查询词典 for fear that

The reason for this is that love is really more powerful than fear and always has been; it is just that humans have fallen into such a loss of remembrance that they perceive fear and abusiveness or war are more powerful than love.

因为爱比恐惧强大得多，并且永远如此。只是人类已掉入如此深的遗忘，因此他们才认为恐惧、咒骂与战争比爱有力。

And was so touched and pleased by that confiding little kiss that all his crustiness vanished, and he just set her on his knee, and laid his wrinkled cheek against her rosy one, feeling as if he had got his own little granddaughter back again. Beth ceased to fear him from that moment, and sat there talking to him as cozily as if she had known him all her life, for love casts out fear, and gratitude can conquer pride.

他完全被贝思这个小小的吻激动了，打动了，他身上还仅存的那点外壳立刻消融不见，老先生直接把贝思捉到了膝盖上，用他那满是皱纹的脸庞紧紧得贴着贝思那玫瑰一样的小脸，就好像他那个可爱的小孙女又回来了。

Fearing the shortage of the goods and material, parents look and have plenty of food and clothing for the child^s favorite; Fear and fear the cold invasion and attack, we look and gather around interdependently for the stove of the night of winter; Esthesia knowledge is plain , we regard gold study as drunk people^s rain; The joy that a time of emotions loves, it is happy that we look and deeply in love for the life.

害怕物资的匮乏，父母视丰衣足食为孩子的最爱；惧畏寒冷的侵袭，我们视相依相拥为冬夜的火炉；感知知识的浅显，我们视黄金书屋为醉人的甘霖；倍感情爱的欢欣，我们视情有独钟为生命的美满。

All this Labour I was at the Expence of, purely from my Apprehensions on the Account of the Print of a Man's Foot which I had seen; for as yet I never saw any human Creature come near the Island, and I had now liv'd two Years under these Uneasinesses, which indeed made my Life much less comfortable than it was before; as may well be imagin'd by any who know what it is to live in the constant Snare of the Fear of Man; and this I must observe with Grief too, that the Discomposure of my Mind had too great Impressions also upon the religious Part of my Thoughts, for the Dread and Terror of falling into the Hands of Savages and Canibals, lay so upon my Spirits, that I seldom found my self in a due Temper for Application to my Maker, at least not with the sedate Calmness and Resignation of Soul which I was wont to do; I rather pray'd to God as under great Affliction and Pressure of Mind, surrounded with Danger, and in Expectation every Night of being murther'd and devour'd before Morning; and I must testify from my Experience, that a Temper of Peace, Thankfulness, Love and Affection, is much more the proper Frame for Prayer than that of Terror and Discomposure; and that under the Dread of Mischief impending, a Man is no more fit for a comforting Performance of the Duty of praying to God, than he is for Repentance on a sick Bed: For these Discomposures affect the Mind as the others do the Body; and the Discomposure of the Mind must necessarily be as great a Disability as that of the Body, and much greater, Praying to God being properly an Act Of the Mind, not of the Body.

现在，再接着说说我接下去做的事。我把一部分家畜安置妥当后，便走遍全岛，想再找一片这样深幽的地方，建立一个同样的小圈地养羊。我一直往岛的西部走，到了一个我从前从未涉足的地方。我往海里一看，仿佛看到极远处有一只船。我曾从破船上一个水手的箱子里找到了一两只望远镜，可惜没有带在身边。那船影太远，我也说不准到底是否是船。

Either they do this out of pusillanimity and a natural defect of spirit; then you must make use especially of those who are of good counsel, because in prosperity they bring you honor and in adversity you do not have to fear them; but, when by art and for an ambitious cause, they are not obligated, it is a sign that they are thinking more for themselves than for you; and the prince must be on guard against them, and fear them as if they were open enemies, because in adversity they will always help ruin him.

有的人 生性优柔寡断，天生就缺乏热情。君主尤其要启用那些能忠言直谏的人，因为他们会在繁荣期给君主带来荣誉，而君主在逆境中时也不必担心他们拆台。但如果大人物工于机巧，野心勃勃，而没有感恩之心，那就是一种征兆，证明他们更多的是考虑自身的利益，而很少为君主着想。对这样的人必须像对待公开的敌人一样提高警惕，因为他们在君主遭殃时往往会落井下石。一个人在民众的拥戴下当上了一国之君，就应该善待民众——这是轻而易举之—事，因为民众对他的要求只是不受压迫而已。

He deals the cards as a meditationAnd those he plays never suspectHe doesn't play for the money he winsHe doesn't play for the respectHe deals the cards to find the answerThe sacred geometry of chanceThe hidden law of probable outcomeThe numbers lead a danceI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartHe may play the jack of diamondsHe may lay the queen of spadesHe may conceal a king in his handWhile the memory of it fadesI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartThat's not the shape, the shape of my heartAnd if I told you that I loved youYou'd maybe think there's something wrongI'm not a man of too many facesThe mask I wear is oneWell, Those who speak know nothingAnd find out to their costLike those who curse their luck in too many placesAnd those who fear are lostI know that the spades are the swords of a soldierI know that the clubs are weapons of warI know that diamonds mean money for this artBut that's not the shape of my heartThat's not the shape, the shape of my heartThat's not the shape, the shape of my heart

他出牌前沉思冥想对出的每一张牌都很有把握他不是为了赢钱而玩牌也不是为了获得尊重他出牌是为了找寻答案找寻幸运的神圣机率在胜利后面隐藏着一种规则那些数字在领舞我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状他可以出方块J他可以出黑桃Q他可以使小花招藏起K接着真的忘了自己有张K我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状那不是我心的形状如果我告诉你我爱你你可能会觉得不妥我不是多面派我只有一张面具好吧，那些发言的人其实什么也不知道他们最终会付出代价就像有些人到处说自己不幸还有那些退缩的人，他们都已迷失我知道黑桃是士兵的宝剑我知道草花是战争的武器我知道在这种游戏里方块就是钱但那不是我心的形状

In fact, from birth from that day onwards, he suffered anxiety, hostility, loneliness, depression, anxiety, fear, despair, torture, extra than the common people feel the health of the anxieties and the fear of death of the weight, and finally fear of the fear and of the desperation of despair into faith, full of passion and despair for people and uncompromising struggle against the Church

事实上，从呱呱坠地那一天起，他就饱受焦虑、敌意，孤独、忧郁、不安、畏惧、绝望的折磨，比常人格外感受到生之烦恼和死之恐惧的分量，最后在畏惧之畏惧和绝望之绝望中走向信仰，满怀绝望的激情与人群和教会作不妥协的斗争

For I fear, lest, when I come, I shall not find you such as I would, and that I shall be found unto you such as all of you would not: lest there be debates, envyings, wraths, strifes, backbitings, whisperings, swellings, tumults: For I fear, lest, when I come, I shall not find you such as I would, and that I shall be found unto you such as ye would not: lest there be debates, envyings, wraths, strifes, backbitings, whisperings, swellings, tumults

我怕我再来的时候，见你们不合我所想望的，你们见我也不合你们所想望的；又怕有纷争、嫉妒、恼怒、结党、毁谤、谗言、狂傲、混乱的事。

Heese demonstrated that by trinketing the CS, I usually don't have time to apply cripple poison on him, he can fear and start running away from me, even when I trinket the fear, as long as he gets distance, he can kite me with DOT and buy time for the second fear.

HEESE演示了那个做法，我一般没有时间在那个时间中把他中毒，他可以恐惧然后跑开，当我耳环后，他可以DOT我，然后等第二次的恐惧。

The model opera styled gesticulations of robbers and the valiant elders give a deceiving first impression, but when we noticed that in the news report the formalized relation among violence and evil amidst the upstanding community, then we can say such purposeful postures rightly illuminate the increasingly subdued effects of any social mores on the population. It might agitate a moment of fear and anger about the gangsters' violence and successive respect for the upright elders, but these feelings do not last that long; everything finally comes to calm. We have seen so many similar stories replayed everyday in every way. In the end, we read violence, fear it for a while, then leave it by the wayside in an ulterior corner of our memory without any sigh until one day when the gangster really surround us.

抢夺的嫌犯与声张正义的老人样板戏式的造型，看起来甚是虚假――然而，当我们意识到暴力与邪恶的关系在连篇累牍的新闻报道中被形式化，那我们就能立刻推断出这种摆设倒是确确切切地说明了被模式化的道德律对人们的影响――它或许能够引起一阵对年轻人暴行的惊悸，旋而是片刻对老者秉持正义的赞赏，而最后，这些不断被复制的新闻故事被长久地搁在心里某个隐蔽的角落，引不起任何道德感的涟漪了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。