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The problem for most of us is not lack of knowledge but lack of action. When all is said and done...more will have been said than done. But like the Chinese proverb teaches,"The best time to plant a tree was twenty years ago. The second best time is now."

我们中大多数人的问题不是缺少知识，而是缺少行动该说的已说，该做的已做，不必急急忙忙，正如中国的谚语一样：种树的最佳时间是20年前，仅次于它的最好时间是现在

The workunits generated at first by the S5R4 workunit generator all at the upper end of the runtime variation for a given frequency band. They should average out over time, but at the beginning we got all "bad" ones.

S5R4目前的任务单元计算时间都偏长（译注：所以导致得分率的实际降低比例超过了25%），以后的任务单元计算时间平均来说会比较正常，但现在最早这批全是时间比较长的

Their "revolutionary uprush" scared me. At that time, I was not so insightful for art judgment. It seems to me that Dongcun Village was more fanatical, as you said, all artists there were all hot-blooded.

他们的革命冲动使我的心里有点胆怯，我当时的艺术判断力也不大，对于东村我觉得似乎像您刚才说的更具狂热性，血气方刚的艺术家家都在那里。

Consider to make clear in recent years, second acid is calcic - Bowman does not move bacillus clinical bacterium of single born of the same parents of the detached rate that go up and verdigris holiday comparatives, have the tendency that year after year rises, the fundamental condition pathogenic bacteria that already became the infection inside the courtyard [1] , have to a variety of antibacterial content be able to bear or endure higher property of a medicine [1, 2] , for this, we are monitored and statistic analysed my courtyard to came 1998 2004 7 years a second acid is calcic - the clinical infection condition that Bowman does not change bacillus, to 14 kinds of antibacterial content be able to bear or endure property of a medicine and be able to bear or endure medical tendency, sum up a report to be as follows now. 1 material and method all data all come from 1.1 basic materials to came on January 1, 1998 my courtyard outpatient service was mixed on December 31, 2004 the specimen sending check of inpatient, via clinical microbiology the lab is fostered and classics appraisal is second acerbity calcium - Bowman does not move bacillus to affect case of illness, with clinical and commonly used antibacterial at the same time content makes the kill that medical quick detects. 1.2 bacteria appraisal is mixed medical quick experiment uses live thing VITEK32 of Mei Li dust is full automatic the bacterial appraisal of bacterial analysis system and its form a complete set gets stuck and medical quick card undertakes detecting, 1998~2000 year use GNI appraisal gets stuck, 2001~2004 uses GNI+ card.

近年探究表明，乙酸钙-鲍曼不动杆菌临床上的分离率和铜绿假单胞菌相当，并有逐年上升的趋向，已成为院内感染的重要条件致病菌[1]，对多种抗菌药物有较高耐药性[1，2]，为此，我们监测并统计分析了我院1998年至2004年七年间乙酸钙-鲍曼不动杆菌的临床感染情况，对14种抗菌药物的耐药性及耐药趋向，现总结报道如下。1材料和方法1.1基本资料所有资料均来自于1998年1月1日至2004年12月31日我院门诊和住院病人的送检标本，经临床微生物学实验室培养并经鉴定为乙酸钙-鲍曼不动杆菌感染病例，同时以临床常用抗菌药物作药敏检测的结果。1.2细菌鉴定和药敏试验采用生物梅里埃VITEK32全自动细菌分析系统及其配套的细菌鉴定卡和药敏卡进行检测，1998~2000年使用GNI鉴定卡，2001~2004使用GNI+卡。

And the weather showed its best side – all in all it was an amazing day and we will both keep it alive in our memory for a long time.

天气也非常的不错。所有的一切都令人感到惊喜。我们都将会久久地记住这一天。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

Devouring Time blunt thou the lion's paws, And make the earth devour her own sweet brood, Pluck the keen teeth from the fierce tiger's jaws, And burn the long-lived phoenix, in her blood, Make glad and sorry seasons as thou fleet'st, And do whate'er thou wilt swift-footed Time To the wide world and all her fading sweets: But I forbid thee one most heinous crime, O carve not with thy hours my love's fair brow, Nor draw no lines there with thine antique pen, Him in thy course untainted do allow, For beauty's pattern to succeeding men.

饕餮的时光，去磨钝雄狮的爪，命大地吞噬自己宠爱的幼婴，去猛虎的颚下把它利牙拔掉，焚毁长寿的凤凰，灭绝它的种，使季节在你飞逝时或悲或喜；而且，捷足的时光，尽肆意摧残这大千世界和它易谢的芳菲；只有这极恶大罪我禁止你犯：哦，别把岁月刻在我爱的额上，或用古老的铁笔乱画下皱纹：在你的飞逝里不要把它弄脏，好留给后世永作美丽的典型。

Devouring Time, blunt thou the lion's paws, And make the earth devour her own sweet brood; Pluck the keen teeth from the fierce tiger's jaws, And burn the long-lived phoenix in her blood; Make glad and sorry seasons as thou fleets, And do whate'er thou wilt, swift-footed Time, To the wide world and all her fading sweets; But I forbid thee one most heinous crime: O, carve not with thy hours my love's fair brow, Nor draw no lines there with thine antique pen; Him in thy course untainted do allow For beauty's pattern to succeeding men.

一九 饕餮的时光，去磨钝雄狮的爪，命大地吞噬自己宠爱的幼婴，去猛虎的颚下把它利牙拔掉，焚毁长寿的凤凰，灭绝它的种，使季节在你飞逝时或悲或喜；而且，捷足的时光，尽肆意地摧残这大千世界和它易谢的芳菲；只有这极恶大罪我禁止你犯：哦，别把岁月刻在我爱的额上，或用古老的铁笔乱画下皱纹：在你的飞逝里不要把它弄脏，好留给后世永作美丽的典型。

In fact their one who open the bogus trick of the black store is not brilliant to just make use of the people to the in the mind that Singapore circumstance doeses not understand to have another with people a not equal to little matter of matter to fear to stir up ill will but don't apply for a job the precise certificate to the one who report a case, make more and more Human bodies been harm by it, criminal be at large, their way introduce the labor of China to Singapore with 45,000 dollars, send to the hotel to the person to work, boss each one of the hotel collect 5000-7000 dollars setting fees for work, each boss can apply for two precise certificate qualificationses to to recruit only 5 work tries out three months, afterward the fruit is imaginable a lot ofly work the compatriots all lose capital, compensating money and time spirits to be subjected to trample upon, black win to lie with six sheep disasters of five horse 捣s that the black boss go into partnership we big six brothers sisters.

其实他们开黑店的骗人的伎俩并不高明只是利用人们对新加坡情况的不了解和人们多一事不如少一事的怕惹是非的心里而不去报案，使得越来越多的人身受其害，不法之徒逍遥法外，他们的办法是以4.5万元把中国的劳工介绍到新加坡，把人送到饭店打工，饭店老板每个收5000-7000元的安置费为打工者申请工作准证，每个老板只能申请两个准证资格的要招收5个打工者试用三个月，其后果可想而知很多的打工同胞都是血本无归，赔了金钱和时间精神受到摧残，黑中介与黑老板合伙的五马捣六羊祸害我们大陆兄弟姐妹。

I soon found a way to convince him that I would do him no harm, and taking him up by the Hand laugh'd at him, and pointed to the Kid which I had kill'd, beckoned to him to run and fetch it, which he did; and while he was wondering and looking to see how the Creature was kill'd, I loaded my Gun again, and by and by I saw a great Fowl like a Hawk sit upon a Tree within Shot; so to let Friday understand a little what I would do, I call'd him to me again, pointed at the Fowl which was indeed a Parrot, tho' I thought it had been a Hawk, I say pointing to the Parrot, and to my Gun, and to the Ground under the Parrot, to let him see I would make it fall, I made him understand that I would shoot and kill that Bird; accordingly I fir'd and bad him look, and immediately he saw the Parrot fall, he stood like one frighted again, notwithstanding all I had said to him; and I found he was the more amaz'd, because he did not see me put any Thing into the Gun; but thought that there must be some wonderful Fund of Death and Destruction in that Thing, able to kill Man, Beast, Bird, or any Thing near, or far off; and the Astonishment this created in him was such, as could not wear off for a long Time; and I believe, if I would have let him, he would have worshipp'd me and my Gun: As for the Gun it self, he would not so much as touch it for several Days after; but would speak to it, and talk to it, as if it had answer'd him, when he was by himself; which, as I afterwards learn'd of him, was to desire it not to kill him.

可怜的星期五上次曾看到我用枪打死了他的敌人，但当时他站在远处，弄不清是怎么回事，也想象不出我是怎样把他的敌人打死的。可这一次他看到我开枪，着实吃惊不少；他浑身颤抖，简直吓呆了，差一点瘫倒在地上。他既没有去看我开枪射击的那只小羊，也没有看到我已把小羊打死了，只顾扯开他自己的背心，在身上摸来摸去，看看自己有没有受伤。原来他以为我要杀死他。他跑到我跟前，扑通一声跪下来抱住我的双腿，嘴里叽哩咕噜说了不少话，我都不懂。但我不难明白他的意思，那就是求我不要杀他。我马上想出办法使他相信，我决不会伤害他。我一面用手把他从地上扶起来，一面哈哈大笑，并用手指着那打死的小羊，叫他跑过去把它带回来。他马上跑过去了。他在那里查看小山羊是怎样被打死的，并感到百思不得其解。这时我趁此机会重新把枪装上了子弹。不久，我看见一只大鸟，样子像一只苍鹰，正落在我射程内的一棵树上。为了让星期五稍稍明白我是怎样开枪的，就叫他来到我跟前。我用手指了指那只鸟--现在我看清了，其实那是一只鹦鹉，而我原先把它当作苍鹰了。我刚才说了，我用手指了指那只鹦鹉，又指了指自己的枪和鹦鹉身子底下的地方，意思是说，我要开枪把那只鸟打下来。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。