查询词典 folk songs

The present thesis made an analysis and decipherment of the classification of Han Nationality folk songs, the traditional feminine characters in the folk songs as well as the interrelations between tunes dissemination and sex mirrored in those folksongs.

文章从社会性别的角度对汉族民间歌曲的分类、审美、汉族民歌中的传统女性形象、以及汉族民歌中时调的传播与性别的关系，进行了分析与解读。

According to the subject, his vocals are arranged into compose music, incidental music and incidental folk songs. Withal, the compose music is classified again into new type music, enfant education songs, hoi polloi education songs, domesticity songs, school anthem and social realistic songs.

这一章根据赵元任声乐作品的不同题材来进行分类和概述，包括创作歌曲、编配歌曲和编配传统民歌三大类，创作歌曲中又可分为新式谱写的歌曲；儿童教育歌曲；民众教育歌曲；家庭生活歌曲；校歌、团歌及运动会歌和社会现实歌曲6种题材类型。

The essay found Dong Folk Songs' genesis idiosyncracy in the conventional and creationary reciprocity of Dong Folk Songs' oral inheritance model and ethnic groups' performing structure rules on the just connecting Point of tradition、practice and emergent.

文章正是在传统、实践与新生性这一联结点上，发现了侗歌艺术的口头传承模式与族群社区的表演结构规则在惯常性、创造性的相互作用中共同酿就侗歌艺术的创生性特质。

His advanced idea on folk literature and "enthusiasm for folk songs" have fairly great influence on his poetry creation: first, Huang is good at absorbing the nutrition of the folk songs, thus has poured new vigor to his writing; second, he absorbs the idea of "true affection" in folk songs, and advocates that the writing of poems should express one's aspirations, and be true in emotion and desire; third, the "enthusiasm for folk songs" has entrusted the balladic air to some of his poems.

他进步的民间文学观和&民歌情结&对他的诗歌创作有着较大的影响：一、黄遵宪善于吸取民歌的营养，为自己的创作注入了新的活力；二、他吸取民歌中的&情真&说，主张写诗要情真、意真、抒发我之心声；三、&民歌情结&赋予黄遵宪部分诗篇以民歌风味。

Shanxi folk songs of his "Pastoral", people listen to the full flavor territories, rural wind Chun-Hou; and "Fenhe waterhua hua Salala","people said good scenery Shanxi", etc., but also folk songs and the spirit of the times flavors blend to perfection; Shaanxi folk song "animal soul driven", the Tibetan-style "plateau Chunguang", Sichuan strong "Emei Restaurant", have all kinds of folk singing skills to the extreme.

他的山西民歌《牧歌》，让人听来土味十足、乡风淳厚；而《汾河水哗哗啦啦》、《人说山西好风光》等，又把民歌风味与时代精神融汇得恰到好处；陕西民歌《赶牲灵》，西藏风格的《高原春光》、川味浓厚的《峨嵋酒家》，都把各类民歌的演唱技巧推向了极致。

Folk songs chant, is a kind of popular in Longnan area in order to chant melody to apply folk singing folk songs lyrics.

山歌号子，是流行在陇南一带的一种以号子曲调套用民歌歌词演唱的民歌。

His study folk songs, singing folk songs, and folk songs into his mind, his rich Ziyu creation in the field.

他学民歌，唱民歌，并把民歌装进了自己的脑海，滋育丰富了他创作领域。

Since the school Sangzhi Chinese folk songs to be included in the intangible cultural heritage, folk songs as they Sangzhi love of the motherland, love of home education materials,"Sangzhi sing the school song" as its theme, carried out a series of activities has been made Good results, Sangzhi to allow students to sing folk songs, Sangzhi love to sing folk songs, from an early age by Sangzhi the influence of culture, so that Sangzhi sing folk songs in the minds of students.

该校自张家界 http：//www.zjjxinxi.com 。桑植民歌被列入中国非物质文化遗产以来，就把桑植民歌作为热爱祖国、热爱家乡的教育题材，以&桑植民歌唱响校园&为主题，开展了一系列活动，取得了良好效果，让学生会唱桑植民歌、爱唱桑植民歌，从小就受到桑植文化的熏陶，让桑植民歌在学生心中唱响。

But today we are talking about folk songs, the pop songs that are the folk songs, referring to the main wood for the guitar accompaniment of musical instruments, natural frank manner singing, we sing the kind of simple life experience songs.

不过今天我们所说的民歌，大都是指流行曲年代的民歌，所指的是主要以木吉他为伴奏乐器，以自然坦率方式歌唱，唱出大家纯朴生活感受的那种歌曲。

Folk song has special charm of using "lay-folk poem" language. This paper discusses the characteristics of folk song's language from stylistic perspective in three parts. The first part discusses the concept of folk songs, the context type and its style belonging, confining the researching, analyzing the producing context of folk songs and introducing its style belonging simply. The second part analyzes the characteristics of 'lay-folk poem' language by using a number of examples, which includes the aspects of orallisition of its vocabulary application, the concision and deviation of its grammar, its regular rhetoric technique, the foil word and rhyme. The third part emphasizes the folk songs' function that different from other styles in emotion expressing, aesthetic views and practical aspects.

本文从语体角度分三个部分来探讨民歌语言的特色：第一部分阐述了民歌的定义、民歌语体的语境类型及语体归属，对本文的研究范围做出了界定，对民歌语体语言的生成语境做了分析，对民歌的语体归属做了简单的说明；第二部分从词汇运用的口语化、生活化，语法的简洁性与偏离性，常用的修辞手法，衬词及押韵五个方面来分析民歌语体的&平民诗歌&的特征，通过大量例证突出了民歌语言的特点；第三部分从表情、审美、实用三个方面对民歌的功能作了阐述，突出民歌语体有别于其它语体的特征。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。