查询词典 for the love of

Resemble to love an individual is similar and love her and then do not force she love her and then do not tie up she love her not the important cause loves her for you but let her hurting; love her to develop to love her and then let for the freedom that let that her have space she at liberty the hover love her and then let her get you the most sincere wish like this to oneself assuredness are painful but know that the true love is to needs the price of............

就像爱一个人一样爱她就不要勉强她爱她就不要束缚她爱她就不要因为你爱她而让她受伤；爱她就让她有自由发挥的空间爱她就让她自由地翱翔爱她就让她得到你最真诚的祝福这样对自己确实很痛苦但是要知道真爱是需要代价的。。。。。。。。。。。。

Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love, but idolatrous worship.

仅仅爱一个个体而排斥对他人的爱就不是爱，不把爱某人的国家作为对人道主义的热爱的组成部分就不是爱，而是偶像崇拜。

Just as love for one individual whichexcludes the love for others is not love, love for one's country whichis not part of one's love for humanity is not love, but idolatrous

仅仅爱一个个体而排斥对他人的爱就不是爱，不把爱某人的国家作为对人道主义的热爱的组成部分就不是爱，而是偶像崇拜。

Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love, butidolatrous worship.

仅仅爱一个个体而排斥对他人的爱就不是爱，不把爱某人的国家作为对人道主义的热爱的组成部分就不是爱，而是偶像崇拜。

Nationalism is our form of incest, is our idolatry, is our insanity·"Patriotism" is its cult·It should hardly be necessary to say, that by "patriotism" I mean that attitude which puts the own nation above humanity, above the principles of truth and justice; not the loving interest in one's own nation, which is the concern with the nation's spiritual as much as with its material welfare -- never with its power over other nations·Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love, but idolatrous worship.

民族主义是我们的乱伦模式，是我们的偶像崇拜，是我们的疯狂。"爱国主义"是它的迷信崇拜。不必说，我所谓的"爱国主义"态度将自己的国家置于人道之上，置于正义与真理的原则之上；不是对某人自己国家的利益的热爱，这种热爱既关注国家的精神财富也关注它的物质财富——从不以强力欺凌别国。仅仅爱一个个体而排斥对他人的爱就不是爱，不把爱某人的国家作为对人道主义的热爱的组成部分就不是爱，而是偶像崇拜。

Well I do this in my slumber summer I ain't none of these half-assed newcomers, you know how I do summer I drop heat, when you bring the sun up The combo make niggaz act up, I pick the gun up Niggaz back up; they know I'm not no fronter I don't talk shit, I just flip it +Un+ ya Sorry Lance, I'm just trying to advance my quotes I ain't making you the butt of my jokes But let's not stray from what I came to say To my beloved, think we need some time away They say if you love it, you should let it out its cage And fuck it, if it comes back you know it's there to stay It's tugging, at my heart, but this time apart is needed From the public, who should've gave me the pulitz' Instead gave me they ass to kiss But you know me, thugging 'til the casket dips But still shine light down on all my peers I know they weird... some queer, I still want them to share And all the success I received, I know you can't believe I still love 'em but they don't love me They like the drunk uncle in your family You know they lame, you feel ashamed, but you love 'em the same It's like when niggaz make subliminal records If it ain't directed directly at me, I don't respect it You don't really want it with Hov, for the record I put a couple careers on hold, you could be next kid Keep entering the danger zone You gon' make that boy Hov put your name in a song If you that hungry for fame, motherfucker c'mon Say when, take ten paces and spin But on another note,'bout to take another vaca' On another boat, goddamn a motherfucker rode His way out the hood, and I pray that I stay out for good But any day you know a nigga could Try and play like he Suge, then I gotta play like Dutch Schultz You pass the dutchie, I blast you, trust me Niggaz can't fuck with me I'm in a good mood, you lucky, I got a good groove And I ain't trying to fuck my thing up But I will lay down a couple green bucks, get you cleaned up Now I'm +Pulp Fiction+, Colt four-fifth and Young niggaz that blast for me/blasphemy, no religion Listen here summer baby, I just believe it's the right thing to do I got a brand new bitch, corporate America She showing me a lot of action right now And I know you put me on my feet and all, but I mean, it's time for me to grow You gotta let me go baby, you gotta let me go I'm done for now, so one for now Possibly forever, we had fun together But like all good things, we must come to an end Please show the same love to my friends Dear summer

好，我做这个，我沉睡的夏天，我不是这些半assed新人你知道我怎么做我夏季降热，当你把在太阳升起的二合一作出niggaz法，我拣了枪niggaz后盾；他们知道我不是没有一线，我不说屁话，我只挑它++联合国娅对不起长矛，我只是试图推进我国引号，我是不会令你天大的笑话我，但让我们不要再流浪从我来告诉亲爱的，认为我们需要一些时间，他们说，如果你爱它，你应该让出它在笼中，他妈的，如果他回来了，你知道它的存在，以保持它的拉着，在我的心但这个时候，除了需要来自公众，谁已经给我的pulitz '反而给我的驴子，他们的亲吻，但你也知道我， thugging '胡麻的椟点头，但仍焕发轻，取缔所有同行我知道他们怪异……有些奇怪，我仍然希望他们能够分享和所有的成功，我刚收到我知道你不相信我还是爱'统，但他们不爱我，他们像喝醉了，在叔叔你的家人你知道他们跛了，你会感到羞愧，但你爱的电磁相同它就像niggaz潜意识作出记录，如果不是直接针对我，我不尊重它，你真的不希望它与hov ，根据纪录，我把一对夫妇的事业停摆，你可以在未来保持跑步进入危险地带，你健在'，使男童hov把你的名字一首歌，如果你饿了，对名利，你娘c'mon时说，要花十年的腾飞和自旋，但在另一份说明，'布特采取另空泡的另一条船，福清一娘骑着出路的方巾，我祈求我留出好的，但有一天你知道了nigga可以试着玩像他素，然后推荐我喜欢扮演荷兰人舒尔茨递过dutchie ，我爆你，信任我niggaz不能他妈的，我用我的心情好，你运气好，我有一个好槽，我是不是他妈的我的事了，但我会打下夫妇绿钱，你得到清理，现在我纸浆+小说+， 1485五分之四和年轻niggaz爆我/亵渎的，任何宗教听听这里夏季宝宝我只是认为这是正确的事情要做，我有一个全新的荡妇，企业界她展示了我许多行动，现在，我知道你把我站起来和所有的，但我的意思是，它的时候，我成长你推荐，让我去宝宝推荐你让我走我不行了，所以一人，现在可能永远我们玩在一起，但象所有的好东西，我们必须走到了尽头请你拿出同样的爱，我亲爱的朋友夏天

Just as love for one individual which excludes the love for others is not love, love for ones country which is not part of ones love for humanity is not love, but idolatrous worship.

仅仅爱一个个体而排斥对他人的爱就不是爱，不把爱某人的国家作为对人道主义的热爱的组成部分就不是爱，而是偶像崇拜。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

There we sat among the thousand fools just like us But not so in love like us There we spoke of all our feelings And dreams were born like that And we hope for love like that Now your dreams have changed, we're far apart I don't know when or where to start leading you from my mind I want to stand with you again I hope to find you here again in the eternal sunshine *I'll search for the orange moon that lit up our love on the ocean while i held your hand Now watch all the waves from the stones where we gazed to the golden sun If i see the horizon glow just the same as it did when we stood on the hill I'll make the arrangements, just wait on that corner for me If you drop me a line I'll be sure to make these arrangements* Lay your head upon my shoulder I'll sing a tune or three Sweet melodies for thee Softly speak to say what i meant Why do you leave My heart is at your sleeve Well I'd like to share three words again practise these words with you again if you think is possible and maybe i can pull you close whisper in your ear again that i want you in my life forever I'll search for the orange moon that lit up our love on the ocean while i held your hand Now watch all the waves from the stones where we gazed to the golden sun If i see the horizon glow just the same as it did when we stood on the hill I'll make the arrangements, just wait on that corner for me You're like summer rain that cools me, it sooths me You are the person that I pray for every day Maybe we'll sit on those stairs once again Maybe we won't turn down have to pretend You will be here in my imaginings, they'reimaginings I'll search for the orange moon that lit up our love on the ocean while i held your hand Now watch all the waves from the stones where we gazed to the golden sun If i see the horizon glow just the same as it did when we stood on the hill I'll make the arrangements, just wait on that corner for me If you drop me a line I'll be sure to make these arrangements* If you drop me a line I'll be sure to make these arrangements

我们坐在有1000间我们就像傻瓜但并非所有的爱都像我们一样在那里，我们谈的都是我们的感受与梦想这样诞生我们希望这样的爱现在你的梦想已经改变，我们很遥远我不知道何时何地开始你开始疏远我我想再次与你在一起我希望在这里再次找到你在永恒阳光*我要寻找的橙色月亮这点燃了在海洋我们的爱虽然我认为你的手从现在看所有的石头波我们凝视的金太阳如果我看到地平线辉光一样因为它没有当我们站在山上我会作出安排的，只是等待，为我的角落如果你删除我行我一定要作出这些安排*把你的头后，我的肩膀我会唱一调或3 为你甜蜜的旋律说话轻声地说，我的意思你为什么离开我的心在你的袖口那么我想再次分享三个词实行这些话你再次如果你认为是可能的或许我可以把你关闭在你的耳朵小声一次，我希望在我的生活中你永远我要寻找的橙色月亮这点燃了在海洋我们的爱虽然我认为你的手从现在看所有的石头波我们凝视的金太阳如果我看到地平线辉光一样因为它没有当我们站在山上我会作出安排的，只是等待，为我的角落你喜欢夏天雨水，冷却我一样，我也sooths 你是我的人，每天祈祷也许我们会坐在楼梯上的再次也许我们不会拒绝有假装在这里，您将在我的想像，they'reimaginings 我要寻找的橙色月亮这点燃了在海洋我们的爱虽然我认为你的手从现在看所有的石头波我们凝视的金太阳如果我看到地平线辉光一样因为它没有当我们站在山上我会作出安排的，只是等待，为我的角落如果你删除我行我一定要作出这些安排*如果你删除我行我一定要作出这些安排

Everyone wants to understand Who is their love life should not be missed Especially at night will wake up feeling more Echocardiography should not complain that there are释怀 Since you are touching the love If this is love Re-turn to stay on the brave Even if the injury even if the tears Life is gentle irrigation Oh love in the memory always understand The hearts of confused flow of tears Wait for the night there are countless If this is love At that time, if you understand Later life are happy or sad Especially in the dead of night, when think of the future Whether the calm would not want to now Just because you have a love If this is love Re-turn to stay on the brave Even if the injured Even if the tears Life is gentle irrigation Oh love in the memory always understand Confused heart The flow of tears Wait for the night there are countless If this is love If this is love

翻译得尽量像首歌的歌词附歌词：歌曲：如果爱歌手：张学友专辑：电影如果爱主题曲每个人都想明白谁是自己生命不该错过的真爱特别在午夜醒来更是会感慨心动埋怨还有不能释怀都是因为你触碰了爱如果这就是爱再转身就该勇敢留下来就算受伤就算流泪都是生命里温柔灌溉哦爱在回忆里总是那么明白困惑的心流过的泪还有数不清黑夜等待如果这就是爱如果你当时明白后来的生命里是快乐还是悲哀特别在夜深人静时想起未来是否能平静不会想现在只是因为你拥有了爱如果这就是爱再转身就该勇敢留下来就算受伤就算流泪都是生命里温柔灌溉哦爱在回忆里总是那么明白困惑的心流过的泪还有数不清黑夜等待如果这就是爱如果这就是爱

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。