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esthetical相关的网络例句

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From the analysis we can see two different stages: Before the human society was fully matured, human beings were controlled mostly by animal instinct than social values. The pursuing of sex appeals created clothes. After society fully matured, social value started influence sexuality and sex related esthetical notion. Eventually, it affected the people's taste of certain clothing styles and fashion.

通过分析可以看到,在人类社会还未完全成熟时,即人类还受到生物性支配大于受到社会性支配的时期,性这种因素促使了服装的产生;在人类社会成熟以后,则产生了这样一种顺序:价值观的形成影响性态和与性相关的审美观的形成,然后影响到人们对服饰样式的选择。

The author introduces the basic features of geological relics in Wudangshan Mountains,from its rareness,typicalness,scientific values and esthetical values,and also discusses the conditions of applying for the national geo-park.

从稀有性、典型性、科学价值和美学观赏价值诸方面,介绍武当山地质遗迹资源的基本特征,探讨武当山建立国家地质公园的基本条件。

The second is the analysis on music aesthetics. It summaries its esthetical characteristics in the following three ways:(1)The balance of subjective and objective;(2)The distance between the work style and his life vicissitudes;(3)The beauty of melancholy in adagio movement. The article explains unique musicle beauty that Mozart's sonata for two pianafortes KV448 includes, which exposes the value of this works deeply and it researches the composition's playing style from four aspects.(1)Musical balancement and sense of propriety;(2)The temperance of dynamic;(3)The appropriate measure of tempo;(4)Operetic elements in piano compositions.

更多(2)音乐作品风格与人生际遇的差异;(3)慢板乐章的惆帐美,从美学角度阐述《D大调双钢琴奏鸣曲KV448》蕴含的独特的音乐美,从更高层次揭示这部作品的价值所在,在此基础上在第二章演奏研究中从以下四个方面对作品的演奏风格进行研究:(1)音乐的均衡性与分寸感;(2)力度的节制感;(3)速度的适度性;(4)钢琴作品中的&歌剧因素&。

Johann Christoph Friedrich Schiller is the famous dramatist and esthetician in German classical period. His esthetical idea assimilates the essence of Kantism and removes the inefficiency as well, so as to form his particular aesthetic conceptions. In his idea, aesthetic is not far away from every common person's reach but to perfectly melt into the human and to radiate its glamour.

约翰·克里斯托夫·弗德里希·席勒作为德国古典时期著名的剧作家、美学家,他的美学理念汲取了康德美学理论的精华,又对其弊端进行了大胆地扬弃,形成了独特的审美观,使美不再高居在神圣不可攀的庙堂之上,而走向了凡世间的每一个人,与人性完美地融合在一起,闪耀出最美丽的光辉。

Human has now sought to develop oneself spiritually instead of materialistically as pure performance. Art demonstrates itself as purified and abstract esthetical form.

人类今天离开物质向精神方向发展,作为纯粹的精神表现,艺术将以一种净化的,即抽象的美学形式来表现它自己。

They both tend to consider issues on esthetics in conformity between self and nature and in contradiction between ego and nonego, and put the understanding of "natural Tao"as "culture in nature"into the literary form as "culture in human", so as to regard nature as a supreme esthetical idea.

通过形态学研究视野和主题学研究视野对道家自然美学文艺形态进行观照,我们认为,道家对人文的诠释虽在表层上不尽相同,然其终极的入思方式和深层的心理蕴涵都是一致的,都是在本心与自然同化、本性与外物对立的思维模式中思考美学问题的,都把对作为&天文&的&自然之道&的理解渗入到对作为&人文&的文艺形态之中,从而将本真未凿视为一种至高无上的审美理想。

As regards the contents, there are lots of imagination of a powerful and unconstrained style in the Red Candle, which displays esthetical style by quoting the imagoes on death of western poems, colorful flowery language and grand modification.

在内容的层面上,《红烛》长于天马行空的想象,广泛借用西洋诗歌有关死亡的意象,依靠华美的辞藻,浓重的修饰表现出唯美主义的风格和对艺术的执着追求。

Originally with unique and various esthetical implication, Prajna categories of this era rooted in Indian religion, especially Mahayana Prajna. On the process of the infiltrating in China and syncretizing with Chinese esthetics, its episteme and criterion structure were orientalized; on the other hand all these also assimilated into Chinese Esthetics, and brought profound affection.

魏晋般若范畴以印度宗教,尤其是佛教大乘般若学为文化渊源,原具有十分独特、丰富的美学蕴涵,在其入渐中土并与中国美学融合的境遇中,一方面,其原有的知识和价值结构在纳入中国美学机体时被&中国化&了;另一方面,般若原有的价值观念和思想方法,也&内化&于中国美学,给中国美学以深刻的渗透和影响。

From aspects like the penetration and conflict between sexual love and motherhood, the poetizing and anti-poetizing of sexual awareness, the fluxion and sublimation of sexuality, this section tries to find the real meaning and esthetical value of sexual description.

本节从性爱与母爱的互渗和角力、性意识的诗化与反诗化、情欲的流转与升华等方面进行的读解,探讨性爱描写的现实意义和审美价值。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural production mechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm.

本文通过解读《西厢记》主题嬗变到经典生成的过程,运用文化美学的批评方法,发掘出了&墙&意象在中国古典审美文化中的传承聚合,探究其中蕴涵的人类情感需求这一思想文化意蕴,揭示经典文本的文化生成机制与美学价值特征,考察经典艺术的永恒魅力之谜。

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