查询词典 for the love of

I love her, true, even I; I am ready to sacrifice everyt hing gladly for her sake everything, even the hope of being loved by her; there is no devotedness of which I am not capable for her, for one of her smiles, for one of her looks.

我爱她，不错，即使没有回报；我也甘愿为她牺牲一切，甚至放弃被她爱的希望。为了她的一个微笑，为了她的一次顾盼，我愿意为她做任何事。

I love her, true, even I; I am ready to sacrifice everything gladly for her sake----everything, even the hope of being loved by her; there is no devotedness of which I am not capable for her, for one of her smiles, for one of her looks.

为了她的一个微笑，为了她的一次顾盼，没有任何我为了她做不到的事。

Black jack because he is the god of qi, and surgical technique that name is widely spread all over the world, but he is a doctor, but all receipts for such a dios, but the secret d love and hate and prostrated himself in his god of medical technology, technology for him and for the sky seemed quite cold, But black jack for treatment, but no certain standards, sometimes have to offer the millions of yuan, but sometimes not cure a dime, especially in such treatment from the intercourse between for reading, can actually black jack's sentiment and righteousness.

黑杰克因他神乎奇技般的外科手术技术，而使名号广为流传于世界各地，但他却是个无照的医师，然而众人对于这样一个谜样般的密医，却是又爱又恨，拜倒于他那神技般的医疗技术，却又对于他看诊的漫天索价相当感冒；但黑杰克对于治疗费用的索取，却没有一定的标准，有时非得开价上亿元不医，有时却又一毛不取替人治疗，在这样索价的往来之间，其实可以细读出黑杰克的情与义。

She received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in TRIUMPH OF LOVE , and an Olivier Award nomination for her interpretation of Norma Desmond in the London production of Andrew Lloyd Webbers SUNSET BOULEVARD , which she repeated to more rave reviews on Broadway.

在《爱的胜利》中扮演赫西俄涅使得她在一场音乐剧中赢得了第二次托尼奖最佳女演员的提名，在安德鲁洛伊韦伯在伦敦导演的《日落大道》中对诺玛黛丝蒙这一角色的诠释使得她获得了奥利弗奖的提名，这些使得她在百老汇好评如潮。

All this Labour I was at the Expence of, purely from my Apprehensions on the Account of the Print of a Man's Foot which I had seen; for as yet I never saw any human Creature come near the Island, and I had now liv'd two Years under these Uneasinesses, which indeed made my Life much less comfortable than it was before; as may well be imagin'd by any who know what it is to live in the constant Snare of the Fear of Man; and this I must observe with Grief too, that the Discomposure of my Mind had too great Impressions also upon the religious Part of my Thoughts, for the Dread and Terror of falling into the Hands of Savages and Canibals, lay so upon my Spirits, that I seldom found my self in a due Temper for Application to my Maker, at least not with the sedate Calmness and Resignation of Soul which I was wont to do; I rather pray'd to God as under great Affliction and Pressure of Mind, surrounded with Danger, and in Expectation every Night of being murther'd and devour'd before Morning; and I must testify from my Experience, that a Temper of Peace, Thankfulness, Love and Affection, is much more the proper Frame for Prayer than that of Terror and Discomposure; and that under the Dread of Mischief impending, a Man is no more fit for a comforting Performance of the Duty of praying to God, than he is for Repentance on a sick Bed: For these Discomposures affect the Mind as the others do the Body; and the Discomposure of the Mind must necessarily be as great a Disability as that of the Body, and much greater, Praying to God being properly an Act Of the Mind, not of the Body.

现在，再接着说说我接下去做的事。我把一部分家畜安置妥当后，便走遍全岛，想再找一片这样深幽的地方，建立一个同样的小圈地养羊。我一直往岛的西部走，到了一个我从前从未涉足的地方。我往海里一看，仿佛看到极远处有一只船。我曾从破船上一个水手的箱子里找到了一两只望远镜，可惜没有带在身边。那船影太远，我也说不准到底是否是船。

The second part focuses on the detailed analysis of the similarities between Fitzgerald and Gatsby, which includes their occupation, the way they pursue their top girl, the ways they love and cherish their top girl, and the way to face the cruel and false society, from the analysis we learn that both of them possess an enthusiastic illusion for romantic love with innocence and naiveness.

在第二部分中，菲茨杰拉德的追求珊尔达的过程中和盖茨比追求黛西的过程，还有他们对待他们所爱的女孩的方式和两个女人的寄生方式更充分的说明了金钱，成功和社会地位的重要性，也说明了在菲茨杰拉德的思想里也有对"无须流汗便可成功"的渴求。

The goal of cities which try to be creative is to create conditions which are open enough so urban decision makers can: Rethink potential such as turning waste into a commercial resource; revalue hidden assets such as discovering historic traditions that can be turned into a new product; reconceive and remeasure assets such as understanding that developing social capital also generates wealth; reignite passion for the city by for example developing programmes so people can learn to love their city; rekindle the desire for learning and entrepreneurship by for instance creating learning modules much more in tune with young peoples' desires; reinvest in your talent by not only importing outside talent but fostering local talent; reassess what creativity for your city actually is by being honest about your obstacles and looking at your cultural resources afresh; realign rules and incentives to your new vision rather than seeing your vision as being determined by existing rules; reconfigure, reposition and represent where your city stands and by knitting the threads together to retell your urban story that galvanises citizens to act.

城市发挥创意的目的在於，创造足够开放的情境，让城市决策人士能够做到如下的事项：重新思考各项潜在可能，例如将垃圾转化成商机；重新赋予隐性资源价值，例如将历史传统转化为新的产品；重新构想、衡量资源，例如认知到发展社会资源，同时也能造就财富；重新点燃城市的热情，例如策划活动，让大家学习爱自己的城市；重新挑起学习与创新的欲望，例如设计学习模式，贴近年轻人的脉动；重新投资自己的人才，不要只是依赖外国人才，而是培养在地人才；则新评估自己城市的创意为何，例如诚实面对自己的障碍，并从新鲜的角度来看待自己的文化资源；重新整合规范、动机，运用新的视野，而非被动受限於既定规范；重新装配、定位、呈现自己城市的现状，编织自己的都会故事，重新诉说，驱使市民采取行动。

In this respect, I also hope that, in the opening ceremony of the Olympic Games, and we can see that familiar with the shadow of the donation box so that the world's yearning for a better people's love, once again the people were injured in the disaster areas soothe the soul to the Olympic Games Name, will hope sown, eternal love.

对此，我更希望，在奥运会的开幕式上，也能够看到那熟悉的捐款箱的身影，让全世界的向往美好的人们的爱心，再一次将灾区的人们受伤的心灵抚慰，以奥运之名，将希望播撒，让爱永恒。

I also hope that, in the opening ceremony of the Olympic Games, and we can see that familiar with the shadow of the donation box so that the world's yearning for a better people's love, once again the people were injured in the disaster areas soothe the soul to the Olympic name, Will hope sown, eternal love.

用奥运的名誉，将希望播撒我更希望，在奥运会的开幕式上，也能够看到那熟悉的捐款箱的身影，让全世界的向往美好的人们的爱心，再一次将灾区的人们受伤的心灵抚慰，以奥运之名，将希望播撒，让爱永恒。

Perhaps a start, you on the station in, are doomed to be able theposition which injures, perhaps a start, our meeting one another, isone kind of 悲情 story, the flower blooms also the flower to thank,said any loves your for 10,000 years, gigantically stays behind thepledge, perhaps already arrived the end point tomorrow, likes with notliking being situated between between, I not too understand the love,万万 had not thought the love like this arrives, in front of thelove, my heart not that is still dependable, the early knowledge so,initially I should not start, I only then regretted to the present, Iliked me in the pray the person not being supposed to be you, Wantedto forget your this to resemble is impossible.

也许一开始，你就站在，注定会被伤害的位置，也许一开始，我们的相遇，就是一种悲情故事，花开又花谢，说什么爱你一万年，轰轰烈烈留下的誓言，明天也许已经到了终点，爱与不爱介于一线之间，我不太懂爱情，万万没想到爱情就这样到来，在爱情面前，我的心依然不那么塌实，早知如此，当初我就不应该开始，到现在我才后悔，我在祈祷爱我的人不应该是你，想忘了你这好象不可能。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。