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fine art相关的网络例句

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与 fine art 相关的网络例句 [注:此内容来源于网络,仅供参考]

Traveled to Taiwan, Hong Kong, Singapore with solo exhibitions in 1949. Traveled again from Hong Kong to Indonesia in 1950, created plenty of landscaping and still life drawings in the peak of his career. Returned to China in 1959. Teacher of Shanghai Art College, member of Shanghai Oil Paintings and Sculptures Studio in 1965. Syndic of Shanghai Art Association, Shanghai Culture Committee, Shanghai Jiaotong University Art Consultant.

先后在上海美专、新华艺专、杭州艺专执教。1949年间赴台湾、香港、新加坡旅行写生并举办画展。1950年由香港赴印度尼西亚,在那里创作了大量风景和静物画,那时可说进入了他的艺术鼎盛期。1959年离开印度尼西亚回国,到上海美术专科学校任教,1965年在上海油画雕塑创作室从事绘画创作。

Art philosophy should take the first priority of investigating the historical and realistic art phenomena, and then penetrate the essence of art.

艺术哲学首先要从历史的和现实的艺术现象入手进行考察,最后深入艺术的本质,而以往我们的研究往往是颠倒的。

He thinks that the art tendentiousness has its own society basis and art need to ask about only "why", not about "ought to how" and the art nature is the thinking in images.

胡秋原认为艺术的倾向性有其存在的社会依据,艺术只问"为什么",而不问"应该怎样";艺术的本质是形象思维。

Restore to assure the cure after art successful, the complication after utmost prevents art [1] , in my courtyard, convention of esophagus cancer patient sends ICU tutelar cure, effect satisfaction, will nurse after art now experience introduction is as follows.

梗概: 食道癌为人类好发的恶性肿瘤之一,在我国,每年因食道癌死亡的人数在15万以上,占世界死于食道癌人数的绝大部分,虽然大部分患者发病就诊时已属于晚期,但目前的首选治疗方法为手术治疗。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年,以辩证唯物主义认识论为指针,反思文学艺术的特性,对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发,并就艺术典型提出了精辟的见解;从1985年到1992年,他逐渐意识到认识论文艺学无法解释一切文艺现象,于是转而研究人类本体论文艺学,从人类本体论哲学出发去解释文艺现象,强调"审美是人的生命活动主要方式之一","艺术在本质上是审美的";1992年前后,他再度转换研究视角,从价值论哲学出发去解释审美和艺术,认为美就是一种价值形态。

Thou art as tyrannous, so as thou art, As those whose beauties proudly make them cruel; For well thou know'st to my dear doting heart Thou art the fairest and most precious jewel.

尽管你不算美,你的暴虐并不亚于那些因美而骄横的女人;因为你知道我的心那么糊涂,把你当作世上的至美和至珍。

After Islamic came into being, the Arabian attracted other nations' drawing art results to form Arab Islamic drawing art. Although it was affected by classical, Persian and Chinese drawing art, it always maintained its Islamic style. It was being ripped in the period of Umayyad and Abaas.

伊斯兰教产生后,阿拉伯人吸纳了其他民族的绘画艺术成果,形成阿拉伯伊斯兰绘画艺术,后虽受到古典、波斯和中国等绘画艺术的影响,但却一直保持着它的伊斯兰风格,到倭马亚朝和阿拔斯朝,已臻成熟。

These art deviators are nothing more than those who are unacquaintance or little knowledge to art, some people always want to define art domain near himself, or totally belong to himself.

把人性自私和狭隘的一面表现的十分露骨和霸道,尤其是中外历史上的执政者,总是理直气壮的视艺术为其服务的工具。

This influence is particularly outstanding at vanguard fashion design The contemporary art of vanguard fashion design exits in works' original design, it reflected t-he idea and current of thought of the vanguard contemporary art. Since 1990s, having been gone through the strong impact of modernism, post-modernism and post-post-modernism, which is neonatal in realm of philosophy, western art have gradually tend to be unreasonable, unaesthetic and anti-centric.

前卫时装设计中的当代艺术性存在于作品的原创设计中,它反映了当代文化艺术前沿的观念与思潮。20世纪90年代以来,西方艺术经历了现代主义、后现代主义以及新生的后后现代主义的强烈冲击,逐渐具有了反理性、反审美、反中心的创作倾向。

In order for art to cling to its heterogeneity and thereby maintain independent and unenslaved when facing the threat from centralization trend in the art, we have to be watchful of those art creation, ideology and knowledge structure derived from digital video creation.

正是艺术在汲取数像时代文化资源的时候,对操控数象生产的文化工业、意识形态和知识型构保持警惕,才能在文化一体化的集权倾向中以其异质、异在的另类性,保持个体的自由与独立。

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