查询词典 faintly

I thought Martin Jol might have been a bit more outspoken on the subject of this shame on his own doorstep, but he chose to take the faintly undiplomatic route of announcing afterwards,'I can feel for the frustration of our fans.

我觉得马丁·尤尔在这桩家门口的丑事上完全可以更坦白一点，但他偏偏选择了一条不太聪明的道路，事后他说："我能体谅我们球迷的沮丧心情。"

Synopsis :The murky street, the faintly headlight, a pair of migration's canvas shoe, all of them make the night unpeaceful and turbulent.

作品简介：昏沉的街道，恍惚的车灯，一双移动的帆布鞋，让这个夜晚有了不安与动荡。

Sounds of the countryside came faintly in, and the cool night air, veined with smells' of earth and salt, fanned my cheeks.

夜的气味，土地的气味，海盐的气味，使我的两鬓感到清凉。

Her fingers were clumsy, the wrapping heavy; it smelled faintly of the Wahine general store, which told her that whatever lay inside the parcel had miraculously been bought, not homemade or donated.

她的手指有些笨拙，包装纸很厚，但还是可以隐约闻得出Wahine General Store的气息，这告诉她躺在小包裹里的东西不是自制的或者赠品，竟然是买来的。

ON THE BED, at full length, and faintly illuminated by the pale light that came from the window, lay a sack of canvas, and under its rude folds was stretched a long and stiffened form; it was Faria's last winding-sheet,--a winding-sheet whic

中文借着从窗口透进来的一线苍白微弱的光线，可以看到床上有一只平放着的粗布口袋，在这个大口袋里，直挺挺地躺着一个长而僵硬的东西。

Chapter 20 The Cemetery of the Chateau D'If 第二十章伊夫堡的坟场 ON THE BED, at full length, and faintly illuminated by the pale light that came from the window, lay a sack of canvas, and under its rude folds was stretched a long and stiffened form; it was Faria's last winding-sheet,--a winding-sheet which, as the turnkey said, cost so little.

借着从窗口透进来的一线苍白微弱的光线，可以看到床上有一只平放着的粗布口袋，在这个大口袋里，直挺挺地躺着一个长而僵硬的东西。这个口袋就是法利亚裹尸布，正如狱卒所说的，这的确不值几个钱。

Scape erect or slightly slanting, 30cm high, 1-2flowered, flowers large, white ,8-10cm across, fragrant; sepals oblong-lanceolate, 6cm long, 2cm wide, faintly tinted green at base; petals slightly smaller than sepals, lip 3-lobed, side lobes erect, spotted purple-red, mid –lobe pendent, blotched yellow and irregularly spotted purple-red in middle ,wavy at margin, lamellae yellow ,short-hairy .

花葶直立或微倾斜，高30cm ，有1~2花，花大，白色，直径8~10cm ，具芳香味；萼片长圆状披针形，长6cm ，宽2cm ，基部微带绿晕；花瓣稍小于萼片，唇瓣3裂，侧裂片直立，有紫色小斑点，中裂片下垂，中间有黄色斑块和不规则紫红色小斑点，边缘波浪状，褶片黄色，被短毛。花期2~5月。

The topology models of MFIand MOR were built and the method of Configurational-bias Monte Carlosimulation was used for investigating the adsorption and distributions of ethanethiolas adsorbate in MFI and MOR type zeolites. The diffusion of ethanethiol in MFI andMOR type zeolites was studied by molecular dynamics simulation.The results show, the concentration of Zn2+ is the most important factor of theloading quantity of zeolite 13X and alumina, and the temperature secondly. The pHvalue which range from 2 to 3 effects on the loading quantity faintly.

构建了MFI 和 MOR 两种拓扑结构沸石的数学模型，以乙硫醇分子作为被吸附的目标物，采用偏倚蒙特卡罗方法模拟乙硫醇在MFI和MOR沸石上的吸附行为及分子分布密度，并利用分子动力学模拟乙硫醇在这两种拓扑结构的扩散行为，为实现面向硫化物进行吸附剂的微观结构设计作初步探索。

Results of cultural characters show that Grifola frondosa has different macroscopic arid microscopic culture characteristics on different media, and the mycelia on PDA medium and half-combined PDA medium can produce extracellular phenol oxidase, indicating that G. frondosa is a kind of white-rot fungus. On PDA medium and half-combined PDA medium, hyphae with thick colonies, dense, white, villiform to flocky, grow very well, but aerial hyphae grow faintly and loosely on MEA medium.

培养特性的研究结果表明，灰树花在不同的培养基上宏观和微观培养特性各有不同：菌体在PDA和马铃薯半组合培养基上都能够产生细胞外酚氧化酶，说明灰树花是一种白腐菌；菌丝在PDA和马铃薯半组合培养基上生长旺盛，浓密，白色，绒毛状至絮状，菌落厚；在MEA培养基上生长较弱，气生菌丝体较稀疏。

That inerasable memory, the twisting knots in heart, are shaking down cold fragrance all the way along the faintly wind.

那些无法抹去的记忆，在心头纠缠打结，一路随缥缈的风，摇落柔中带冷的芳香。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。