查询词典 figures

This pair—figures of political violence and individual sensibility respectively—demonstrates that the "birth" of art is the outcome of intercourse between the political high tower and the deep hole as oppressed individual interiority.

从这个意义上说，地面上的高塔（比如小说里所描绘的1958年大跃进之土高炉）越伟岸，艺术就在地表之下藏匿得越深，越"超现实"；艺术的孕育是"高塔"与"幽穴"的协力。

This pair-figures of political violence and individual sensibility respectively-demonstrates that the "birth" of art is the outcome of intercourse between the political high tower and the deep hole as oppressed individual interiority.

从这个意义上说，地面上的高塔（比如小说里所描绘的1958年大跃进之土高炉）越伟岸，艺术就在地表之下藏匿得越深，越"超现实"；艺术的孕育是"高塔"与"幽穴"的合力。

Numbers are my friends, so the economic figures were something I could internalize.

数字是我的朋友，所以我可以将这些经济数据转化为自己的认识。

Empty seed rate of the secondary branches was higher than that of the primary branches in the same internode in terms of absolute figures.

因此，选育1次枝梗籽粒比率高，2次枝梗籽粒主要分布在穗轴上部的直立穗型品种有利于改善结实性。

A look at the figures makes clear that Seoul has not been pursuing an interventionist policy.

从下面的一组数据中就能看出，韩国不曾奉行干预政策。

This is imago which descrbe the figures, landscapes or intrapersonal feelings.

我是读完庞德写这首诗的背景之后才翻译的，写作背景是1913年庞德在巴黎坐地铁，下车的瞬间看到了。

By way of statistics, the figures are technically and procedurally invalidity. It isillustrated with BARP project.

通过两方面的分析，本文得出的结论是我国现有的固定资产投资额指标的有效性显著偏低。

One could consider invariant properties of figures under each of the above types of transformation.

可以在上述的每一类型变换下考虑图形的不变性质。

In the character of Berenger, a semi-autobiographical persona who figures in several of his plays, Ionesco portrays the modern man trapped in an office, engaged in shallow relationships, and escaping with alcohol from a world he does not understand.

的性质伯兰吉尔，半自传体的人，谁的数字在他的几个剧本，尤涅斯库描绘现代男子被困在一个办事处，从事浅水关系，摆脱酗酒的世界，他不理解。

Ceramics and soldering iron. With white and blue porcelain and powder colors, Wu created the nonobjective half-length statue, bright and vivid in color. Through repeated application of symbols in Chinese traditional ceramics, the ornaments on the household wares were finally turned into a cultural symbol of extremely simplified human figures. That is how Wu handled the transformation from traditional to modern.

青花和粉彩的近乎抽象的陶瓷半身人像，被赋予鲜艳的色彩，传统陶瓷提炼的符号不断重复，从附着于器物用品的装饰转而成为极简的现代人形的文化符号特征，完成了现代与传统的对话，是颠覆也是重生。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。