查询词典 fine art

By above research and the analysis, the author elaborated reform direction of fine arts education vocationalism ,and has expounded reform contents from the specialty and the curriculum system, teaching styles to the qualities of teachers and students. The article emphasizes the reform on changing traditional teaching methods that focus more on theory than practice, more knowledge than skills; It advocates the training on student′s capabilities and skills, methods that sharpens student′s skills and the creative and innovative abilities. In a result,the fine arts education pattern will meet better need of market and the education development itself.Key words: fine arts education, art vocational education, art education reform, art vocational

本文通过以上的研究和分析，论述了中专美术教育的职业化改革方向，提出了关于中专美术教育创建具有自身特点和优势的职业教育体系的见解，阐明了从专业与课程体系到教育教学形式再到师生素质等一系列教育改革内容，强调中专美术专业的教育应改变传统的重理论、轻实践；重知识、轻技能的教学理念，注重对学生技术技能的培训，提高学生的实践能力和创造、创新能力，从而使中专美术的教育模式更加符合时代的需求，也更加符合教育自身发展的需求。

World Sites: Sarajevo's Academy of Fine Arts, New Zealand's Porirua City's Pataka Museum, the Cultural Center of the Philippines, NYC's Mercer Park, Spain's Ethnological Museum, Toronto's Wallace Emerson Park, Taipei's Kuandu Museum of Fine Arts, Fine Art Museum of Ho Chi Minh City, Istanbul's Artemis Art Center, Berlin's Bar of Modern Art, etc.

「磁砖计画」终点：世界22个世界据点：沙拉杰佛艺术学院、纽西兰波利洛市、巴塔卡博物馆、菲利宾文化中心、纽约市马瑟公园、西班牙民族博物馆、多伦多华勒士、伊莫森公园、台北关渡美术馆、胡志明市美术馆、伊斯坦堡阿特米斯中心、柏林现代美术酒吧。。。。。。

Solo Show: 2004 Hong Hao Base Gallery, Tokyo Japan. Hong Hao's Reading Room Chambers Fine Art, New York U.S.A 2003 Hong Hao at Rencontres d 'Arles 2003 Arles, France. 2000 Scenes from the Metropolis The CourtYard Gallery, Beijing China. Suspended Disbelief Art Beatus Gallery, Vancouver Canada. Selected Group Show: 2006 One Work: the Taikang Project of Hong Hao+Yan Lei Taikang Top Space, Beijing China. 2005-2006 Noly One Wall Beijing Commune, Beijing China Art Space Sydney, Australia. 2005 FAIRY TALES FOREVER, AROS Arhus Kunstmuseum, Arhus, Danmark. Mahjong Kunstmuseum Bern, Bern, Switzerland. CHINA: CONTEMPORARY, ART PERSPECTIVES Art Museum, Milan, Italy.

参加2000年以来的版画艺术美国，纽约现代美术馆；参加拾贰 2006中国当代艺术奖中国，上海证大现代艺术馆；参加今日中国——中国当代艺术的转世魅影奥地利，维也纳， ESSL博物馆；参加H+Y 一件作品之泰康计划泰康顶层空间中国，北京；参加第五届亚太当代艺术三年展澳大利亚，昆士兰昆士兰美术馆2005-2006年；参加麻将-希克中国当代艺术收藏展瑞士，伯尔尼美术馆德国，汉堡当代美术馆

On the first anniversary of Wenchuan earthquake, a large-scale Art project-1+1 Art Exhibition for Charity , jointly holds by BAZAAR, Art Beijing and National Art Project office of Central Academy of Fine Arts will be open in the Contemporary Art Fair on April, 26th.

在纪念汶川地震一周年之际，大型艺术慈善项目&艺术北京1+1慈善展&即将于4月26日亮相&艺术北京2009&当代艺术博览会现场。

One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.

有一点可以肯定，那就是他们不赞成甚至反对以观念代替艺术，与此相关联的是他们承认甚至看重技术对於艺术的价值，他们都不是唯美主义者，但坚信审美是艺术必须具备的品质，在他们眼里一切所谓观念，即使是最有价值的观念在艺术中都必须经由审美的中介加以实现，虽然他们反对观念至上，反对当代艺术中蔑视以至讨伐技术的倾向，但他们并不标榜技术至上；他们承认并接受观念对於艺术的意义，但他们同时看重传达观念的方式，他们试图选择的是一条相对中庸的道路，不偏不倚，不左不右，亦中亦西，有古有今，前卫亦无不可，极端则须避免，能够做到这些，已经是作为教师的角色选择的极限，超越这些范畴的期待已经不很现实了，而远离这些范畴的选择又似乎有违於教师的身份。

10 Paris -- Beijing, Palace Cardin, Paris, France; 10 Mirage, Su Zhou Art Museum, Su Zhou, China; 10 1ST Guangzhou Triennial, Guang Dong Art Museum, China; 10 Beijing Float, Tokyo-Beijing Art Projection, Beijing, China; 10 Made in China, Wilhelm Lehmbruck Museum, Duisburg, Germany ; 9 Triennial of China, Guang Zhou Museum, Guang Zhou, China ; 8 Modernity in China, 1980-2002, Fondacion Armando Alvares Penteado, Sao Paolo, Brazil; 5 Artists of Ideal, Contemporary Art Center, Verona, Italy; 2 Made By Chinese, Gallery Enrico Navara, Paris, France; 1 Made China, Ethon Cohen Fine Art, New York, USA

2002年&制造中国&；&理想主义的艺术家&（意大利维罗纳当代艺术中心）；&中国现代艺术&；&中国三年展&；&广州三年展&；&海市蜃楼&； 10月举办《海市蜃楼》苏州美术馆苏州·中国； 10月举办《广州三年展》广东美术馆广州·中国； 10月举办《北京浮世绘》北京·中国； 10月举办《巴黎·北京》巴黎·北京； 10月举办《中国制造》杜易斯堡美术馆德国； 9月举办《中国三年展》广州博物馆广州·中国； 8月举办《中国现代艺术》圣保罗·巴西； 7月举办（长征--一个未完成的计划）井冈山中国； 6月举办北京中国； 5月举办《理想主义的艺术家》当代艺术中心维罗纳·意大利； 2月举办《中国制造》拿瓦哈画廊巴黎·法国； 1月举办《制造中国》埃森画廊纽约·美国。

In the first charter , the development of Art of Using Concepts is stated in order to make readers know its proceedment. In the second charter ,the difference between the Art of Using Concepts and Apriorism and Expiricism in order to make readers understand the disparaty of Kant's Apriorism and Expiricism. In the third charter, the relation between true thinking and the Art of Using Concepts so that it's necessary that the Art of Using Concepts needs true thinking. In the former charter, the relation between practice and the Art of Using Concepts which indicates that the Art of Using Concepts is based on the practice.

在第一章中，阐述了"运用概念的艺术"的演化过程，主要是让读者了解一下"运用概念的艺术"的发展变化；第二章阐述了"运用概念的艺术"与先验论和经验论是根本对立的，这一章是为了让读者了解"运用概念的艺术"与康德的先验论，经验主义的区别；第三章主要阐述"运用概念的艺术"与"真实的思维"的关系，说明"运用概念的艺术"需要"真实的思维"；第四章主要阐述"运用概念的艺术"与实践的关系，说明"运用概念的艺术"是建立在实践的基础上的。

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

Different from the primitive commune, Henan Shifo Art Commune is open and emanative. It establishes effective resources, based on returned overseas artists and international art institutions, to have a direct contact with the international contemporary art. Its art atmosphere, art content and artistic communication have been international ever since its birth. Many artists from U.S., Italy, Germany and North Korea have been invited here for art intercommunication.

与原始社会公社不同的是，河南石佛艺术公社对外是开放的、发散的，公社依托归国艺术家与国际艺术机构建立的有效资源直接与国际当代艺术接轨，其艺术氛围、艺术内容、艺术交流形式从诞生之日起就具有国际性，先后邀请了美国、意大利、德国，韩国的众多艺术家到石佛村进行交流。

Listen,point and check your answers.

听，指出并且检查你的答案。

Warming needle is one of effective treatment methods for knee arthralgia aggravated by cold,and it is simple,safety,so it should be developed in clinical acupuncture and moxibustion extensively.

但以本院科针灸门诊在2005年1月—2006年6月期间共收治膝痛患者100余例，经过临床的诊断后，其中施以温针治疗的48例，疗效显著，报道如下。1临床资料本组病例48