查询词典 ever-victorious

But he had identified himself so completely with that strong anti-Roman party in the East which he mainly had formed, and, doubtless, he had formed so great a hatred of Rome, that now he carried on the old quarrel with as much bitterness as ever and more influence.

但他自称，以便完全与强烈的反罗马党在东方，他主要是形成了，而且毫无疑问，他已经形成如此巨大的仇恨，罗马，现在他所做的一切旧的争吵与怨恨的多和以往任何时候都更大的影响力。

There are more anti aging skin care products on the market today than ever before.

有更多的抗老化的护肤产品在市场上今天比以往任何时候。

"Overpopulation is the driving force behind virtually all environmental problems — air pollution, water pollution, the extinction crisis, global warming , yet it is rarely ever addressed by conservation groups," he said."They are really afraid of touching the issue and appearing antihuman."

"人口过多几乎是一切环境问题背后的动因，像大气污染、水体污染、生物灭绝、全球变暖，但是保守性质的组织基本没有提起过这个问题，"他说，"他们的确害怕摸了老虎屁股而显得'反人类'。"

A survivor if ever there was one, Wedge Antilles has lived through some of the Rebellion's most important battles against the Empire.

作为一个总能死里逃生的人，韦奇·安蒂列斯在起义军对抗帝国的战争中，经历了几场最重要的战斗。

Alfonso: Certainly, senor. And what would you like for an entree? May I recommend the antipasto? A lot of customers have told me that it's the best that they've ever had!

好的先生，您想要什么头盘，我推荐antipasto，很多客人都说这是他们吃过最好吃的。

I don't believe you would ever care for a man who was purely antipathetic to me. Your rhythm wouldn't let you.

我不相信你要找个我所绝不喜欢的男人，你一定不会那样做的。

No fact is ever introduced merely on account of its historical or antiquarian value.

事实是任何时候都没有介绍只是考虑到其历史或文物价值。

That was all the contact he ever had with Antoinette.

这就是他和安多纳德全部的接触经过。

That's why it feels just a little different than anyplace I've ever been.

那就是为什么我感到和其他的场地不同。

The first thing to see, looking away over the water, was a kind of dull line -- that was the woods on t'other side; you couldn't make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn't black any more, but gray; you could see little dark spots drifting along ever so far away -- trading scows, and such things; and long black streaks -- rafts; sometimes you could hear a sweep screaking; or jumbled up voices, it was so still, and sounds come so far; and by and by you could see a streak on the water which you know by the look of the streak that there's a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log-cabin in the edge of the woods, away on the bank on t'other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh and sweet to smell on account of the woods and the flowers; but sometimes not that way, because they've left dead fish laying around, gars and such, and they do get pretty rank; and next you've got the full day, and everything smiling in the sun, and the song-birds just going it!

往 水面上望去，首先看到的是灰蒙蒙的一条线——那是河对岸的树林子——别的便什么也看不清——接着是天空中有一点儿鱼肚白；然后鱼肚白多了些，逐渐朝四周散开去；接下来，远处河水的颜色淡了些，不是那么黑了，而是灰灰的了。更远处，可以看到小小的黑点子在漂过来——那是些载货的驳船之类。还有黑黑的一长条——那是木筏子。有时能听到长桨吱吱地响，或者一些杂音。四周这么寂静，声音又来自很远的远方。过了一会儿，你看到一道水纹。凭了水纹的模样，你知道那里有一块礁石，急流朝着它冲过去，流水飞溅，成了这个模样。你看到，雾气袅袅上升，离开水面，东方红了起来，河面红了起来。你可以看到对岸河边树林子边上一处原木搭成的小屋，那可能是一个木材场，在那里堆着的一堆堆木材，中间却是空的，容得狗钻来钻去，为了能叫人家上当①。然后微风轻拂，从河上一阵阵吹来，那么凉凉的，那么清新，闻起来那么甜美，这是全凭了那些树林子和那些鲜花的缘故。可有时候也并非全是如此美妙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。