查询词典 forgotten

WITH the spate of letters debating the issue of the foreign sports talent scheme, it seems everyone has long forgotten our disloyal runaway foreign imported paddler, Zhang Xueling, as well as a problem footballer and a third, a problem shot putter.

海峡时报上个星期六刊登读者投书，题目是《惩罚不忠诚的外国运动人才》。文章提醒人们说，有个来自中国的运动员张雪玲，最后不忠诚地"跑了"，以及足球球员和铅球运动员等。

Also once we all have forgotten own, realizes that palpitation the feeling and the tangled up love.

也曾经我们都忘了自己，体会那心跳的感觉和缠绵的爱。

Brain has already almost forgotten it, in a desperate paroxysm of self-defence.

望的自我保护状态下，我的大脑已经将它忘记。

Has already almost forgotten it, in a desperate paroxysm of self-defence.

量的中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它忘记。

My brain has already almost forgotten it, in a desperate paroxysm of self-d

和力量的中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它

And power of the Chinese displays, it was so far beyond embarrassing, my brain has already almost forgotten it, in a desperate paroxysm of self-defence.

量的中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它忘记。

Brain has already almost forgotten it, in a desperate paroxysm of self-defen

量的中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它忘记

Of the Chinese displays, it was so far beyond embarrassing, my brain has already almost forgotten it, in a desperate paroxysm of self-defence.

中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它忘记。

Against the dignity, seriousness and power of the Chinese displays, it was so far beyond embarrassing, my brain has already almost forgotten it, in a desperate paroxysm of self-defence.

对比尊严的，严峻的和力量的中国表演，它比丢脸还要丢脸，在绝望的自我保护状态下，我的大脑已经将它忘记。

If you have forgotten the password, there is no recovery for it.

假如你忘记了密码，这是没有办法恢复的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。