查询词典 figure-ground

The following figure/table is/are missing: We have received youraccepted manuscript for publication. Unfortunately, the source filesfor figure [Figures 1, 5, 7,8 and 9 with pixilated text] do not meetour production quality standards.

下列图表/表格丢失；我们已收到你愿意出版的原稿，但是不幸的是，有些图表的源文件不能满足我公司的质量标准。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

BE a morning regardless everyday the person's morning ﹑ or the sun very lazy noon, is a light breeze regardless the blow gently evening ﹑ or the bright moon in the sky quiet night;BE the early spring that the creation beginning come to regardless, is a green shade heavy midsummer, is full eyes rich in hues deep autumn, is the sever winter that the heavy snow stops suddenly, or breeze, or rain, or fog or snow, I will exceed a front door, take unknown and regretful, take to ponder ramblingly, take intensely hot affection to the great universe, let the own figure cage is in the breeze, rain in, fog in, in, the cage is in the first sun rays in the morning, setting sun in, the cage is in the moonlight, the star light under, let in an own figure can the person's Crescent curved way up travel extensively, surroundings the atmosphere of the quiet , the pottery person's beautiful scenery, just like contend for of out of this world Taoyuan.

弗罗米。劳麦。耶维奇每日﹐无论是晨露沁人的清晨﹑或是煦阳懒懒的午间﹐无论是微风习习的傍晚﹑或是皓月当空的静夜﹔无论是万物初醒的早春﹐是绿荫浓郁的仲夏﹐是满目斑斓的深秋﹐是大雪骤停的严冬﹐或风﹐或雨﹐或雾或雪﹐我都会迈出大门﹐带着无名怅惘﹐带着漫无边际的寻思﹐带着对大自然炽热的钟爱﹐让自己的身影笼在风里﹐雨里﹐雾里﹐露里﹐笼在晨曦中﹐夕阳里﹐笼在月色中﹐星光下﹐让自己的身影在一条条可人的 Crescent弯道上漫游﹐周围静谧的气氛﹐陶人的景致﹐宛如无争的世外桃园。

For instance, if you rotate Figure 1 of Section 5.6 through a quarter-turn and relabel the axes so that x1 is on the horizontal axis, then the new figure corresponds to the matrix A with the diagonal entries .8 and .64 interchanged.

举例来说，如果你整四分之一替换第 5.6 节的图 1-旋转而且再分类轴以便 x 1 在水平的轴上，那么新的身材用对角线的进入符合点阵式一。8 和。64 交换。

In our evangelistic presentations, Christ appears not as the center of attention and himself the key to life's meaning, but as a figure – sometimes a very smudgy figure – brought in as the answer to some preset egocentric questions of our own （How may I find peace of conscience?

第二个不良后果，就是在我们的福音信息中，基督不是我们所注意的中心，也不是开启我们生命意义的钥匙，祂只不过是一个形象──有时只是一个模糊不清的形象，我们把他引进来，只不过为了解答我们一些先存以自我位中心的问题（如：我如何找到内心的平安？

The stimuli were presented by tachistoscope. Results The results of PD group was significantly worse than control group both on figure and Chinese character discrimination, and was much more worse on figure discrimination.

用速示器控制呈现速度，观察患者在辨认各种图形和汉字时的成绩。

The official emblem, designed by Josep Maria Trias from Barcelona, depicted a dynamic human figure in a stance that suggested someone jumping an obstacle (which consisted of the five Olympic rings) and the simple, gestual lines reduced the characterisation of the figure to the head (in the blue of the Mediterranean), the arms (the yellow of the sun and wide open in sign of hospitality) and the legs.

随意涂抹的一点、一钩、一横飘逸洒脱，当人们厌倦了复杂的结构、工整的设计后，终于在这个打破所有造型概念的会徽中找到了清新的水源，它平静地清洗我们脑中的一切陈规俗套。不需要任何语言，不需要任何解释，在本届奥运会&艺术与文化&的主题下，大师的思想光芒照亮五环。

The official emblem, designed by Josep Maria Trias from Barcelona, depicted a dynamic human figure in a stance that suggested someone jumping an obstacle (which consisted of the five Olympic rings) and the simple, gestual lines reduced the characterisation of the figure to the head (in the blue of the Mediterranean), the arms (the yellow of the sun and wide open in sign of hospitality) and the legs.

极具民族特色的&三太极&应运而生，其中的黄、红、蓝三种颜色的色带仿佛运动场上的跑道，代表天、地、人三位一体的和谐统一，三色条带外旋象征世界的繁荣与进步，内旋则寓意各国运动员的团结和友谊。

Barcelona 1992 Emblem 巴塞罗那艺术光芒照亮五环 The official emblem, designed by Josep Maria Trias from Barcelona, depicted a dynamic human figure in a stance that suggested someone jumping an obstacle (which consisted of the five Olympic rings) and the simple, gestual lines reduced the characterisation of the figure to the head (in the blue of the Mediterranean), the arms (the yellow of the sun and wide open in sign of hospitality) and the legs.

随意涂抹的一点、一钩、一横飘逸洒脱，当人们厌倦了复杂的结构、工整的设计后，终于在这个打破所有造型概念的会徽中找到了清新的水源，它平静地清洗我们脑中的一切陈规俗套。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。