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In the design of teaching, students should have the necessary knowledge of painting to express various forms of modeling, and improve the image of the thinking ability, abstract thinking, abstract expressionism, ability, ability to shape the aesthetic.

在设计教学中，学生应具备必要的绘画知识，才能表达各类形态的造型，并能提高形象思维能力、抽象思维能力、抽象表现能力、对形态的审美能力等。

Title: Study on Decision Rule Optimization and Organization of Group Decision-making Abstract Group decision-making, as one of the basic forms of decision-making, plays an important role in economic and political fields due to the ever-increasing complexity of decision issue and the enhanced democracy awareness. Research of group decision-making is receiving more and more attention as the cutting edge of decision-making theory. Fruitful results are achieved in this field, while there are still some weak aspects for further research, especially in the organization and decision process ot group decision-making. Researches in those fields are instrumental in optimizing the organization and decision process of group decision-making. And we have made some exploration in this paper as follows.

随着决策问题的日趋复杂化和人们民主意识的增强，群体决策作为决策的一种基本形式，在政治和经济生活中占有越来越重要的地位，而群体决策作为决策理论研究的热点和前沿也在国内外方兴未艾，并取得了丰硕的成果，但也存在一些薄弱环节和需要深入研究的问题，特别是在群体决策的组织结构和决策过程方面，如群体决策的规则优化、决策规则的约束性质、群体决策中领导的影响、决策者之间的相关性对决策质量的影响、序贯群体决策中各种组织因素对其决策质量、决策效率、决策收益的影响等等。

The discussion of this issue is barely involved with how the spirit of Utopia and individual value that exist naturally in the Western abstractionism have decayed and weakened while it is developed in China style. Instead, it concerns the gains and losses of 'nationalizing' the oil paintings, safeguarding cautiously the inherent spirit of the modern tradition, which, together with non-painting avant-garde art and figurative paintings, constitutes the three-pillar fine art forms.

这个问题值得讨论之处，已不再是西方抽象主义原本具有的乌托邦精神和个人价值，应如何在迁就地"国化"的过程中衰减和削弱，而是应联系到油画"国化"的得失，警惕地守护这个据说与非绘画性前卫艺术、具像绘画等鼎足而三的现代传统的内在精神。

With regard to artistic forms,the Absurdist Fiction became the main source of modeling,inspiration and influence.

在小说领域，萨特和加缪的存在主义小说、海明威和其他许多现代派作家的虚无主义故事都演绎了这一主题。

To all forms of abuse is an essential part of spiritual growth for you and for Earth.

的一切形式的虐待，是对你的精神和地球发展的重要组成部分。

This Abyssinian proverb forms the theme of Anthony Capella's third novel, an erotic, exotic story set at the turn of the 20th century, which builds upon Mr Capella's reputation as a writer of gourmet fiction.

这句阿比西尼亚谚语构成了安东尼·克派拉第三本小说的主题。故事发生在19、20世纪之交，全书情欲流传，弥漫异域风情，奠定了克派拉先生美食小说作者的名望（1）。

Academicism is revealed in contemporary art's fixation on certain "old" principles and forms repeated to exhaustion among artists, or even within the oeuvres of certain artists.

学院主义表现在当代艺术对某些陈旧的原则和形式上的死守，让艺术家在重复中感到精疲力竭，或甚至主导了一些艺术家的全部创作。

The reason for regarding the architectural education of France and America in this period as an organic whole of Academicism system is that both of them treated the idea of"Beaux-Arts"as key, and there were common systematic characteristics between them in thoughts and methods: universities and professional bodies ran schools cooperatively all the time; the methodology is based on the combination of university teaching with atlier teaching; they both belived in"antique"and accepted Ecleticism; they both had obvious aestheticism and strict attitude in study; they both had the intention to adapt to the practical situation in their respective countries. The whole dissertation contains about 185, 000 words, 132 illustrations and 12 forms

之所以将法、美两国这一时期的建筑教育视为紧密相关的"学院派"体系，是因为它们都以"鲍扎"思想为核心，在认识论与方法论上有着体系化的共性特征：学校与行业学会始终协同办学；教学模式以大学体系和画室制结合；学术上有尚古和折衷主义倾向；治学上有着明显的唯美和严谨的风范；实际运作中又都有着为适合各自国情发展的意识。

Basing on analyzing a few pictures, this article tries to backward the history of the spring and the shaping of this motif, to study the intercommunion between patterns, to discuss the relationship between the symbolization and the formation, and between the symbolization and the headspring, to expatiate its importance in the aesthetic way, and to draw the conclusions 1, consistent in forms, acanthus scroll origins from the lotus ornament.

本文试图围绕莨苕叶饰漩涡纹样这一重要的装饰母题，依据图例，追溯这一纹样的起源和成形，考察成形中图案在时间和空间上形成交流的原因和意义，讨论象征意义和起源之间的关系以及象征意义与形式之间的关系，以及阐述这一纹样的成形与演变在审美上的意义，来展开对图案的本体问题的讨论。

It is a truly grotesque vegetation, whose forms and color we see imitated in bronze, a sort of architectural foliage more ancient and typical than acanthus, chiccory, ivy, vine, or any vegetable leaves;destined perhaps, under some circumstances, to become a puzzle to future geologists.

这真是一种奇异的滋育，它们的形态和颜色，或者我们从青铜器上看到过模仿，这种建筑学的枝叶花簇的装饰比古代的茛苕叶，菊苣，常春藤，或其他的植物叶更古，更典型；也许，在某种情形之下，会使得将来的地质学家百思不得其解了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。