查询词典 esthetics

An important characteristic of the Confucianism esthetics thought is in Chinese culture is to stress simple and practical, oppose the extravagant mi gorgeous, and on these grounds one of the basic ideas that the esthetics view of" homeliness for beautiful" sublimates for the Chinese tradition culture.

业余素描应往哪方面靠拢？在中国文化中儒家美学思想的一个重要特征是讲求朴素与实用，反对奢靡华丽，并且据此把"朴素为美"的美学观升华为中国传统文化的基本观念之一。

And Chinese Esthetics also laid a stable structural foundation for the theoretical establishment and development with new mode of thinking and valuable structure by the introjection of "Pratipad","Esthetics" and "Visdotblw".

同时，通过体系构成的"中道"、"观照"与"境界"吻合，中国美学也得以新的思维方式和价值结构，为此后自身的理论建构与发展奠定了坚实的范型基础。

The internal esthetical implication and claim took a new look. And Chinese Esthetics also laid a stable structural foundation for the theoretical establishment and development with new mode of thinking and valuable structure by the introjection of "Pratipad","Esthetics" and "Visdotblw".

通过中观般若体系，美学之内在的价值蕴涵与诉求，呈现出熔铸两种文化精髓的崭新面貌；同时，通过体系构成的"中道"、"观照"与"境界"吻合，中国美学也得以新的思维方式和价值结构，为此后自身的理论建构与发展奠定了坚实的范型基础。

This article attempts to start with the systematicness of Zhang Jie's poetry esthetics thought, discusses his poetry esthetics thought thoroughly regarding the poetry esthetic creation stage, the poetry accepts the stage. And in this process, more thorough discusses him such as"expressing aspirations is oriented, chanting things is modified"and"the affection outbreaks in surge after it is superabound"as well as"cogency"and so on extremely theoretical value propositions.

本文试图从张戒诗歌美学思想的系统性入手，深入探讨他对于诗歌审美创造阶段、诗歌审美接受阶段以及诗歌审美风格形成阶段的诗歌美学思想，并在探讨其诗歌美学思想系统性的过程中，较为深入的分析他的诸如"言志为本，咏物为工"、"情意有余，汹涌而后发者也"、"中的"等极具理论价值的命题。

He was born in Ujung Pandang, a city in South of Sulawesi which in the past known as Makassar Harbour, in year 1948. He entered Faculty of Fine Art and Design, Bandung Institute of Technology, in 1970. Before he was graduated in 1975, he studied esthetics under noted philosopher, Dick Hartoko OSJ in the city of Yogyakarta, between 1974-1975. At the same time, followed informal study on esthetics at Faculty of Philosophy and Faculty of Literature, Gajah Mada University, Yogyakarta.

于1948年出生于苏拉威西岛南部曾以马卡萨海峡海港而驰名的城市乌戎潘当。1970年就读万隆工艺学院中的艺术设计系，毕业前曾于于1974到1975年间跟随著名哲学家Dick Hartoko OSL在日惹学习美学，同时在日惹的加查马达大学的哲学系和文学系中接受非正式的美学教育。

Originally with unique and various esthetical implication, Prajna categories of this era rooted in Indian religion, especially Mahayana Prajna. On the process of the infiltrating in China and syncretizing with Chinese esthetics, its episteme and criterion structure were orientalized; on the other hand all these also assimilated into Chinese Esthetics, and brought profound affection.

魏晋般若范畴以印度宗教，尤其是佛教大乘般若学为文化渊源，原具有十分独特、丰富的美学蕴涵，在其入渐中土并与中国美学融合的境遇中，一方面，其原有的知识和价值结构在纳入中国美学机体时被&中国化&了；另一方面，般若原有的价值观念和思想方法，也&内化&于中国美学，给中国美学以深刻的渗透和影响。

We managed to point out the orientalized and assimilated historical process by the study of their encounter, intercourse, combination and unification.The cultural origin and esthetical significance composed the logical elements with which to recur the historical encounter of Pratipad and New Taoism, and project their respective esthetical character and inherent inconsistency. We emphasize the intercourse between Pratipad that came on to in Wei-Jin era and Buddhist and metaphysics esthetics on the basis of Pratipad category, just for the lasting appeal and predilection of the latter could set off the existent significance of Madhyamika Prajna System. Here we do a summarize intent upon illuminating no other than the intercourse with which to lead Chinese Esthetics to a bran-new world.

本文以阐发般若范畴的文化渊源、美学蕴涵为理论探讨的逻辑基础；通过历史地再现般若学与玄学两面展开的理论境遇，凸现它们各自不同的美学品格与内在矛盾；而作为两晋际兴盛起来的般若学和基于般若学范畴展开的佛玄美学对话，是本文理论探讨的重要内容，惟其佛玄美学建构的丰富韵致与理论偏颇，才映衬了中观般若体系生成的美学意义；本文以中观般若体系具有的深在美学蕴涵及其对中国美学特出的范型意义为归结，指出正是中观般若体系实现了般若美学蕴涵与中国美学蕴涵的真正交融，这种交融从体系型态上把中国美学引向了新的生成之路。

Base on the understanding of the core of Chinese traditional bamboo culture, the project analysis Chinese modern life and esthetics with Typical Group of People Analysis, Life Style Research, Mood Board and Quadrant Distribution Map. The research analyses modern people's requirements to bamboo culture, discusses the possibility of combining modern esthetics with traditional bamboo culture, and creatively induces the modern applications of bamboo culture according to both material and spirit consideration. It is wished that through this research, the quality of modern product design would be improved through the combination of advanced modern technology, modern design and modern aesthetic elements with the traditional bamboo culture and bamboo materials. It is also wished that by the use of bamboo culture which reflects the nature of Chinese civilization, the Chinese design brand will be established, and the design with rich Chinese characteristics will be created.

本研究在对中国传统竹文化的核心和特征的理解归纳的基础上，采用了典型族群分析、生活形态研究、情态看板、四维象限分布图的研究方法，具体深入的研究了中国的现代生活及现代审美，并结合中国传统竹文化所表现出的审美意向和情趣，分析了现代人对传统竹文化的需求，以及传统竹文化与现代审美结合的可行性，并从竹材与文化内涵两方面探讨了竹文化在现代产品设计中的应用，希望能够通过结合现代先进技术、现代设计和现代审美的元素，运用竹文化所体现出来的中华文明的特质，提高现代产品设计的品质，并树立中国设计的品牌形象，创造出富有中国特色的设计。

The part stressed the strategies originated from local environment for hillside architectural group's ecological and intensive development, and taking the hot-humid area as the example, discussed the integration originality for morphological esthetics and ecological esthetics with the climate-responsive design idea, finally proposed"zero-touched to the earth"ecological idea based on the generalized ecological strategies and the vertical spatial expanding idea.

强调群体坡地建筑生态集约发展之缘地创意，并以湿热地区为例，探讨气候应变的形态美学与生态美学的整合创意，最后提出了基于广义的生态策略及竖向空间拓展理念的&零接地&的生态构思。

ABSTRACT Artistic conception is the core of the Chinese classical esthetics and the center of the esthetics of Zen Buddhism.

意境是中国古典美学的核心，也是禅美学的重点所在，对这一传统美学问题的深入探索需要有新的思路、新的角度，运用多学科、跨文化的方法拓展研究的。。。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。