查询词典 folk music

Folk music is an important part of the culture of music in China folk music is also an important carder of the traditional eulture folk tousle is the basis of the development of Chinese musie .

民族民间音乐是我国音乐文化的重要组成部分，是传统文化教育的重要载体，也是中国音乐发展的基础。

And they determine the various styles of folk music and the disparate art forms. As an art form of civil music, folk music runs very well in singing styles and skills which rely on particular and boundless charm.

民歌作为民间音乐的一种艺术形式，在演唱风格和润腔技巧上也是凭着各自的独特和无穷的韵味儿而绽放异彩。

In Beijing, you must have known a lot of people who play music and people who play folk music.

在北京，你一定认识很多玩音乐的人以及演奏Folk音乐的人们。

In the long process of migration , influenced by the music culture of other nationalities , and absorbing the merits of their folk music , the Salar enriched its own music culture and produced colorful folk music .

青海撒拉族在长期迁徙的历史发展中，受诸民族音乐文化的影响，并吸收了诸民族民间音乐的因素，从而更加丰富了本民族民间音乐的音乐文化，创造了丰富多彩的撒拉族民间音乐。

However,the intervention of folk music recordingproduced by the folks' spontaneities has broken folk music's hardly single oral communication,and bring the new folk music roles:the peasant star,director and producer.

在我国音像界，唱片一词常常与音像制品一词通用。在人们的印象中，唱片媒介似乎总是出现在&现代的&城市社会中，与流行音乐的风靡和古典音乐的普及等现象紧密相关。

Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较，分析其对中国民族民间音乐的继承再现与发展；拿中外钢琴作品的曲式原则作横向比较，说明他借鉴但不照搬西方音乐曲式规范，重视但不拘泥于传统中国音乐结构方法，在作品的结构上，呈现出不拘一格的特点；拿中外钢琴作品在旋律、和声等方面作相异比较，指出了在探索多声部音乐的民族风格过程中，王建中一方面继承了传统音乐中旋律线条十分突出的特点，另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点，有意识地运用了我国民间多声手法，在和声的运用方面表现出灵活多样而又富于创新的特点。

You see that especially the pro-" and a "two-Taiwan" for the music tone, and in the narrative part of Hebei and learned the folk music of the material;"a new look to the motherland," the use of the Xinjiang Uygur music, and in the cavity source Also cleverly Roujin the Yi people in Yunnan folk song tone;"a good example to learn from Lei Feng", while China is old and the new Song of the Song of the inheritance and development;"Tibetan children miss Premier Zhou is the Tibetan 〔〕 Langma Fujian Key Nanqu〕 things both clever combination of music .......

如《看见你们格外亲》，是以&二人台&的音乐为基调，而在叙事部分又汲取了河北民间说唱音乐的素材；《祖国一片新面貌》运用了新疆地区维吾尔音乐节奏，而在腔出处又巧妙地揉进了云南彝族民歌音调；《学习雷锋好榜样》，则是中国旧军歌与新军歌的继承和发展；《藏族儿女怀念周总理》是藏族〔朗玛〕与福建〔南曲〕东西两地音乐的巧妙结合……。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The purpose is to show the situation and problems of advaced folk music teaching for normal school students in Liaoning , as well as to give out our effort to folk music teaching and to develop the folk music in Liaoning .

目的在于客观真实地反映辽宁省高师民族音乐文化教育的现状及存在问题，为辽宁省高师民族音乐文化教育献计献策，为发展辽宁地区民族音乐教育，弘扬辽宁地区民族音乐做出努力。

In the chapter "The phenomenon of heterophony in folk music", a detailed review and analysis is made to the heterophony in the folk multipart music of China and a deep digging is conducted to the heterophony in foreign folk music according to the existing literature.

在&民间音乐中的支声现象&一章中，对中国民间多声部音乐中的支声进行了细致的考察、分析，对外国民间音乐中的支声在现有资料的情况下进行了深入的挖掘。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失