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Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

And with them Heman and Jeduthun, and the rest that were chosen, who were expressed by name, to give thanks to the LORD, because his mercy endureth for ever

16：41 与他们一同被派的有希幔，耶杜顿，和其馀被选名字录在册上的，称谢耶和华，因他的慈爱永远长存。

And after him Heman, and Idithun, and the rest that were chosen, every one by his name to give praise to the Lord: because his mercy endureth for ever.

与他们一起的，还有赫曼、耶杜通及其他被选登记的人，专为称颂上主：「因为他的仁慈永远常存。

And when he saw a fig tree in the way, he came to it, and found nothing thereon, but leaves only, and said unto it, Let no fruit grow on thee henceforward for ever.

21：19 看见路旁有一棵无花果树，就走到跟前，在树上找不着什么，不过有叶子。就对树说，从今以后，你永不结果子。

Lastly at the head of the board was the young poet who found a refuge from his labours of pedagogy and metaphysical inquisition in the convivial atmosphere of Socratic discussion, while to right and left of him were accommodated the flippant prognosticator, fresh from the hippodrome, and that vigilant wanderer, soiled by the dust of travel and combat and stained by the mire of an indelible dishonour, but from whose steadfast and constant heart no lure or peril or threat or degradation could ever efface the image of that voluptuous loveliness which the inspired pencil of Lafayette has limned for ages yet to come.

最后，桌子上首坐着位年轻诗人，他逃脱了教师这个行当和形而上学的审问，在苏格拉底式讨论的快活氛围中找到了避难所。右边是刚从赛马场来的油嘴滑舌的预言家，左边是那位谨慎的流浪者。他被旅途与厮打扬起的尘埃弄脏，又沾上了难以洗刷的不名誉的污点。然而他那坚定不移、忠贞不渝的心中却怀着妖娆的倩女面影，那是拉斐特在灵感触发下用那支画笔描绘下来的传世之作。任何诱惑、危险、威胁、屈辱，都无法消除。

Fortunately, both Hutchinson and Lorraine were at their most resolute, and with Pidgeley too as commanding as ever in goal, the number of chances created were few and far between, for all the extra possession that Histon had begun to enjoy.

幸运的是，哈奇森和罗莱恩都很稳定，皮德盖里也一如既往地在门前发挥正常，尽管希斯顿队的控球时间在增多但他们创造出的真正机会少之又少。

You're a part of me That I can't live without You're a part of me That dreams are all about But you can't hold on to, something that you never had before Love waits for the wind, to bring you back again And take me away Take me away Friends say it's great now you're a star But what do they expect, from a girl Who loves you just the way you are And late at night, how I wish things had never changed And you were here with me Don't you ever get lonely?

你是我人生的一部分我不能没有你你是我人生的一部分我的梦里全都是你但是你无法坚持因为你前所未有我的爱等待着风把你带回来把我带走把我带走你现在是一个明星朋友说这很好但是他们想从一个女孩那里得到什么？

Whilst people may blame these Asian economies for borrowing excessively and imprudently - and absolutely, they were imprudent and they were borrowing excessively - one also has to wonder why such loans ever took place in the first place.

人们或会责怪亚洲经济体系借贷过度，有欠谨慎，而事实绝对是这样的。我们也应质疑，究竟当初为甚麽会出现借贷的情况？

Since the 1980s, because of the indigence of mineral resources, the ever-increasing need for the steel, and protecting the environment, we need better quality of iron concentrate and the lowness of the energy consumption and chemical regents, a new set of equipment of magnetic separation appeared.

自八十年代以来，随着矿产资源的日益贫化以及人类对钢铁需求量的不断扩大，加之环保要求，人们对高炉冶炼入炉的铁精矿品位要求越来越高，由于磁选能耗低，不需要价格昂贵的药剂，一大批新型磁选设备相继问世。

Our country should have an ever-growing demand for energy with the level of cities and towns and industrialize rising year and year.

随着城镇化和工业化水平的提高，我国对能源的需求会越来越大。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。