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In an ecomuseum, every building, every cow, every plant and every tree within museum's boundaries was to be considered part of its collections..

在生态博物馆范围内的每一栋建筑，每一头牛，每一株植物或每一棵树，都将被视为是其收藏的一部份。

Ever y pedant, every demagogue, every cynic, every hypocrite, every troublemaker, and I am sorry to say, some others of an entirely different character, will try to downgrade them even to the extent of mockery and ridicule.

每一个迂腐的学究，每一个蛊惑人心的政客，每一个玩世不恭的人，每一个伪君子，每一个惹是生非之徒，还有其他个性不甚正常的人，一定企图贬低它们，甚至对它们进行愚弄和嘲笑。

Material and MethodsRA Rabbit Model group: 15 early RA rabbits of the same weight and variety Control group:10 normal rabbits of the same weight and varietyMethods of making RA rabbit model:elect 15 normal rabbits of the same weight and variety, dissolve Ovalbumin in 0.9% sodium chloride solution, to make the solution of 20mg/ml concengtration, blend the same quantity of complete Freund′s Adjuvant equably ,inject the mixed solution into endermic tissue of the rabbit′s scapular section, making the rabbits allergic, inject 1 ml of the mixed solution to one rabbit every time, inject 1 ml of the mixed solution in 5 different places of the rabbit′s scapular section, inject the rabbit one time every week,inject 3 weeks continuously,it turned out to be that the rabbits will be allergic, inject Ovalbumin blent with the 0.9% sodium chloride solution into the knee joint cavity of the rabbits in the fourth week, 5 mg Ovalbumin every knee joint cavity,two knees of every rabbit of the 15 rabbits are both injected,the arthrosis diameter and the exterior temperature of the knees will be added obviously in 24 hours,and they will drop gradually,at the time of the 14th or 21th day, the arthrosis diameter and the exterior temperature of the knees will get to the balance time,the incidence rate of RA is 100%.after the RA model succeeds,it is the early time of RA from the first week to the fourth week,after the fourth week,it is the late time of RA, the cartilage of the femoral condyle and the subchondral bone cortices will be changed unrecoverily.

资料与方法RA模型组：早期RA家兔模型15只，品种及体重接近。对照组：正常家兔10只，品种及体重接近。RA家兔模型制作方法：选取15只成年家兔，体重、品种接近，将卵蛋白溶解于生理盐水，配成浓度为20mg/ml的溶液，与等量完全弗氏佐剂混匀，注入家兔肩胛区皮下致敏，每只家兔每次注射1ml，于肩胛区5个不同区域注射，每周一次，连续注射3周而致敏，第4周向膝关节腔注射卵蛋白生理盐水溶液，每只关节腔注射5mg卵蛋白，15只家兔膝关节全部注射，24h内此关节直径和表面温度大幅度上升，以后缓慢下降，至14～21d达到平台期，发病率达100%。造模成功后第1～4周为早期改变，第4周以后出现不可逆的关节软骨及骨破坏。采用高频超声对RA模型组与对照组的膝关节髌上囊液体厚度、滑膜及股骨髁软骨厚度及软骨下骨皮质的回声情况进行对比观察。结果RA组模型组膝关节髌上囊积液及滑膜的厚度明显厚于对照组，其股骨髁软骨的厚度与对照组相比无明显差异，其软骨下骨皮质与对照组相比无明显改变。

Since every one, hath every one, one shade, And you but one, can every shadow lend: Describe Adonis and the counterfeit, Is poorly imitated after you, On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring, and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessed shape we know.

每人都只有一个，每人，一个影；你一人，却能幻作千万个影子。试为阿都尼写生，他的画像不过是模仿你的拙劣的赝品；尽量把美容术施在海伦颊上，便是你披上希腊妆的新的真身。一提起春的明媚和秋的丰饶，一个把你的绰约的倩影显示，另一个却是你的慷慨的写照；一切天生的俊秀都蕴含着你。

If we split up, I will be afraid to go out, Because no matter where, Have our memories, Everywhere I go I carry my乱逛of holding you, Looked at me with tears and I will be sad with you, Accompanied me crazy happy I accompany you, To say I am sorry I love you and you hesitate to half-day, Me into the future and your hard efforts to this end you Students will meet every time I think of the band you I am afraid to go to school afraid to go home two first-line of you, Almost all the money is spent on me for you, Because I have prepared a surprise for their happy and half-day to you, Even if there is a lot of baggage would not let you carry one, Crowded subway, holding my hand tightly for you, In the cold wind or rain, the rover will be waiting for me or you, Have taken the trouble to accompany me shopping for my clothes you choose to make any suggestions, Winter and summer vacations every year with me once you travel, Chaos because I play,乱吃things you get into the act, Every time I have been engaged in the collapse were still forgive me every time I come to see me inclusive of you.

如果我们分手了，我一定会害怕出门，因为无论到哪里，都有我们的回忆，背着我牵着我到处乱逛的你，看着我流泪会陪我一起伤心的你，陪着我发疯陪着我快乐的你，为了说一句我爱你而不好意思犹豫半天的你，把我纳入你的将来并为此拼命努力的你，每一次同学聚会都会想到把我带上的你，害怕我担心上学回家两点一线的你，几乎把所有的零花钱都花在我身上的你，因为给我准备了惊喜而自己开心半天的你，即使有一大堆行李也不肯让拎一件的你，拥挤的地铁里紧紧牵着我的手的你，在凛冽的寒风又或者飘泊的雨中还是会等我的你，陪我逛街不厌其烦地为我出主意选衣服的你，每年寒暑假陪我出去旅游一次的你，因为我乱玩，乱吃东西，胡作非为而大发雷霆的你，每一次都被我搞的崩溃却依旧每一次都原谅我包容我来找我的你。

Every tree and bush; every blade of grass and every tree; every small things

例句我永远忘不了故乡；那里的～在记忆中是那样清晰。

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

I arrive at this Guangzhou, I personally once experienced personally, why here of foreign duty worker's member be which Yao of many, they is of is what, why since then go to here, for the sake of a common of target, which be money, because there is no way, they have no way, they also don't think to oneself is which appearance, every day give person part-time job, but they are also canning not figure out what good way, because they want to oneself of the sons and daughters be responsible for, send they go to school, bring up they grow up an adult, arch they eat arch them to wear, be used as parents what this is a son is really for world of the parents feel an in the mind displeased, uncomfortable, I sawed much more in my own body of affair, although I see not and deeply the winds and clouds of world change Huan, but I really saw understand some thing, be little I know how to make allowance for parents of mood, but I don't miss them everyday for the sake of we but is not in the home every day, every day at outside, at outside give person part-time job, myself be an indocile kid, perhaps I is really be unlike their kid, I every day in the mind words I don't know to be like who say, this kind of in the mind force be the in mind difficult way pleasurable?

我来到这广州我就亲身体验过，为什么这里的外来务工人员就是哪么的多，他们为的是什么，为什么而来到这里，为了一个共同的目标，哪就是钱，因为没有办法，他们没有办法啊，他们也不想对自己是哪样子的，天天给人打工，可是他们在也想不出什么好法子，因为他们要对自己的子女负责，要送他们上学，要抚养他们长大成人，要拱他们吃拱他们穿，做为父母我这做儿子的真是为天下的父母感到心里不愉快啊，不舒服啊，我在我自己的身上看到了许许多多的事情，我虽然看不透世界的风云变幻，可是我真的看懂了一些东西，只少我懂得如何去体谅父母的心情，可是我不想他们每天都为了我们却天天不在家里，天天在外面，在外面给人打工，我自己就是一个不听话的孩子，也许我真是不像他们的孩子，我天天心里话我都不知道像谁说，这种心里逼在心里难道好受吗？

Sapir Edward认为, Every word, every grammatical element, every locution, every sound and accent is a slowly changing configuration, molded by the invisible and impersonal drift that is the life of language.

每一个词，每一个语法成分，每一种惯用语，每一个声音和口音都是一直变化的，受到语言沿流的影响，这就是语言的生命。 Sapir认为，语言有它自己的生命，也就是说，语言是动态的，而不是静止的。由此可见，欧化句式在汉语中出现并且发展是有其存在的可能性的。

I find that inside of me every fiber ,every nerve, every emotion,every feeling is exploding

我发现我体内，在我心里，每一根纤维，每一根神经，每一种情绪，每一种感觉都在迸发

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。