查询词典 ever so

What have i ever done to make you treat me so disrespectfully?

我到底做了什么让你这么不尊重我？

No, no, I am not offended, but what have I ever done to make you treat me so disrespectfully?

不，不，我没有被冒犯，但我曾做了什么让你这么无礼地对待我？

But our love it was stronger by far than the love Of those who were older than we--- Of many far wiser than we--- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee:--- For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I see the bright eyes Of the beautiful Annabel Lee; And so, all the, I lie down by the side Of my darling , my darling , my life and my bride, In the sepulchre there by the sea---- In her tomb by the side of the sea.

李； 于是她那些高贵的亲戚来到这里把她从我的身边夺去，将她关进一座坟墓在这个海边的王国里。天使们，在天堂里如此快乐，也妒嫉她和我：——是的，这就是为什么（所有人都知道，在这个海边的王国里）云端刮起的风儿，冻着并带走了我的安娜贝尔。

But our love it was stronger by far than the loveOf those who were older than we---Of many far wiser than we---And neither the angels in heaven above,Nor the demons down under the sea,Can ever dissever my soul from the soulOf the beautiful Annabel Lee:---For the moon never beams without bringing medreamsOf the beautiful Annabel Lee;And the stars never rise but I see the bright eyesOf the beautiful Annabel Lee;And so, all the, I lie down by the sideOf my darling , my darling , my life and my bride,In the sepulchre there by the sea----In her tomb by the side of the sea.

李；于是她那些高贵的亲戚来到这里把她从我的身边夺去，将她关进一座坟墓在这个海边的王国里。天使们，在天堂里如此快乐，也妒嫉她和我：——是的，这就是为什么（所有人都知道，在这个海边的王国里）云端刮起的风儿，冻着并带走了我的安娜贝尔。

Finally, for painting to become that "art of balance, purity and serenity, with no troubling or disquieting subjects, so that for any mental worker, for example the businessman just as much as the artistic man of letters, it can be a soothing influence on the brain, rather the way a good armchair gives him relaxation from physical tiredness"(as he observed in 1908), Matisse pursued his original intuition through the great currents of art history over half a century: divisionism, fauvism and abstraction - without ever getting lost.

最后，成为该画的平衡，纯洁和宁静"艺术，没有麻烦或令人不安的科目，所以对于任何脑力劳动者，例如商人一样的英文字母艺术的人很多，它可以是一个安慰的影响对大脑，而不是一个很好的方式椅子给他身体的疲劳，放松"（正如他在1908年发现），马蒂斯的艺术追求，通过历史的伟大潮流他原来的直觉半个多世纪：divisionism，野兽派和抽象-而没有迷路。

Have you ever wondered why there is so much discussion of doctrinal doubts within the remnant church today?

你是否想过，为什么现今在余民教会内有这么多的讨论都是关于教义上的疑惑呢？

And this mode, which I at first put on with some violence to natural inclination, became at length easy, and so habitual to me, that perhaps for the last fifty years no one has ever heard a dogmatical expression escape me.

而这个方法，在起先运用时和自然的习性颇有冲突，但时间久了就容易多了，也成了我的习惯，也许经过五十年之久，没有人曾听过一句独断的表示从我的嘴里脱口而出。

Have you ever been so SAD that the world seems gray and droopy?

你曾经感到很伤心甚至觉得这个世界看起来一片灰色吗？

PM hits the streets and gets looked at more than ever before, then heads to the shop for first-look details on a futuristic car so efficient it'll make your jaw drop.

下午打的街道和得到研究比以往任何时候更元首，然后向店为首次看看详细的未来车，使效率就会让您的赵少康下降。

But the price,with the exception ofwheat,of almost every agricultural commodity,the price of wool,the price of meat,the price ofcheese,the price of everything that the soil pro- duces,has been largely increased in a market freeand open to the world;because,while the artificialadvantage which you got through protection,as itwas supposed to be an advantage,was removed,you were brought into that free and open market,and the energy of free trade so enlarged the buyingcapacity of your customers that they were willingand able to give you,and did give you,a great dealmore for your meat,your wool,and your productsin general,than you would ever have got under thesystem of protection.

然而，除小麦的价格外，几乎所有农产品的价格、羊毛的价格、猪肉的价格、乳酪的价格、地里生产的任何东西的价格，在自由和对外开放的市场上扶摇直上；因为，通过保护获得的这种人为的有利条件——它曾被认为是有利条件——一旦取消了，你们就被推向自由开放的市场，自由贸易的力量大大提高了你们的顾客的购买力，使他们愿意并能够也确实对你们的肉、羊毛和一般产品付出了比你们在保护制度下所能得到的多得多的钱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。