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We cannot, if we would, play the part of China, and be content to rot by inches in ignoble ease within our borders, taking no interest in what goes on beyond them; sunk in a scrambling commercialism; heedless of the higher life, the life of aspiration, of toil and risk; busying ourselves only with the wants of our bodies for the day; until suddenly we should find, beyond a shadow of question, what China has already found, that in this world the nation that has trained itself to a career of unwarlike and isolated ease is bound in the end to go down before other nations which have not lost the manly and adventurous qualities.

我们决不能扮演中国的角色，要是我们重蹈中国的覆辙，自满自足，贪图自己疆域内的安宁享乐，渐渐地腐败堕落，对国外的事情毫无兴趣，沈溺於纸醉金迷之中，忘掉了奋发向上、苦干冒险的高尚生活，整天忙於满足我们肉体暂时的欲望，那麼，毫无疑问，总有一天我们会突然发现中国今天已经发生的这一事实：畏惧战争、闭关锁国、贪图安宁享乐的民族在其他好战，爱冒险的民族的进攻面前是肯定要衰败的。

"That's what the Bonapartists assert," said the vicomte without looking at Pierre."It's a difficult matter now to find out what public opinion is in France."

"这是波拿巴分子说的话，"子爵不望皮埃尔一眼便说道，"眼下很难弄清法国的社会舆论。"

A; What's its name B: Sorry, I can't remember it.A: Who wrote it B: A famous scientist.A: What does it look like B: It is very thick and has a lot of beautiful pictures in it.A: How many pages does it have B: More than 300.A; I see. I'll try to find it for you. B: Thank you.

提示：假如你去图书馆借一本有关地理方面的书，你告诉图书管理员你忘了书名，只记得它是由一位著名的科学家写的，书很厚，有300多页，书中有许多漂亮的图画。

The archaeologist described in the book is not emotively involved in what is doing, it seems that s/he knows already what he will find, there is no stress or anxiety thinking that the time for the excavation is limited while the evidence is complex, particularly remarkable and/or surprisingly abundant.

书中描写的考古学家并没有专注于手头的工作，看起来他们已经知道自己将发现什么，他/她对时间的紧迫而资料的复杂性，尤其是数量上的庞大也不感到压力或者焦虑。

You find that it is not what you wanted after all. What can be done? The fient job in science to do is to pursue another career. This will spare you th

来说，首要任务是去找一份其他的工作，这讲是你避免失望的痛苦

If you aren't, read on and find out what this new line of milled putters is all about, and what a $299 putter can do for your game.

如果你没有，阅读和了解这个新系列精推杆是所有关于，以及1 299美元的推杆能为你的游戏。

Some of the neuroeconomics topics we are studying at Caltech include: Why people find it difficult to attach dollar prices to goods that are not traded (like environmental harm, health, and safety); whether having too many choices actually makes people less happy with what they own; thinking strategically about what other people will do, when you are trying to outguess them or cooperate with them; how people behave when they fear economic unknowns (like starting small business or investing in countries with unstable political systems); deception in bargaining; the neural foundations of intrinsic motivation for working hard, like intellectual curiosity; and moods and investor sentiment in stock markets.

目前我们在加州理工学院从事神经经济学研究的课题项目包括：为什麽人们认为给不能用以交换的商品(如环境损害、健康、安全)定价格是困难的；面对太多的选择是否使人们竟然对自己拥有的现状感觉不甚愉快；当你试图智算他人或与他人合作时，从策略上考虑他们将做什麽；当人们担忧经济不可预测时（如：开创小企业，或投资于政治体系不稳定的国家），他们将采取什麽样的行为；讨价还价的骗术；努力工作的内在动机的神经基础；心态和投资者对股票市场的情绪，等等。

In the foreword, it is the brief analysis of the creative process of the creative subject, telling readers that what we concern about is the study of the subcreative of the creative subject and the study method and the study content of the dissertation. In the first part, it begins with the definition and the process of the subcreative, stepping into the case study of Ge Fei's subcreative, that is what we will study in the dissertation. In the second part, we try to find out the process of Ge Fei's subcreative according to the study method we mentioned in the foreword through the text analysis of the imago combination and the emotion stream in the Ge Fei's texts. In the third part, we summarize how the times and the readings influence the creative subject, through the analysis of the time when Ge Fei lives and the experiences of Ge Fei's reading. In the epilogue, we generalize the significance of the study of the dissertation, hoping that the Ge Fei's case study we do can give the subsequent researchers some revelation.

全文共有五个部分：引言中通过对创作主体创作过程的简析，提出了本文关注的对象是创作主体的潜创作研究，提出了本文的研究方法和研究的主要内容；第一部分以潜创作的界说和过程入手，进入对格非潜创作的个案研究，即本文的研究对象；第二部分按照引言中提出的研究方法，通过对格非文本中的意象组合和情绪化潜流的文本分析，倒推格非的潜创作过程；第三部分总结性地对格非所处的时代背景分析、对影响格非的阅读经验的梳理，理脉时代和阅读对创作主体的影响和作用；结语是对全篇的总结，简括了对格非潜创作研究的意义，并希望通过格非的个案研究对后来的研究者关注潜创作起到一定的启示作用。

In order to understand MAO Ze-dong's remark perfectly,it is important to regard what he did not say just as what he did. That is to say, in terms of symptomatically analysis, we should pay more attention to the reticences, blanks and ravines in the text and find his theory frame.

要完整的理解关于毛泽东的论述，就不仅要看他说出来的话，而且要看他没有说出来的话，用症候式分析的术语来说，就要看文本里的沉默、空白和沟壑，并从这里分析出他的&理论框架&。

They, along with the free documentation at http://www.djangoproject.com/, are probably what youll flip back to occasionally to recall syntax or find quick synopses of what certain parts of Django do.

要回忆语法或查阅 Django 某部分的功能概要时，你偶尔可能会回来翻翻这些资料以及 http：//www.djangoproject.com/上的免费文档。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。