查询词典 esthetic

The second chapter "literature discussion", discussion of affiliation watercolor painting unique esthetic sense and value and the light shade description, analysis water color landscape painting connotation and performance pattern, and by China and the West landscape painting famous expert's work, analysis discussion localization esthetic sense special characteristic, Again separately from the date according to the time and the early days of the restoration Taiwan water color artist work's style, the theme, the artistic vocabulary and so on with the scenery drawing related subject, explores the ponder direction which the author creates, and analyzes romanticism water colorist Tyner, understood that its creation style and the skill, take advantage of this define clearly the author the image which must transmit in the drawing, and because of artistic creation's practice, the idea and the skill fusion, the time can display the self-style the work.

第贰章「文献探讨」，藉水彩画独特的美感与价值与光影描写之探讨，分析水彩风景画的内涵与表现型式，并以中西风景画名家的作品，分析探讨本土化的美感特质，再分别从日据时期及光复初期台湾水彩艺术家作品的风格、题材、艺术语汇等与风景绘画相关的议题，探索笔者创作的思考方向，并分析浪漫主义水彩画家泰纳，了解其创作风格与技巧，藉此厘清笔者在绘画中所要传达的意象，并藉由艺术创作的实践，将理念与技巧融合，期能表现出自我风格的作品。

This caused Aestheticization of everyday life confrontment esthetic culture to have the huge impact, the massive esthetic phenomena appear in the daily life, brings is not the esthetic freedom, instead is esthetic perishing.

这使得日常生活审美化对审美文化产生了巨大的冲击，大量的审美化现象出现于日常生活，带来的不是审美的自由，反而是审美的沉沦。

Therefore, we called this esthetic form as the unfolding of evil normal form. This paper will revolve the"evil normal form"that is repeatedly appeaded in his novel to dispread. And from this to analyze esthetic characteristic of"evil"which displays in the Su Tongs novel text.

因此，我们将这种审美形式称为"恶"的范式展开，从其在文本中具体表现的途径生发开来，并由此而分析"恶"的范式在苏童的小说文本中表现出来的审美特征。

And then investigates Qingwen's figural of esthetic values immerge further into discussion esthetic values.

本文试从晴雯与大观园一些人物关系着手，深入挖掘与探讨其性格的复杂性，进而论述晴雯形象的审美价值。

From to this "numerous communities" music esthetic psycho-analysis: At the same time, displays in esthetic consciousness view impetuousness, has become a music media huge transformation and the aesthetic standard intense rebel; On the other hand, has displayed is asked the numerous communities to strive for newly the different music esthetic psychology and "new" music aesthetic standard.

从对这一"受众群体"音乐审美心理分析：一方面，表现在审美意识观的浮躁，成为了一场音乐传媒的巨大变革和审美观的强烈叛逆；另一方面，表现了受众群体求新求异的音乐审美心理和"新型"的音乐审美观。

Humanism" carried out in archival information communication is not only meant to follow with interest the audience's daily practical needs of archives and esthetic demands, but also, even more basically, meant to encourage the audience's consciousness and willingness of receiving archival information rather than their involuntariness and utilitarianism. The real essence in the communication effects of archival information lies in developing the audience's high-level esthetic view, archival sensitiveness and "EQ for seizing the value of archival information. On the other hand, the humanity in archival information itself, democracilization in the society and the advances of human spirits have all laid a solid foundation for the development of esthetic culture of archives.

在档案信息传播中贯彻"人本主义"，不仅指关注受众日常功利性的档案需要和审美情趣的要求以及传播者对这些需要和审美情趣的迎合与顺应，更根本性的在于促使受众对档案信息的接受超越实用功利性和工具性行为的限定，上升到一种自觉的境况，培养和引导受众形成较高水准的审美观念，从而增强对档案信息传播的敏感度和把握档案信息意义的"情商"，通过接受档案信息触发美好情绪和有益思考，充实和完善自身，这才是理想的档案信息传播效果应有之义。

Although this time's bronze utensil still appeared relatively simple, the modeling with practical function and form esthetic sense, as well as the changed diverse geometry decoration and the dignified grave animal decoration, actually display its bright time esthetic style: Implication symbolic, dignified massiveness and overall compatibility, which prepare both for the arrival of Shang and Zhou bronze prosperous time and the esthetic modeling, decorative design, style.

尽管这一时期的青铜器仍然显得相对朴实，但其实用功能和形式美感兼具的造型，以及变化多样的几何纹和威严庄重的动物纹装饰，却凸显了其鲜明的时代审美风格：寓意象征性、庄严厚重性和整体适应性。这为商周青铜器鼎盛时代的到来，在审美的造型、纹饰和风格上均作了必要的铺垫。

He was one of expanding and lay foundation stone esthetic of our China modern aethetic. He practiced the esthetic ideal of aesthetic existence with all of his life. He was not only a philosopher of investigating natural cosmos and life consciousness, but a poet with free personality.

他终其一生实践着"审美化生存"的美学理想，他既是探索自然宇宙和生命意识的哲学家，又是具有自由人格价值的诗人；他的思想蕴涵着理性的闪光与睿智，又充满诗意的热情与浪漫。

The esthetic culture of reclusion; Song Dynasty; Spirit of esthetic reclusion; Official hidden; Landscape art

隐逸审美文化；宋代；隐逸审美精神；中隐；园林艺术

Refers to flinty material which with each plastic material (for example gypsum, resin, clay and so on) or may carve, may engrave (for example lumber, stone, metal, jade block, agate, aluminum, glass fiber reinforced plastic, sandstone, copper and so on), creates has the artistic image which certain space visible, may touch, in order to the reflection social life, expresses artist's esthetic feeling, the esthetic emotion, the esthetic ideal art.

指用各种可塑材料或可雕、可刻的硬质材料（如木材、石头、金属、玉块、玛瑙、铝、玻璃钢、砂岩、铜等），创造出具有一定空间的可视、可触的艺术形象，借以反映社会生活、表达艺术家的审美感受、审美情感、审美理想的艺术。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。