查询词典 fall in love

In the game of seduction there is only one rule,never fall in love.

二在诱惑的游戏中，只有一条规则，永远不要涉及爱情。

A chase fights down, Mike detectable own fall in love the Shara pulls, but Stean also died in a tangled warfare.

一场追逐战下来，麦可发现自己爱上的莎拉，而史丹也在一场混战中死去。

I do not want to fall in love, in a stroke.

不想恋爱的我，中招了。

For example, I am a bird flying in sky, you are a supra boots leopardin forest. We just fall in love accidentally.

比如我是空中的鸟，你是林中的豹，只是我们碰巧相爱。

It all goes swimmingly, and with an added bonus: Valerie and Michel really do seem, in their own profane and rather pathetic way, to fall in love.

这一切进行顺利，还带来了额外的奖励：瓦莱丽和米歇似乎真的堕入了情网，以他们自己世俗的、甚至是悲哀的方式。

You don't have to be under the influence of stimulants in order to have fun, be noticed or fall in love.

不要为了玩得开心就受到任何刺激的影响，注意到来的爱情吧。

If you fall in love with is my fault, I would like a mistake in the end, until the day-to old, unrepentant

如果爱上你是我的错，我愿一错到底，直到天芳地老，死不悔改

The fourth, different sex imago. Chinese spring palace paintings have vagarious interest in embroidered shoes and tootsies, but as for western nudes, they deeply fall in love with women's breast.

作为性意象，春宫图注重穿在小脚上的绣花鞋的刻画，对女性乳房并不加意；而西方人体画则肆力于女性乳房的刻画。

The fouth, different sex imago. Chinese spring palace paintings have vagarious interest in embroidered shoes and tootsies, but as for westen nudes, they deeply fall in love with womens breast.

作为性意象，春宫图注重穿在小脚上的绣花鞋的刻画，对女性乳房并不加意；而西方人体画则肆力于女性乳房的刻画。

Twenty years, he thought wonderingly, and all the while she must have known that one day I'd climb a September hill and see her standing, young and lovely, in the sun, and fall in love with her all over again.

20年来，他认为wonderingly ，以及所有她一定知道，有一天我会爬上9月希尔和看到她站立，年轻和可爱，在阳光下，并爱上了她的所有了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。