查询词典 face-lifted

He moved the audience onto another plane where they stopped thinking about technique, or mere pianism, and came face to face with the music, with Beethoven himself.

他把听众带到了另外一种境界，他们不再考虑技巧或纯粹的钢琴性，而是与音乐直接交流，与贝多芬本人直接交流。

By researching and analyzing the domestic and overseas research status of face picture recognition, the article discussed face picture recognition method based on neural networks.

人脸图像识别是当前模式识别和人工智能领域的一个研究热点，本文通过研究分析国内外在人脸图像识别方面的研究情况，探讨了基于神经网络的人脸图像识别方法。

She was face to face with piles and piles and piles of unopened CDs.

她看到了成堆成堆的未开封的CD。

Network analysis can be realised by means of the graph structure, and faces management is allowed by the planar characteristic of the graph: for any given oriented arc, there is only one face on the right, and one face on the left.

网络分析可以通过图的结构来实现，同时，图的平面特征允许面的操作：对于任意的有向弧，只有一个面位于它的右边，一个位于左边。

At all events, however plausibly reason may seem to explain the matter, it is nevertheless face to face with a great mystery.

在所有比赛中，但振振有辞，理由似乎是解释此事，但它是面对一个伟大的奥秘。

I am very pleased that you now stand on the podium with you face to face communication.

我非常高兴现在站在你们的讲台上和你们面对面地交流。

A coral is present on the display face of the pommel, a ring is present on the opposite face.

珊瑚是鞍马目前对显示器的脸，一环，是面对目前在对面。

Of course, this brought me face to face once again with Python's pons asinorum, the significance of whitespace.

当 然，这又让我再一次直面Python的诟病，就是空白的意义。

He wants to meet his favorite pop star face to face.

他想要面对面地见见他最喜爱的流行歌星。

First,the paper shows the popular methods used in the static face recognition. Second,some problems of dynamic face reco...

本文首先介绍了静态人脸识别中所用到的算法，然后对动态人脸识别系统进行了初步的探讨。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。