查询词典 for ever

It seemed that she would have to be tone-deaf for ever.

看来这辈子她只能是个音盲了。

Unlike going long, actively betting against a share price involves red tape and runs the risk of unlimited losses (since a share price can, in theory, rise for ever, whereas it cannot fall below zero).

而长线操作正好相反，这种行为押注股价不会翻红，并且不会无限制的损失（因为从理论上说，一支股票的价格永远是上涨的，而且也不会归零）。

Unlike going long, actively betting against a share price involves red tape and runs the risk of unlimited losses (since a share price can, in theory, rise for ever, whereas it cannot fall below zero).

根据一家研究公司的数据，在金融时报100指数中仅有百分之四点五的股票被用于借股沽空。

My dear Snow White, sleep, sleep for ever!

我亲爱的白雪公主，睡吧，永远地睡吧！

What I find particularly touching is the way that at the end of the movement, all these things have been combined like a kind of treasured but jumbled and torn-up memory, you might grasp at on the edge of sight and feeling, but which has in truth already vanished for ever.

尤其感人的是这首曲子的结尾部分，仿佛所有的一切都已成为被撕碎的珍贵而混乱的记忆。你能用眼角瞥见它、感觉到它，但事实上它已经永远地消逝。

Then take a sharp-pointed instrument, driving it through his ear into the door, and he will be your servant for ever .

你就要拿锥子将他的耳朵在门上刺透，他便永为你的奴仆了。

Lifting them up to the seat of kings, and making them safe for ever.

36：7 他时常看顾义人、使他们和君王同坐宝座、永远要被高举。

At first, you may find yourself helpless at work like a cattle crashing into mud sea; you will find yourself gone for ever like a cattle made of mud falling into the sea.

开始工作的时候，你可能会觉得自己是牛入泥海，有力使不出；后来，你就会觉得自己是泥牛入海，已经是一去不复返了。

This is the partner I have to live with for ever.

这就是我不得不永远与之为伴的人。

It closed under the gaoler 's hand; and the apparitions vanished from his sight for ever.

铁栅门在典狱长手下关上了，幽灵们从此在他眼里永远消失。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。