertainment president.

福克斯电视网娱乐部门的负责人彼得·利古奥里说："眼下绝大多数智力竞赛节目其实都是在测验你到底有多聪明，而我们这个节目则是要衡量一下你到底有多傻。"

Fox won a competition with other networks to buy the idea from Mark Burnett, executive producer of "Survivor," perhaps because Liguori — not too modestly — said he was the only chief network television executive to answer all six questions from the show correctly.

而福克斯方面之所以能够在与其他电视网争夺该创意使用权的"激战"中最终胜出，或许正是因为利古奥里曾经说过的一句话，他声称自己是全美主要电视网的高管人员中惟一一个能够正确回答"幸存者"中所提六个问题的人。

Suddenly,the fox pouted,sticked out his forepaws and lifted him upside down.He revealed his sharp fangs and wanted to bite the hedgehog on his abdomen like greased lightning.

聊着聊着，狐狸突然把脸一变，"刷"地伸出前爪，一迅雷不及掩耳之势将刺猬掀翻，露出尖利的牙齿，闪电般向刺猬柔软的腹部咬去。。。。。。

He will be rewarded with Fox Jade's Lilac necklace.

他就能获得狐狸白玉的丁香花项链。

Either of two Welsh breeds of long-bodied short-legged dogs with erect ears and a fox-like head .

两种威尔士品种之一，身体长、短腿、耳直立、头象狐狸。

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而，我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯－斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙，画家乔恩·龙伯格（他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用）、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚；顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克；KCET管理人员，特别是格雷格·安多尔弗（他首先把KCET的建议传达给我们）、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀，《宇宙》电视系列片的担保人和合作制片人，其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。