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feminist相关的网络例句

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与 feminist 相关的网络例句 [注:此内容来源于网络,仅供参考]

In 1981 Elaine Showalter suggested that even criticizing writing by men from a feminist perspective (what she called "FEMINIST CRITIQUE") may remain androcentric insofar as it continues to focus on male texts and to work within frameworks derived from these.

1981年艾莱恩·肖瓦尔特提出,那些男性从女性角度所写的批评著作(即她所称了&女性主义批评&),只要它们继续聚焦于男性文本,并停留这些文本所生成的框架内,就依然是男性中心主义的。

Postcolonial feminist studies are elucidative ways that accommodate feminist text analysis with post-colonial culture since the early

同时20世纪八九十年代兴起的后殖民女性主义理论正是适应这种后殖民文化背景下女性主义文本的阐释方法。

From the historical level, it states the historical trace about feminist body idea from the Late-Qing Dynasty to the "May 4th Movement" period, that is one from Family to Country—masculinization -Female Individual, the other from Family to Country—masculinization—naturalized, the above two traces develop at the same time and form the changed track of feminist body idea in this period.

对晚清至五四这一时期的女性身体观念的考察,使我们返回近现代历史的现场,在历史性的辨析中寻找一切曾经促进近现代的中国妇女解放的思想和意识。对这些思想和意识的辨析将使我们回到了我们自己的妇女解放思想传统。

Chapter Five is a conclusion. The Diaries of Jane Somers manifests that Lessing speaks in favor of the current of feminist thoughts. Her insightful perspectives east much light on feminist movements.

最后的结论部分指出《简·萨默斯的日记》体现了莱辛在女性主义思想上的发展及其前沿性。

This thesis is an analysis of Morrisons three well-claimed novels: The Bluest Eye, Sula and Beloved, from the point of view of feminist criticism and black feminist criticism.

本文从女权主义及黑人女权主义批评的视角出发,探讨了莫里森的三部小说:《最蓝的眼睛》、《秀拉》和《宠儿》中黑人女性自我身份的确立、黑人女性在黑人文化传承方面的意义及黑人母女关系的特殊性等问题。

The thesis is structured as follows:The introduction gives an account of feminist criticism and Margaret Drabbles feminist thought.

论文分为五个部分:导言部分简要介绍女性主义文学批评理论及德拉布尔的女性主义思想。

In translation practice, feminist translators employ three radical feminist translation strategies, namely, supplementing, prefacing and footnoting, hijacking, even bluntly allege that translation is rewriting, and aim to give prominence to the female status among the texts, which makes the feminine "visible" in language so that women are "seen" and "heard" in the real world.

她们把这些理念贯彻到翻译实践中去,在译文中使用激进的女性主义翻译策略—增补、加写前言和脚注以及劫持,甚至坦率地宣称翻译就是重写,并用种种手段突显女性在文本中的地位,让女性在语言中&可见&,从而使女性在真实世界中被&看见&和被&听见&。

Transnational feminist practice aims to address the concerns of women around the world "in the historicized particularity of their relationship to multiple patriarchies as well as to international economic hegemonies"(Grewal and Kaplan, 17) Rather than endorsing a universal or totalistic notion of woman or gender in relation to a monolithic and ahistorical concept of patriarchal hegemony, transnational feminist practice critically examines how women are constructed differently and sometimes in contradiction to men in different patriarchal structures under different historical conditions.

跨国女性主义实践力图在&女性与多样父权制和国际经济霸权所生成的具历史化特性的关系中&(Grewal and Kaplan, 17解决与全世界女性攸关的议题。跨国女性主义实践以批判性的眼光来考察在不同的历史条件与不同的父权体系中,女性如何以与男性不同的甚或相反的方式建构的,而非认可一种与父权制霸权的单一的和无历史的概念相关的,通用的或整体的女性或性别概念。

Though black feminism has roots that extend back at least into the nineteenth century, the current resurgence of black feminist criticism stems in part from the failure of the civil rights movement of the 1960s and the feminist movement of the 1970s to address the concerns of black women.

尽管黑人女性主义的渊源至少可以追溯到19世纪,但是当前黑人女性主义批评的复苏,某种程度上说来源于关乎妇女利益的20世纪60年代的民权运动和70年代的女权运动。

McDowell's own proposed definition (which answered "yes" to this question) was later praised by Hazel Carby for its call to study works in their historical context, but criticized for its suggestion that work by black women not written from a feminist perspective might be considered black feminist criticism.

迈克多尔本人所提供的定义(她对上述问题的回答是&能&)后来得到黑兹尔·卡比的称赞,因为它号召在历史语境中去研究作品。但是卡比也对这个定义提出了批评,因为它暗示说由黑人妇女所写的作品可以看作是黑人女性主义批评,而不是强调要从一个女性主义角度去写。

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I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。