查询词典 esthetical

In second floor's esthetical living space, large area ground impact window attracts sunlight freely; air corridor's unique design gives intimate exchange between a couple; every detailed design is a scene of love Intrigue plotted by the designer with meticulous love.

在二层唯美的生活空间内，大面积落地飘窗将阳光毫不吝啬得牵引，空中走廊的独特设计使夫妻间的密切交流无处不在，每一处细节的设计都是设计师精心酝酿的一场爱情阴谋。

Chapter Four: Discuss in detail the characteristics of the narrative manner and the narrative structure in the novels. The application of the allegoric manner and the chimerical manner makes the novels not only be tinged with the fantastic-magic esthetical color, but have the function to reveal the profound themes,which make the novels reach a quite high artistic level.

第四章针对阎连科小说在叙述文体和叙述结构方面的表现特征展开了详尽的论述，寓言体和狂想体的运用使得阎连科小说既产生了荒诞魔幻的美学风格，又具备了揭示深刻主题的功能，而这两者的综合体现标志着阎连科小说相当的艺术水准。

The present thesis will analyse the esthetical and cultural characteristics in Jin Yong's chivalric TV drama, i.e.

作为一种立足于传统的武侠文化和畅销的金庸小说之上的电视剧，金庸剧天然的带有成为一个电视剧品牌的优越性。

This is not so much a kind of esthetical psychology phenomenon, as a kind of social psychology phenomenon. If considered those non- esthetical factors existing in the process of the esthetical connoisseurship, we can discover that this actually is the phenomenon of aesthetical "pseudo-identity"

这不仅是一种审美心理学现象，而且更是一种社会心理学现象，如果考虑到那些存在于审美过程中的非审美因素，就会发现，这其实可能是一种"虚假审美认同"现象。

Justice is a kind of esthetical thought, which is footed in the essence of human bind.

正义是一种伦理观念，根植于人类的本性。

From it we can discover a principle of artism. Hegel criticized insensately that as a kind of Epistemological Interpretation which is from Schelling's intellectual intuition to esthetical intuition.

作为一种认识论，从"理智直观"到"美感直观"遭到了黑格尔的激烈批评，这种批评如果成立，那么谢林前期哲学的理论基础将彻底崩塌。

The internal esthetical implication and claim took a new look. And Chinese Esthetics also laid a stable structural foundation for the theoretical establishment and development with new mode of thinking and valuable structure by the introjection of "Pratipad","Esthetics" and "Visdotblw".

通过中观般若体系，美学之内在的价值蕴涵与诉求，呈现出熔铸两种文化精髓的崭新面貌；同时，通过体系构成的"中道"、"观照"与"境界"吻合，中国美学也得以新的思维方式和价值结构，为此后自身的理论建构与发展奠定了坚实的范型基础。

In the second section of the text, we have considered the folk-custom esthetical character of our ancestors, especially the epoch, where there is the worship of the manito, in which ancient culture is a mystery filled with puzzles to be charmed.

第二章针对先民的民俗审美文化进行了一定的探讨和梳理，并且论证了原始民俗审美文化是万物有灵时代的文化现象，是一种充满着困惑，却又令人神往的历史文化。

Prajna Esthetics stimulated, promoted and perfected the structure criterion and mechanism of Chinese Esthetics with its unique and various significance, particular and stretch elucidatory capacity.Moreover Prajna sutra as a special cultural carrier upgraded the broad-mind and transcendence of Chinese Esthetics with its interpretation and impelling power. The "being noumenon or function" of Madhyamika Prajna System transformed the systematical structure and practical mode of Chinese Esthetics into a "being thing or midst" and amalgamation visdothlw. On inheriting tradition vim of thinking much of life and intensifying Enlightenment interest with "Sacute vimutti", esthetical visdotblw conducted, and life visdotblw appreciated. And Chinese Esthetics made for an esthetical self-conscious era.

般若美学蕴涵的别致、丰富和阐释功能的独特、富有张力，极大地刺激、推动和完善了中国美学的价值结构与机制；作为特殊的文化载体，般若经之传译及佛法僧所具的强大文化感召力，使中国美学基于&生生&之悟更添旷达与超跋；而中观般若体系的&体用一如&，则把中国美学的体系构成与践行方式，转换到了&即物即中&、圆融观照的经验论美学状态，在绵延传统&重生&活力的同时，又以&空性&解脱强化&觉悟&意趣，审美境界人生化，人生境界审美化，在&重观重智&、&智观统一&的理论旨趣中，中国美学走向了追求心性空灵的审美自慌时代。

We managed to point out the orientalized and assimilated historical process by the study of their encounter, intercourse, combination and unification.The cultural origin and esthetical significance composed the logical elements with which to recur the historical encounter of Pratipad and New Taoism, and project their respective esthetical character and inherent inconsistency. We emphasize the intercourse between Pratipad that came on to in Wei-Jin era and Buddhist and metaphysics esthetics on the basis of Pratipad category, just for the lasting appeal and predilection of the latter could set off the existent significance of Madhyamika Prajna System. Here we do a summarize intent upon illuminating no other than the intercourse with which to lead Chinese Esthetics to a bran-new world.

本文以阐发般若范畴的文化渊源、美学蕴涵为理论探讨的逻辑基础；通过历史地再现般若学与玄学两面展开的理论境遇，凸现它们各自不同的美学品格与内在矛盾；而作为两晋际兴盛起来的般若学和基于般若学范畴展开的佛玄美学对话，是本文理论探讨的重要内容，惟其佛玄美学建构的丰富韵致与理论偏颇，才映衬了中观般若体系生成的美学意义；本文以中观般若体系具有的深在美学蕴涵及其对中国美学特出的范型意义为归结，指出正是中观般若体系实现了般若美学蕴涵与中国美学蕴涵的真正交融，这种交融从体系型态上把中国美学引向了新的生成之路。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。