查询词典 folk history

Luzhou in the history of wine, liquor Luzhou the Song of the development of a crime and health care has, to the Song dynasty wine drinking has become home to a life of necessary goods, As a sign of a society and folk seamless, almost to infiltrate into the society in various fields, in a ceremony wine, liquor to a vulgar, liquor to a Huan, government and public holidays work from top to bottom, we can not do without liquor, wine people as Folk The carrier of life, in this period of unprecedented prosperity and development to the scene.

在泸州酒史上，宋朝对泸州酒业的发展有着浓墨重彩的一笔，到了宋朝酒已然成为了生活饮居的必备之品，象一个社会的标志与民俗浑然一体，几乎是渗透到了社会的各个领域，酒以成礼，酒以成俗，酒以成欢，朝野上下过节办事，都离不开酒，酒做为人们民俗生活的载体，在这个时期发展到了空前繁荣的景象。

Zhang North Point Bashang widely from a kind of "antique stamp" the evolution of folk art forms, developed from a new-born operatic art, it appears to enrich and improve the history of Chinese folk art has played an active role.

张北大鼓是从坝上盛传的一种"戳古董"曲艺形式演变、发展而来的一种新生的曲艺艺术，它的出现对丰富和完善中国曲艺史起到了积极的作用。

The first chapter is mainly about the general situation of folk vocal art forms in Hunan province, the general situation and the distribution of folk vocal art forms in Changde district, the main characters and the history of 'Changde Yugu' and the differences between Yugu forms in different places.

全文由绪论、结语和三大章组成：第一章主要介绍了湖南的曲艺概况、常德曲艺概况和流布、常德渔鼓的主要特征、历史沿革及与其他地方渔鼓的区别等。

To relate the long history of Manchu folk music and introduce Manchu folk song and dance .

讲述了满族民间音乐的悠久历史，介绍了满族民间歌舞，音乐在中华民族音乐史上的地位。

Then, based on the time axes, the writers discussed and analyzed the features of folk songs research in each stage breadthwise, as well as the personalities, main methods, the purpose of research, and the chief results, to summarize the general aspect of folk songs research history in hundred years.

其次，根据这一纵向时间轴线，又对每一阶段民歌研究的特点、参与人物、主要方法、研究目的以及主要成果展开横向的叙述和分析，以综述的形式勾勒出百年民歌研究史的宏观面貌。

Tubo period sculpture and painting at the absorption of foreign art nutrition, integrated Tibetan folk arts development stage, showing the diversity of artistic styles, with a typical artistic style of Gandhara, with a clear Dunhuang in the Tang Dynasty style, there are the Central Plains sculpture style , a Nepalese style of ancient art, but also a Tibetan folk art combined with the new forms, in a sense it can be said that the development of the arts in the history of Tibet during the opening.

吐蕃时期的雕塑和绘画处于吸收外来艺术营养、融汇藏族民间艺术的发展阶段，表现出艺术风格的多样性，有典型的犍陀罗艺术风格，有明显的敦煌唐代风格，有中原雕刻风格，有尼泊尔古代艺术风格，同时也出现了同藏族民间艺术结合产生的新形式，在某种意义上可以说是西藏艺术发展史上的开放时期。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Folk songs,as an important style of folk music,show a nation's history,economy,culture,customs,environment,features and charicteristics,and a mirror of the existence and development of a nation.

民歌是一种重要的民族音乐体裁，它反映了一个民族的历史、经济、文化、风俗、自然环境、精神风貌和性格特征，是一个民族生存和发展的真实写照。

Leifeng Pagoda was first built in Northern Song Dynasty 977 AD, two years of peace and rejuvenating the country, originally for the King of Wu and Yue Feng Qian-shu Tibetan Buddhism as a relic to pray for peace and prosperity Luo Ji-fat built, the original name of Princess tower, tower of brick-wood structure leifeng well-known high tower, and Chinese folk legend of White Snake widespread myth is closely related to the story in the embodiment of white snake Bai Suzhen have been a result of the pursuit of true feelings and sea monk imprisoned in Leifeng Pagoda, the Leifeng Pagoda and therefore the statement of history far and wide Leifeng Pagoda on the fire hit twice, the first declared in the Northern Song Dynasty and years, because of Fang La uprising, a torch outside the wooden structure burned to the tower to the Southern Song Dynasty years, have been rebuilt Leifeng Pagoda, West Lake, one of Dusk is the leifeng circulated Leifeng Pagoda at that time subjected to fire the second Jiajing in the Ming Dynasty, when the pirates violation of Hangzhou, Leifeng Pagoda burnt again, remaining tower stands on the shore of West Lake, this case continued until the end of the Qing, Leifeng Pagoda finally collapsed due to overwhelming cause of the collapse on the Leifeng Pagoda in history is also very controversial, in general there are two versions of the previous two years in the clean-up sites Leifeng Pagoda time, found that a considerable portion of the tower of brick side of a small hole in the cave there are Buddhist in the past, people have incorrectly relay erroneous messages will pass into a gold brick by brick, the tower blocks have take-home, resulting in the collapse of the tower argument argument, one of the two, due south is the land of plenty since ancient times, but Hangzhou is the House of silk and tea, the history of Hangzhou on the rich silk, and every year when the silkworms cocoon silk, a variety of reasons, tend to have a large number of cocoon death, Over the past superstition, misconception that cocoon cursed, while the Leifeng Pagoda is a town of white snake demon, thinking that would be the Pagoda bricks at home, they can withstand the erosion of Yao Xie, you have to take a sericulture, his family wealth take a course of time, in particular, Taki shaft damage due to the common people, coupled with those in power are indifferent Leifeng Pagoda finally at 13:40 on September 25, 1924 came crashing down

雷峰塔初建于北宋太平兴国二年公元977年，原本为吴越国王钱淑为奉藏佛螺髻发舍利子以祈祷国泰民安所建，原名叫皇妃塔，塔为砖木结构雷峰塔的知名度之高，与中国民间广泛流传的神话传说白蛇传密切相关，故事中白蛇的化身白素贞因追求人间真情而被法海和尚囚禁于雷峰塔下，雷峰塔因而声明远播历史上的雷峰塔曾两次遭遇大火，第一次是在北宋宣和年间，因方腊起义，一把火把外面的木结构塔身加以焚毁到了南宋年间，曾重修雷峰塔，西湖十景之一的雷峰夕照就是在那个时候流传的雷峰塔第二次遭受火烧是在明朝的嘉靖年间，当时倭寇侵犯杭州，雷峰塔再次把火焚，仅剩塔身屹立于西湖之滨这种情形一直持续到清末民初，雷峰塔终因不堪重负而倒塌了关于雷峰塔倒塌的原因，历史上也很有争论，一般来讲有两种说法，前两年在清理雷峰塔遗址的时候，发现有相当一部分的塔砖一侧有一个小洞，在洞里有佛经而在过去，老百姓们以讹传讹将经砖传成金砖，纷纷将塔砖拿回家，从而导致塔的倒塌此说法之一说法之二，由于江南自古就是鱼米之乡，而杭州又是丝茶之府，历史上的杭州就盛产丝绸，而每年蚕宝宝吐丝结茧之时由于多种原因，往往有大量的蚕茧死亡，过去的人迷信，误以为蚕茧中了邪，而雷峰塔是镇妖的白蛇，以为将雷峰塔的砖放在家里，就可以抵挡妖邪的侵蚀，你家养蚕拿一块，他家求财拿一块，久而久之，塔身特别是塔基由于老百姓的破坏，加上当权者的漠不关心，雷峰塔终于在1924年9月25日下午1点40分轰然倒塌

Taiwan color cloth fastening technology, is a long history of folk arts and crafts, was first built by wealthy family inling peng , after the village of great saphenous leopard color fabric used creatively transplanted to the stage, pavilion, in the wooden stage based on the skeleton screw fabric colors created using a very high appreciation of the value of the arts scene in the antique Linglongxi lou , 2500 the use of screw-Taiwan colored fabric, from Taiwan, chiropractors, corrugated, birds, animals to cylindrical, square lattice , brackets, plaque-free bar is not twisted together with a cloth or翎mao , or flowers, or figures, or patterns, all the vivid image to a dragon, phoenix, tiger, leopard form the most prominent, unique handmade folk art techniques.

彩布拧台工艺，是一种有较长历史的民间工艺美术品，最早是豪门望族所搭建的灵棚，后被大隐豹村创造性地用彩布移植到戏台、楼阁上，在木搭戏台骨架的基础上采用各色花布拧扎成一个很高艺术欣赏价值的玲珑多姿的仿古戏楼，拧台使用2500块各色花布，从台脊、瓦楞、飞禽、走兽到圆柱、方棂、斗拱、匾额无不是用布拧扎而成，或翎毛，或花卉，或人物，或花纹，处处形象生动，以龙、凤、虎、豹造形最为突出，具有独特艺术性的民间手工技艺。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。