查询词典 first love

Faith Evans My heart belongs to you So what could I do To make you feel I'm down with You see me hangin around But you don't know how you make me feel for you, and Each and every day, I try to make some sense of this What you mean to me, I know it could be serious Each and every nite, I dream about just holding you Loving you like this, what is a girl supposed to do I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me First time I saw your face My heart just erased All the guys I knew before You walked into my life I was the type to never want for nothing Each and every day, I try to make some sense of this What you mean to me, I know it could be serious Each and every nite, I dream about just holding you Loving you like this, what is a girl supposed to do I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me I love you, I want you, I need you in my life Can't you see what you mean to me Baby come hold me tight I miss you, wanna kiss you Everytime I see your face Baby I'll be waiting for you Each and everyday I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me You're the only one for me And I know it's meant to be What can I do to make you see My love will carry on So listen to my heart and know You'll find out where my love will go The future lies between us boy Oh babe I love you so I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me I love you I want you You're the one that I live for And I can't take it any more I love you I need you What can I do to make you see You're the only one for me

我的心属于你如此我可以做什么使你感觉我是下来由于你在附近见到我 hangin 但是你不知道你如何使我同情你，和每个和每个日子，我试着制造一些感觉这你对我意谓的，我知道它可能是严重的每个和每 nite，我梦到仅仅捉住你亲爱的你喜欢这，女孩应该做什么我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个第一时间我见到你的脸我的心刚刚抹掉所有的家伙我以前知道你走进入我的生活我是类型从不免费想要每个和每个日子，我试着制造一些感觉这你对我意谓的，我知道它可能是严重的每个和每 nite，我梦到仅仅捉住你亲爱的你喜欢这，女孩应该做什么我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个我爱你，我想要你，我在我的生活方面需要你你不能理解你对我意谓的吗被受到的影响宝贝紧紧地捉住我我想念你，想要吻你 Everytime 我见到你的脸我将等候你的宝贝每个和每天的我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个你是我的唯一一个而且我知道资讯科技必须当我能做使你见到什么我的爱将会继续如此对我的心听而且知道你将会发现我的爱将会哪里去在我们之间的将来谎言男孩哦小孩我爱你如此我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个我爱你我想要你你是那一个我活的为而且我再不能轮流它我爱你我需要你我能做使你见到什么你是我的唯一一个

A fickle lover love affairs love sick be obsessed by court get dumped unworthy of your love love at first sight feel attracted to sb. be spell bound for fall in love with sb. adore have a crush on sb. fall head over heels in love love triangle be jealous of split up/break up happy ending love make up/reunion feel at home with sb.

有安全感跟他/她在一起很对人忠诚水性扬花的情人绯闻相思病对……着迷奉承，追求被甩不值得付出爱的一见钟情被……吸引着迷爱上某人爱慕迷恋某人神魂颠倒三角恋嫉妒分手圆满结局的爱情言归于好 47 第五单元第一部分核心语汇第一节 accept Basic need 音形义

My baby,your smile,your word always on my mind,I still remember cleary that night we met each other first time,you smiled to me, maybe you had not found I have been fell in love with you,I had never feeling like this,my heart beat fast,that is love magic,that is my first time "Love at first sight",though we have not seen each other for 2 months,when night approaches,I missing you,I always remember our love melody which include many memory image.

回复我的宝贝，你的微笑，你的世界充满我的脑海，我仍然记得我们首次遇见的夜晚，你对我微笑，你可能有没发现我是爱上了你，我有快速地从未感觉象这样，我的心跳，是爱的魔力，是我的首次"一见钟情"，虽然我们没互相看见2个月，当夜接近时，想念你的我，我总记得包括许多存储图像的我们的爱的乐曲。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Safety education class: Classroom corridor is not running, safety first is well Abide by the order of the stairs, the hubbub died down Jinjiao Shi Softly jog trot off corridors, up and down the stairs right at Up and down the stairs right onto the remarkable civilizations softly jog trot 100 good civilization first, think of safe heaviest 10000 Civilization is in the details, security lies in preventing Healthy life and civilized life of a man well-being of peace every day Safety and well-being to absorb civilization and beautiful peers Safety awareness from time to time have not forget the road to civilization, bearing in mind that you are my heart Keke Tree civilized new practices and legislation to do the safety awareness of health ambassadors Show Zhenwofengcai Let us hand in hand so that the health and safety and accompany us to civilization and hugged us Civility and Etiquette Class: Love me, love classes, love school; patriotism, love of family, love the world Care for all classes, that is, a concrete manifestation of the patriotic love of the school Ai-class environment is the love of the motherland and loving home Demeanor of the lady temperament gentlemanly gestures A smile is our language, civilization is our belief that Bathroom: Bid farewell to bad habits, healthy and civilized.

安全教育类：教室走廊不奔跑，安全第一才是好走楼梯守次序，进教室不喧哗轻声慢步过走廊，上下楼梯靠右行上下楼梯靠右行，轻声慢步显文明百善文明为先，万思安全最重文明在于细节，安全在于防范健康生活文明做人平安每天幸福一生安全与幸福吸收文明与美丽同行安全意识时时具备不可忘文明之道刻刻铭记你我心树文明新风立安全意识做健康大使展真我风采让健康与我们相随让安全与我们相伴让文明与我们相拥文明礼仪类：爱我、爱班、爱学校；爱国、爱家、爱天下爱护班级的一切，就是爱校爱国的具体表现爱班级爱环境就是爱祖国爱家乡言行举止淑女气质举手投足绅士风度微笑是我们的语言，文明是我们的信念卫生间：告别陋习，健康文明。

In love with a broken heart -think I leave today, I cover it all this way- You fell in love with a broken heart -every earthly breath, a lifeless testimony- You fell in love with a broken heart -another lifeless testimony Oh please machine, let's keep this terminal clean I'll see your face in every cloud Down a Dewar's laugh out loud Fly girl shouts to keep it down Paddy's wagon draws a crowd I don't save days I think...leave days God grant me the strength to accept the things I can change And change them I cant miss you In love with a broken heart Face in every cloud, makes me laugh out loud- You fell in love with a broken heart Shouts to keep it down, wagon draws a crowd- In love with a broken heart (Don't you know) Lifeless testimony You fell in love with a broken heart Lifeless testimony In love with a broken heart In these modern times, what your first class said, Time to throw us down, medicine's side effects

爱心都碎了，想我离开，我今天涵盖所有这种方式，你爱上了心都碎了，每一个人间呼吸，没有生命的证词，你爱上了心都碎了，另一个生命的证词噢，请机器，让我们保持这种终端清洁我去看看你的脸在每个云一个杜瓦的哈哈大笑粉煤灰女孩喊道保持下来水稻的车皮提请人群我不保存天我想。。。离开天上帝保佑我的力量，接受的东西我可以改变并更改我不能错过你爱心都碎了面对每云，让我哈哈大笑，你爱上了心都碎了喊声保持下来，货车吸引了人群爱心都碎了生命的证词你爱上了心都碎了生命的证词爱心都碎了在这些现代化的时候，你的一流说，时间把我们失望，药品的副作用

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Tremble of sensitive small white birch, as the girl of a first love, the half is to fear, the half is curious.

敏感的小白桦颤栗了，如同一个初恋的小姑娘，一半是害怕，一半是好奇。

The first love is always memorable. This is true for Vic as well.

初恋都是让人怀念的，周渝民亦然。

Y0u'll be the only one; We meet in the night in the Spanish café I look in your eyes just don't know what to say It feels like I'm drowning in salty water A few hours left 'til the sun's gonna rise tomorrow will come an it's time to realize our love has finished forever how I wish to come with you how I wish we make it through Just one last dance before we say goodbye when we sway and turn round and round and round it's like the first time Just one more chance hold me tight and keep me warm cause the night is getting cold and I don't know where I belong Just one last dance The wine and the lights and the Spanish guitar I'll never forget how romantic they are but I know, tomorrow I'll lose the one I love There's no way to come with you it's the only way to do Just one last dance before we say goodbye when we sway and turn round and round and round it's like the first time Just one more chance hold me tight and keep me warm cause the night is getting cold and I don't know where I belong Just one last dance Oh,Baby Just one last dance before we say goodbye when we sway and turn round and round and round it's like the first time Just one more chance hold me tight and keep me warm cause the night is getting cold and I don't know where I belong Just one last dance before we say goodbye when we sway and turn round and round and round it's like the first time Just one more chance hold me tight and keep me warm cause the night is getting cold and I don't know where I belong

你是唯一的我们相会于夜间在西班牙咖啡厅我期待你的眼睛里，只是不知道该说些什么感觉就像我溺死在咸水几个小时左'的TIL太阳的崛起在哪里明天会来一个，它的时间去实现我们的爱情已经结束永远我多么希望您同来我多么希望我们可以通过刚才最后一个舞蹈然后，我们说再见当我们摆度转身和打转这就像第一次只是多一个机会持有我紧，让我温暖事业夜越来越冷我不知道我是属于刚才最后一个舞蹈葡萄酒及灯光和西班牙吉他我永远不会忘记如何浪漫，他们是但我知道，明天我将失去我的爱有没有办法来与你它这样做的唯一方法刚才最后一个舞蹈然后，我们说再见当我们摆度转身和打转这就像第一次只是多一个机会持有我紧，让我温暖事业夜越来越冷我不知道我是属于刚才最后一个舞蹈哦，宝宝刚才最后一个舞蹈然后，我们说再见当我们摆度转身和打转这就像第一次只是多一个机会持有我紧，让我温暖事业夜越来越冷我不知道我是属于刚才最后一个舞蹈然后，我们说再见当我们摆度转身和打转这就像第一次只是多一个机会持有我紧，让我温暖事业夜越来越冷我不知道我是属于

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。