查询词典 formless

No matter what arises—whether as or in the state of waking, or of dreaming, or of sleeping—you Are the actionless, and formless, and thought-free mere Witness of attention itself, and of every apparent "object" of attention, and of any and every state of experience, and of the entirety of whatever and all that arises.

无论什么在生起——不管是在醒，梦或深睡的状态中——你是无作为，无形态，无思考的观照者；仅仅观照注意力本身，及所有注意中看似的"客体"，所有及任何的体验，全体的所有及任何的生起。

Formless, directionless, anarchical, liquid, void, an utmost darkness.

无形的，方向性，无政府主义，液体，无效的，最黑暗的。

For the bhakta He assumes forms. But He is formless for the jnani, that is, for him who looks on the world as a mere dream. The bhakta feels that he is one entity and the world another.

对于巴克提行者来说，他是有形的神；对于智慧瑜伽士，也就是把世界看作仅是一场梦的瑜伽士，神是无形的。

I was at this point bodiless, formless, floating in a black warm void.

这个时候，我感觉自己是无形的，没有形状，漂浮在温暖的黑暗虚空中。

Monotheistic as the writer is throughout his work, he evinces an acquaintance with Greek thought and philosophical terms (he calls God "the Author of beauty": 13:3; styles Providence pronoia: 14:3; 17:2; speaks of oule amorphos,"the formless material" of the universe, after Plato's manner: 11:17; numbers four cardinal virtues in accordance with Aristotle's school: 8:7; etc.), which is superior to anything found in Palestine.

一神教的作者是他的工作，他表现出一个熟人同希腊的思想和哲学术语（他所谓的上帝"作者美"：十三时03分；风格普罗维登斯pronoia ： 14时03 ； 17点02 ；谈到oule amorphos "的无形物质"的宇宙，在柏拉图的方式： 11点17分；号码四项基本原则美德按照亚里士多德的学校：八时07等），这是优於任何发现在巴勒斯坦。

But the shadow was vague, and formless, and indefinite, and was the shadow neither of man nor of God- neither God of Greece, nor God of Chaldaea, nor any Egyptian God.

但那影子仍若明若暗，虚无缥缈，毫不成形；既不像人也不像神——不像希腊的神，不像迦勒底的神，也不像埃及的任何神。

To the prevailing school of dreamy Brahmin ascetics, whose teachings are found in the Upanishads, the ultimate source of all things was not the personal Brahmá, but the formless, characterless, unconscious spirit known at Atman, or, more commonly Brahm.

当前学校的梦幻般的婆罗门修行，其教义是中发现Upanishads ，最终的来源，所有的事情不是个人梵天，但无形的， characterless ，不省人事精神知道阿特曼，或者，更常见的浪。

I saw when at his Word the formless Mass, This worlds material mould, came to a heap: Confusion heard his voice, and wilde uproar [ 710 ] Stood rul'd, stood vast infinitude confin'd; Till at his second bidding darkness fled, Light shon, and order from disorder sprung: Swift to thir several Quarters hasted then The cumbrous Elements, Earth, Flood, Aire, Fire, [ 715 ] And this Ethereal quintessence of Heav'n Flew upward, spirited with various forms, That rowld orbicular, and turnd to Starrs Numberless, as thou seest, and how they move; Each had his place appointed, each his course, [ 720 ] The rest in circuit walles this Universe.

我曾目见，这世界实质不成形的块块，在神的指点下就变成这许多东西。 '混沌'听从神的话，旷野的喧哗镇静下去，无边无垠的空间，也有了界限；到神第二次发言时，'黑暗'就逃走了， '光明'来临了，从混乱中产生了秩序。从此，地、水、火、风等粗笨的元素都赶快各就各位；同样地，天上轻灵的第五元素也以各种各样的形式产生出来，升到空中，滚成球形，正如你所看见的不可计数的星辰怎样运行。它们各有指定的地方，各有轨道，剩下的灵气，成了宇宙的城廓。

During the day-time Haladhari used to meditate on God with form, and at night on the formless God.

白天的时候，哈拉达尼习惯于观想有形之神，晚上的时候观想无形之神。

The main body revolves around the fictionalization of the text, humanization and liveliness in portraying characters, the formless narrative, the formal of spiritual subject and the meaning of Dong Xi"s works to the contemporary fiction creating, exploring the characteristic of complete fiction in the artistic ontology, concentrating his attention on life content in portraying characters, the narrative pattern of the formless, the formal pursuit in spiritual subject, and its distinctiveness comparing to other "Late Generation""s works, what artistic elements he uses and how his texts that the whole human share are organized by using these artistic elements.

正文主要围绕小说文本的虚构化，人物塑造的人本化、生命化，形而下的叙事，形而上的精神主题和东西的小说艺术对当代小说创作的意义五个问题，探讨了东西小说在小说艺术本体论上的全虚构特性；在人物形象塑造上的生命含量的倾注；在叙事层面上的形而下形态；在作品精神主题上的形而上诉求以及东西的小说文本在晚生代作家中的独特性、它采用了哪些艺术元素以及如何把这些艺术元素组织成一种全人类所"共享"的文本等问题。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。