查询词典 fell off

In their childlike glee at the conflagration of the village, and the excitement of their successful firing on the French, our artillerymen only noticed this battery when two cannon-balls and after them four more fell among their cannons, and one knocked over two horses and another tore off the foot of a gunner. Their spirits, however, once raised, did not flag; their excitement simply found another direction.

因为村庄着火，我军的炮手都像儿童似地觉得快活，因为炮打法国人打得成功，他们都很激动；因此，当两颗炮弹、紧接着还有四颗炮弹在几门大炮中间落地，其中一颗掀倒两匹马，另一颗炸掉弹药车车夫的一条腿的时候，我军的炮手才发现敌军的这座炮台，然而兴奋的心情既已稳定，就不会冷淡，只是改变了意境而已。

Next came one Who mourn'd in earnest, when the Captive Ark Maim'd his brute Image, head and hands lopt off In his own Temple, on the grunsel edge, [ 460 ] Where he fell flat, and sham'd his Worshipers: Dagon his Name, Sea Monster, upward Man And downward Fish: yet had his Temple high Rear'd in Azotus, dreaded through the Coast Of Palestine, in Gath and Ascalon [ 465 ] And Accaron and Gaza's frontier bounds.

V2：跟在他后面的神魔，着实伤心，他被囚禁在自己的庙宇里，被来的约柜毁坏了自己的兽像，头和两手分离，扑倒在门槛上，他自己的崇拜者都觉得耻辱，他名叫大衮，是海中的怪物，上半截是人，下半截是鱼，可是他有庙宇高耸在亚琐都，巴勒斯坦境内的人莫不敬畏，迦特、亚实基伦、以革伦，直到迦萨的边界，到处慑服。

He was there - at least a few yards farther in the park ; leant against an old ash tree , his hat off , and his hair soaked with the dew that had gathered on the budded branches , and fell pattering round him

他在那儿在果树园里至少有几码远，靠着一棵老杨树，他没戴帽子，他的头发被那聚在含苞欲放的枝头上的露水淋得湿漉漉的，而且还在他周围淅沥淅沥地滴着。

Well,I attempted my backflip off the swing.I fell backwards and was about to land on my head,but Steven caught me.

Well，我试图把我的swing.I后空翻向后跌倒，并在即将降落在我头上，但史蒂芬抓住我。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

As I fell asleep I found myself counting," Ten, nine, eight … blast off !"

我入睡后，发现自己数数，十，九，八。。。

Then the brutal minions of the law fell upon the hapless Toad; loaded him with chains, and dragged him from the Court House, shrieking, praying, protesting; across the marketplace, where the playful populace, always as severe upon detected crime as they are sympathetic and helpful when one is merely 'wanted,' assailed him with jeers, carrots, and popular catch-words; past hooting school children, their innocent faces lit up with the pleasure they ever derive from the sight of a gentleman in difficulties; across the hollow-sounding drawbridge, below the spiky portcullis, under the frowning archway of the grim old castle, whose ancient towers soared high overhead; past guardrooms full of grinning soldiery off duty, past sentries who coughed in a horrid, sarcastic way, because that is as much as a sentry on his post dare do to show his contempt and abhorrence of crime; up time-worn winding stairs, past men-at-arms in casquet and corselet of steel, darting threatening looks through their vizards; across courtyards, where mastiffs strained at their leash and pawed the air to get at him; past ancient warders, their halberds leant against the wall, dozing over a pasty and a flagon of brown ale; on and on, past the rack-chamber and the thumbscrew-room, past the turning that led to the private scaffold, till they reached the door of the grimmest dungeon that lay in the heart of the innermost keep.

随后，粗暴的狱吏们扑向倒霉的蟾蜍，给他戴上镣铐，拖出法庭。他一路尖叫，祈求，抗议。他被拖着经过市场。市场上那些游手好闲的公众，对通缉犯向来都表同情和提供援助，而对已确认的罪犯则向来是疾言厉色。他们纷纷向他投来嘲骂，扔胡萝卜，喊口号。他被拖着经过起哄的学童，他们每看到一位绅士陷入困境，天真的小脸上就露出喜滋滋的神色。他被拖着走过轧轧作响的吊桥，穿过布满铁钉的铁闸门，钻过狰狞的古堡里阴森可怖的拱道，古堡上的塔楼高耸入云；穿过挤满了下班士兵的警卫室，他们冲他咧嘴狞笑；经过发出嘲弄的咳嗽的哨兵，因为当班的哨兵只许这样来表示他们对罪犯的轻蔑和嫌恶；走上一段转弯抹角的古老石级，经过身着钢盔铁甲的武士，他们从盔里射出恐吓的目光；穿过院子，院里凶恶的猛犬把皮带绷得紧紧的，爪子向空中乱抓，要向他扑过来；经过年老的狱卒，他们把兵器斜靠在墙上，对着一个肉馅饼和一罐棕色的麦酒打瞌睡；走呀走呀，走过拉肢拷问室，夹指室，走过通向秘密断头台的拐角，一直走到监狱最深处那间最阴森的地牢门前。

This undated handout photo by Jan Griffith, received on April 6, 2009, shows cattle dog Sophie Tucker, a pet dog that fell overboard in rough seas off Australia.

葛里菲斯提供，於四月六日接获，但未注明拍摄日期的照片中，是在澳洲外海跌落巨浪中的宠物牧牛犬苏菲。

Poor and the boy was then placed on the altar and was about tobe knifed when a ram with golden fleece was sent down by thegods and carried off the two children on its back.as they flew over the strait that divides asia from europe,helle,faint at the vast expanse of water below ,fell into the sea and was drowned.thus the sea of helle,hellespont, became the ancient name of the strip of water.her brother kept on and arrived in colchis on the eastern shore of the black sea.there he sacrificed the ram to zeus and who nailed it on a sacred tree and put a sleepless gave its golden fleece to king aeetes, dragon in charge .

当他们飞过隔开欧洲和亚洲的海峡时，赫勒由于看到浩瀚的海洋而头晕目眩，最终掉进大海淹死了。这片海洋古时候的名称叫赫勒之海，赫勒拉旁海峡便由此而来。金色公羊驮着法瑞克斯继续向前飞去，来到了黑海东岸的科尔契斯。在那里，法瑞克斯将公羊献给了宙斯；而将金羊毛送给了埃厄忒斯国王。国王将羊毛钉在一棵圣树上，并派了一条不睡觉的龙负责看护。

The captive had broken off the stalagmite, and upon the stump had placed a stone, wherein he had scooped a shallow hollow to catch the precious drop that fell once in every three minutes with the dreary regularity of a clock-tick-a dessertspoonful once in four and twenty hours.

水滴声像钟表一般有规律，令人烦闷，一天一夜下来才能接满一汤匙。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。