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Since its establishment in 1936 as the nation's first wildlife experiment station, the Patuxent Wildlife Research Center has been a leading international research institute for wildlife and applied environmental research, for transmitting research findings to those responsible for managing our nation's natural resources, and for providing technical assistance in implementing research findings so as to improve natural resource management.

Patuxent野生动植物研究中心始建于1936年,是美国第一个野生动物实验站,目前,该中心已成为国际一流的研究机构,主要从事野生动物和应用环境研究,促进研究成果的转让和应用,更好的管理自然资源。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

Objective:To study the clinical manifestation and CT findings of woman's pelvic pseudocyst in sexual maturity correlated to surgical findings and to explore its causes.

目的:回顾分析育龄期妇女盆腔假性囊肿的临床症状、CT表现、手术所见及病因,以提高对该病的认识。

Results:When the CT findings of pelvic pseudocyst in sexual maturity,as well as the clinical and the ultrasound findings,are of no typical appearances,the rate of misdiagnosis is high.

结果:育龄期妇女盆腔假性囊肿的CT表现不典型,误诊率较高。临床及超声检查也同样有较高的误诊率。

Results:When the CT findings of pelvic pseudocyst in sexual maturity,as well as the clinical and the ultrasound findings,are of no typical appearances,the rate of misdiag...

结果 :育龄期妇女盆腔假性囊肿的CT表现不典型,误诊率较高。

Methods The MR findings of14patients with cerebral palsy caused by hypoxic-ischemic damage were studied retrospectively and correlated with clinical findings.All those patients underwent MRI.Cerebral cortex and subcortical white matter,deep white matter,basal regions and thalami,and ventricles and subarachnoid space were observed on T1WI and T2WI.

对14例缺氧缺血性脑损伤所致脑瘫患儿行MR检查,在T1WI及T2WI上对大脑皮层及皮层下白质、深部白质、基底节、丘脑、以及脑室和蛛网膜下腔等部位进行观察。

The problems existing at present is embodied in: the use right of valuable instrument and equipment is separated from its ownership , every applying department takes up or uses free, make laboratories no power opening valuable instrument and equipment to outside to raise their utilization benefit; autonomies of the key laboratory are not enough, it makes some scientific findings of the key laboratories using value not high, and it has influenced laboratories transformation the scientific findings with society; the key laboratories, society and enterprise lack effective linking up the bridge, influence the laboratory to offer science and technology service to the outside.

宏观上,需要在现有的陕西省大型精密仪器设备协作共用核心网的基础上,依托高校实验室资源建立陕西省研发公共服务平台,以提供多样化应用服务优化专业服务供给,发展和完善科技服务市场。微观上,一方面需要各高校改变贵重仪器设备的管理方式,有偿使用或占用设备,建立高校贵重仪器设备公共服务体系;另一方面,需要改革实验室的管理方式,扩大实验室的自主权和独立性,同时加强对实验室的绩效管理和绩效评价,形成有效的激励和约束机制。

Faber Taylor added that their confidence in the findings from this study is bolstered by findings from other studies.

费伯泰勒说,他们的信心,结果从本研究结果的支持来自其他研究。

Though an assurance of anonymity may reduce such variance, we cannot completely rule out the concern of inflated responses on socially desirable questions, this may result in restricts of the findings. By triangulating multiple sources of information, researchers can achieve more confidence of the findings.

虽然采用匿名的方式可以减少这种偏差,但我们不能完全排除社会期望响应的问题,这会导致对研究结论的限制,通过综合多个信息来源可以使研究人员增强研究的可信度。

These findings are paralleled by findings from Bunnel and coworkers in ARDS patients.

这些发现与Bunnel和他的同事在ARDS患者中的研究结果是一致的。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。