查询词典 femme fatale

"When Angie is usually shot she's seen as a femme fatale, she does that very well, but also she has the biggest heart and inexhaustible spirit and sweetness and goodness, and she's the real glue of the family, and that's what I wanted to portray in that."

"一般来说安吉拍摄封面照，都是以倾城倾国的美女这样的形象示人的，她非常擅长那样的拍摄，但是其实，安吉也是一个心地善良，经历充沛，非常甜蜜和仁慈的女人，她是我家的粘合剂，这是我这次拍摄所要体现的她的特点。"

The classic film noir femme fatale image.

经典的黑色电影蛇蝎美人形象。

The main character is often unknowingly lured into this potentially lethal predicament by a seductive femme fatale, as in Original Sin.

主角经常会被一名销魂蚀骨的蛇蝎美女迷惑，在不知不觉中陷入致命的困境。

Mona'.'' Lisa is reinvented as the femme fatale of Romanticism.

蒙娜·丽莎》被重新塑造成了浪漫主义中引诱男人堕落的"妖冶女人。"

The relationship between the protagonist and the femme fatale forms the common side of the two triangles ( e.g., the axis around which both triangles interact).

主人公之间的关系和蛇蝎美人形式的常见副作用的两个三角形的（例如，围绕著两个三角形轴互动）。

Teenage best friends, Luke and Malachy, are both in love with Michelle, the new girl in town, a troubled 15-year old femme fatale who has just moved back home.

两位少年好友卢克和马拉奇都爱上了一个镇上新来的叫米雪的女孩，这个15岁（15岁？！？！）的祸水妞刚刚搬回家里住。

Wei tang's acting is very good the way she plays the character is of femme fatale and is full of the subtle emotions lots of side glances and meaningful stares that of the era of silent films i just wished she conveyed more range in her character when she wasn't playing the part of the seductress.

唐伟代理很好的方式，她扮演的性质是蛇蝎美人，是情感的微妙侧了一下眼色，许多有意义的目光充满了i的无声电影时代，只是希望她转达她的性格更加广泛，她绿帽'吨扮演了勾引的一部分。

Plot Summary : Lovely Linda Mason has crooner Jim Hardy category additional of heels, afterwards again unwrinkled stepper Ted Hanover wishes her since his innovative dance father following femme fatale Lila Dixon offers him a brush .

剧情简介：可爱的琳达梅森已经歌手吉姆哈额外类别脚跟，随后又unwrinkled步进特德汉诺威希望她的父亲因为他的创新舞蹈以下蛇蝎美人利拉迪克森给了他一刷。

This detour through the beginnings of cinema seems well-suited because Guin's images on the screen work through sensation, as many of her fans in the U.S. and Taiwan attest. They provoke through the eroticized enigma of the queered femme fatale, the offbeat slapstick of lesbian romance, and the thrill of having a candlelight dinner with death's silhouette.

试著想像：当这位演出者注视著机器，从她肢体动作上所传达给观众的那种强烈感受，到变化多端的影像挑战观众视觉感官，这一切彷佛置身於十九世纪晚期，如同爱迪生发明的电影放映机一般，实际上吸引美国及台湾影迷目光的，是萤幕上的关妮薇。

They provoke through the eroticized enigma of the queered femme fatale, the offbeat slapstick of lesbian romance, and the thrill of having a candlelight dinner with death's silhouette.

透纳影像：透过红颜祸水般的酷儿情谜、女同性恋罗曼史中走调的低俗闹剧，以及与死神共进烛光晚餐，毛骨悚然的景象……等等，以此激发观众的共鸣。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。