查询词典 for ever and ever

The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

现存的秩序在新作品的来临前是完满的，为了在新事物加入之后继续保持完满，整个现存秩序就必须改变，哪怕是微小的变化；因此每件艺术作品相对于整体之间的关系、均衡和价值就会重新调整；这就是新和旧之间的协同。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

You are a treasure hunter and your mission is to put gem chips and other pieces on the board in the right order, so that they self-destruct and relieve place for ever arriving new pieces.

你是一个寻宝和你的任务是把创业板的芯片和其他件该委员会是在正确的秩序，使他们自毁和纾缓的地方，任何时候都到达新件。

Since 2001, TYMP has ever been sparing no efforts to promote the business of registration, service for hundred of domestic and overseas manufactures and product distribution and agent company.

公司自2001年成立以来，随着业务不断扩大，相继服务了上百家国内、国外的生产企业和代理销售公司，公司的主要客户为美国、西欧、日本、韩国的生产企业。

Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry.

我还没有回答完，内心便已开始感到舒畅和喜悦了，那是一种前所未有的奇怪的自由感和胜利感，无形的束缚似乎己被冲破，我争得了始料未及的自由，这种情感不是无故泛起的，因为里德太太看来慌了神，活儿从她的膝头滑落，她举起双手，身子前后摇晃着，甚至连脸也扭曲了，她仿佛要哭出来了。

Considering our present advanced state of culture, and how the Torch of Science has now been brandished and borne about, with more or less effect, for five thousand years and upwards; how, in these times especially, not only the Torch still burns, and perhaps more fiercely than ever, but innumerable Rushlights, and Sulphur-matches, kindled thereat, are also glancing in every direction, so that not the smallest cranny or dog-hole in Nature or Art can remain unilluminated,--it might strike the reflective mind with some surprise that hitherto little or nothing of a fundamental character, whether in the way of Philosophy or History, has been written on the subject of Clothes.

考虑到我们现在的文化先进的国家，如何科学的火炬已经挥舞并承担有关，有或多或少的影响，为五千年及以上；如何，特别是在这些时候，不仅是火炬仍在燃烧，并也许比以往更激烈，但无数Rushlights和硫火柴，点燃了会场，也是在各个方向瞥了一眼，使不上最小的狗或裂隙中自然或艺术孔可以保持unilluminated，-它可能罢工的反思一些惊喜，到目前为止很少或根本没有字符，不论是哲学还是历史的方式，心，一直写在服装的主题。

The default settings put in place in a few easy steps during the installation seem ideal for general purpose use, information and alerting is clear and helpful without ever seeming intrusive or scare-mongering, and detailed configuration is about as straightforward and painless as such things can be. With the user experience reduced to an installation process, and possibly the occasional alert as another attack is spotted and blocked effortlessly, the unobtrusiveness is further enhanced by the product's legendary lightning speed, miraculously unimpeded by the additional protection, keeping overheads to a level barely noticeable on modern high-powered systems.

默认设置落实到位，在几个简单的步骤，在安装过程中，似乎理想的，为一般用途使用，信息和告警是明确的很有帮助而不似侵扰或危言耸听，并详细配置，是因为直率，毫不费力，因为这样的事情可以随用户体验减少，使安装过程中，并可能偶尔警觉另一种攻击是被检举，并堵塞毫不费力， unobtrusiveness是进一步提高产品的富有传奇色彩的闪电速度，奇迹般地畅通所额外保护，同时间接到一定程度，几乎没有明显的现代高功率系统。

Without them, I'd have been, as ever, utterly invisible, unsexual, but with stilettos, cyclists wobbled, busloads of shoppers smirked and blew kisses, and finally a police car drew up, not to move me on, just to watch and see if I was propositioning for trade.

不穿高跟鞋，我就完全隐形、看不出性别；穿了高跟鞋，骑自行车的人晃晃悠悠，乘车的顾客笑着、朝我飞吻。最后，有辆警车停了下来，没有赶我走，就看看我是不是在推销。

Four outstanding musicians, violinists Ayako Ichimaru and Le Hoai-nam, violist Elvis Chan and cellist Laurent Perrin, sharing a common passion for chamber music, are the founding members of the RTHK Quartet and will introduce the rich world of chamber music, including some of the most profound and powerful music ever written, to the audience.

四位出色的创团成员包括小提琴手一丸绫子和李海南、中提琴手陈子信，以及大提琴手贝乐安。他们来自世界各地，包括︰日本、越南、香港和卢森堡，但均以港为家。他们藉著对室乐演奏的热情，要将美妙乐章与乐迷分享。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。