查询词典 ever-victorious

Wang Meng ever had done affirmative sex to evaluate to network literature, in China modern literature house attended literature of a network to award prize 2005 when the activity, he ever said humorously, The work of as coetaneous as oneself writer, have more sense of responsibility, pretend to be profound even sometimes, and the writing attitude of network literature is loosened quite, comfortable, have the free feeling on a kind of spirit.

王蒙曾对网络文学做过肯定性评价，2005年在中国现代文学馆参加一项网络文学颁奖活动时，他曾幽默地说，与自己同时代作家的作品，具有更多的责任感，有时甚至故作高深，而网络文学的写作姿态比较放松、自在，有一种精神上的自由感。

So doughtily and drily did he stick to his tale (and kept a camera with him ever after, to take the aliens' pictures if they ever came for him again) that the police opened a criminal investigation for assault, the only one in Britain to arise from a UFO "sighting".

他固执而冷漠地坚持自己的说法（并在那之后随身携带摄像机，以备外星人再来找他时可以拍下照片），警察只好展开相关犯罪调查。这是英国唯一一起有关&看见不明飞行物&的案子。

I'm not Gonne ever, ever let you leave

我不能，永远也不能让你走

With quite an old pen, I want to write out a long-lasting story to intonate my dream, my ever faith , and my ever perseverence.

我想用一只最古典的笔写不老的歌来吟唱梦想，吟唱曾有过的信念与执着。

Greenhorns write of syncopation now as if it were a new way of giving the utmost impetus to a musical measure; but the rowdiest jazz sounds like the Maiden's Prayer after Beethoven's third Leonora overture; and certainly no negro corobbery that I ever heard could inspire the blackest dancer with such diable au corps as the last movement of the Seventh Symphony. And no other composer has ever melted his hearers into complete sentimentality by the tender beauty of his music, and then suddenly turned on them and mocked them with derisive trumpet blasts for being such fools.

毛头小伙子们现在一提起切分音就好象是一种使音乐节奏成为最强而有力的新方法；但是在听过第三里昂诺拉前奏曲之后，最狂热的爵士乐听起来也象&少女的祈祷&那样温和了，可以肯定地说我听过的任何黑人的集体狂欢都不会象贝多芬的第七交响乐最后的乐章那样可以引起最黑最黑的舞蹈家拼了命地跳下去，而也没有另外哪一个作曲家可以先以他的乐曲的阴柔之美使得听众完全溶化在缠绵悱恻的境界里，而后突然以铜号的猛烈声音吹向他们；带着嘲讽似地使他们觉得自己是真傻。

And thus I met Lorimer Davidson, Assistant to the President, who was later to become CEO. Though my only credentials were that I was a student of Graham's,"Davy" graciously spent four hours or so showering me with both kindness and instruction. No one has ever received a better half-day course in how the insurance industry functions nor in the factors that enable one company to excel over others. As Davy made clear, GEICO's method of selling - direct marketing - gave it an enormous cost advantage over competitors that sold through agents, a form of distribution so ingrained in the business of these insurers that it was impossible for them to give it up. After my session with Davy, I was more excited about GEICO than I have ever been about a stock.

就这样我遇到了当时还是副总裁的Lorimer Davidson，后来他成为GEICO的总裁，虽然我唯一的经历背景只是葛拉汉的一名学生，大卫还是很好心的花了四个小时左右的时间，好好地给我上了一课，我想大概没有人能够像我这样，可以幸运地接受如何经营保险业的半天课程，大卫很坦白地告诉我，GEICO的竞争优势在于-直接行销，这使得该公司相较于一般竞争同业必须透过传统的业务仲介的经营方式所负担的成本要低得许多，后者受限传统无法摆脱行之有年的行销网络，而在上过大卫的课之后，GEICO也成为我有生以来觉得最心动的一支股票。

One is the wallcovering industry where we must provide a leadership position in both marketing and coopera- tion within the varied business segments . The second is the community we live in where we should continue to expand our efforts to be good and charitable citizens. The third is the company as a com- munity, ever growing, ever changing, an environment that allows for self-actualization and security for the individuals who make a commitment to this Company.

首先是 在墙纸行业方面，我们必须在与各种不同商业区段的市场竞争和协作中保持领先地位；其次是在居住的社团中，我们必须始终努力成为有慈善心的好公民和好企业；第三，公司如同一个不断发展、不断变化的社团，一个能为那些对公司做出贡献的人提供自我实现机会和安全保障的环境。

And Pickman had it as no man ever had it before or -- I hope to Heaven -- ever will again.

天哪，但愿如此，但愿后人不再有他那样可怕的天分！

Yes, that paper was the reason I dropped Pickman; Richard Upton Pickman, the greatest artist I have ever known -- and the foulest being that ever leaped the bounds of life into the pits of myth and madness.

正是因为看了那张纸我才和Pickman绝交。

We chat ramblingly in telephone so, chat to chat a ground of, chat the east chat the west, chatting those to walk through together ever of years, chated to sleep together to beat the matter son that made to h*e ever said in first carry nest on back that *ile!

我们就那样在电话里漫无边际的聊着，聊天聊地，聊东聊西，聊着那些曾经一起走过的岁月，聊着曾经一起睡在一个背窝里面打打闹闹说说笑笑的事儿！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。