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expressionism相关的网络例句

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与 expressionism 相关的网络例句 [注:此内容来源于网络,仅供参考]

Among Li-lei's painting works, there are not only full of strong expressionism which get rid of all the steady forms in the representative world and to express the aesthetic standards by the self-life language and form, but also to present the pure and aesthetic idealism complex, to create the moderate, noble and graceful, refined state by the further spiritual pursuit.

在李磊的作品中,既充斥着强烈的表现性,冲破表象世界所有稳定不变的形式,以本我生命不断呈现的语言和形式轨迹,体现其审美价值;而且更进一步以一种超然出世的精神追求,表现出一种纯洁唯美的理想主义情结,营造出温和高雅、出凡脱俗的境界。

Based on their different experiences, characters, backgrounds of overseas education and comprehension of advantages and disadvantages of the Western art, such masters created different schools of oil painting through their practice: some of them focused on realism, such as Xu Beihong; some of them stressed on the expressionism based on representationalism and realism, such as Liu Haisu; some of them preferred to the relatively modern genres, such as Lin Fengmian.

由于他们各自的经历、性格和在海外教育背景的不同,在吸收西方艺术优长方面有不同的理解,并通过自己的艺术实践,形成了不同的油画学派:有的执着于写实,如徐悲鸿;有的在具像写实的基础上着眼于表现,如刘海粟;或倾向于较为现代的方法,如林风眠。

In one of his earlier works that aroused interest in his peers, Shepherdess of Northern Sala, one could see many factors that coincide with the spirit of German expressionism.

在其早期所创作并引起业界关注的油画作品《北萨拉的牧羊女》中,就可以看到有诸多因素暗合德国表现主义绘画精神。

Meanwhile, European opera is a highly developed mixture of music and drama, it shares the symbolism of music which differs from drama and provides the stage form of space and time of European opera a fresh feature of expressionism--another aspect of opera.

但歌剧作为音乐与戏剧的最高的综合形式,音乐本身的虚拟性特征使歌剧的时空表现有别于话剧而显现出一定的表现性风格。

This article attempts to find his influence on expressionism architecture through his consideration on stained glass architecture.

该文试图通过西尔巴特关于彩色玻璃的建筑思考,找寻他对表现主义建筑的影响。

Painting realistically corresponds with expressionism in Chinese art language, which effects " verisimilitude ".

写实,在中国的绘事语境中,与之相对应的词有具象、表现,其效果是要造成"似真"的效果。

Painting realistically corresponds with expressionism in Chinese art language, which effects" verisimilitude".

写实,在中国的绘事语境中,与之相对应的词有具象、现,其效果是要造成"似真"的效果。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识,为中国画的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国画连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国画的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人画"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人画"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国画,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国画的一大潮向,从这也可以看到中国文化承传的保守性的力量。

Abstractive expressionism, emotional art and Chinese Character art are all contributions to visual world of mankind.

抽象表现与抒情艺术,汉字艺术都是对人类视觉形式的贡献,我们每一步涉足,都是一个揭密的过程。

Dadaism came out in Frist World War, then the Abstract expressionism and pop art came out one after one after the Second World War, and made New York instead Paris become the world art centre, those are clear proof.

一战与达达主义的出现,二战之后美国的抽象表现主义和波普艺术相继登上世界艺术舞台,并使纽约取代巴黎,成为了世界艺术的中心都是明证。

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