查询词典 era

The evolution of plant undergoes Pteridophyte era、gymnosperm era and Angiosperm era.

植物的演化经历了蕨类植物时代、裸子时代和被子植物时代。

By his body's known weight of eleven stone and four pounds in avoirdupois measure, as certified by the graduated machine for periodical selfweighing in the premises of Francis Froedman, pharmaceutical chemist of 19 Frederick street, north, on the last feast of the Ascension, to wit, the twelfth day of May of the bissextile year one thousand nine hundred and four of the christian era (jewish era five thousand six hundred and sixtyfour, mohammadan era one thousand three hundred and twentytwo), golden number 5, epact 13, solar cycle 9, dominical letters C B, Roman indiction 2, Julian period 6617, MCMIV.

28他是凭着常衡制十一斯通零六磅的体重坠落的。他所使用的是弗雷德里克街北区十九号的药剂师弗朗西斯。弗罗德曼的店铺内那台供定期测量体重的有刻度的自动磅秤。日期是耶稣升天的最后节日，即闰年基督教公元一九0 四年（犹太历公元五六六四年，伊斯兰历公元一三二二年）五月十二日。金号码五，闰余十三，太阳活动周九，主日字母CB，罗马十五年历二，儒略周期六六一七年，MCMIV 。

What I can say with certainty is that I have enjoyed many a Bond film — more specifically, I enjoyed the Connery era the most, lost interest in the Roger Moore era and thought that every film in the Pierce Brosnan era besides Goldeneye was overblown and ridiculous.

我确定的只是我喜欢很多邦德电影——确切地说，我最喜欢辛·康纳利时期的007，却对罗杰·摩尔时期的007没什么兴趣，并且认为除了《黄金眼》之外的所有皮尔斯·布鲁斯南扮演的007没有什么实质的突破，并且有些愚蠢。

To No. 20 are respectively black mudstone, black mudstone ( Caitun mining area of Benxi Basin,Paleozoic), dark grey gangue (Caitun mining area of Benxi Basin, Paleozoic), brown shale(Caitun mining area of Benxi Basin, Paleozoic), brown grey shale(The West Opencut Coal Mine of Fushun Basin, Cenozoic), grey silty mudstone(Haizhou Opencut Coal Mine of Fuxin Basin, Mesozoic), black grey gangue(Haizhou Opencut Coal Mine of Fuxin Basin, Mesozoic), grey yellow clay(Jianping County, Chaoyang City, its era to be determined), grey silicon slate( Qianshan Mountain of Anshan City, pre-Paleozoic), grey phyllite(Qianshan Mountain of Anshan City, pre-Paleozoic), granite-gneiss(Qianshan Mountain of Anshan City, pre-Paleozoic), granite(Mount Yiwulu, its era to be determined), diorite(Mount Yiwulu, its era to be determined), black basalt(The West Opencut Coal Mine of Fushun Basin, Cenozoic), dark purple andesite( Mount Guiyunhua of Zhuanghe City, Mesozoic), fragment of brick-tile-pottery-porcelain( from the building site of Panjin City), coal cinder( from the boiler room of Heji Road of Panjin City), cement( from the building site of Panjin City) and slag (from Bohai Stockroom of Liaohe Oilfield produced in Anshan City).

2-20号样品分别是黑色泥岩、黑色泥岩、深灰色煤矸石、褐色页岩、褐灰色油页岩、灰色粉砂质泥岩(阜新海州露天矿、中生代)、黑灰色煤矸石(阜新海州露天矿、中生代)、灰黄色膨润土、灰色硅质板岩、灰色千枚岩、花岗片麻岩、花岗岩、闪长岩、黑色玄武岩、暗紫色安山岩、砖瓦陶瓷碎片、粉煤灰、水泥、矿渣(鞍山产、取自辽河油田渤海库)，这19个样品用来代表工业、采矿、冶炼、建筑等行业产生的固体废弃物。

Code Red porcelain, the delicate porcelain enamel smooth, hard Guangrun, bright and shiny; dignified style rules, generous and elegant, the performance of a new era of the great spirit; exquisite color with elegant, simple patterns, flower arrangements and device type, the child is glaze Harmony, reflecting an era of the United States as a whole, and in the 1970s for the production of Chairman Mao's colorful Youxia on the same excellent quality porcelain, porcelain art is a new era of the outstanding representatives of the very high value for collection.

红色瓷典》的瓷器釉质细腻平滑，坚硬光润，光泽明亮；造型端庄规矩，典雅大方，表现了新时代的宏大气概；用彩精美雅致，花纹简洁，花卉的安排与器型、胎釉很和谐，体现出一种时代的整体美，与20世纪70年代为毛主席制作的釉下五彩瓷器品质上一样优秀，是新时代瓷器艺术的杰出代表，有极高的收藏价值。

This paper at its beginning briefly analyzed the three historical periods of forestry development, namely the primitive forestry in preagricultural and agricultural era, the traditional forestry in industrial era and the modern forestry in post-industrial contemporary era .

文章首先扼要剖析了林业发展的三个历史阶段：农耕前及农业时代的原始林业，工业化时代的传统林业以及后工业时代的现代林业，强调了真正的现代林业只能从全世界范围内开始生态觉醒的二十世纪中叶算起，现在还处在过渡和形成阶段。

Current era is the era of the information, it is the era of the competition.

摘 要：当今的时代是信息的时代，是竞争的时代。

The paper consists of following contents:(1)starting with a historicalreview of the use-of-force,this paper reveals a paradoxical evolvementof the two trends in use-of-force,compares the absolutization andinfinity with controllability and finity of the use-of-force,and clarifiesnew characteristics of the use-of-force in post-Cold War era;(2)bysystematically analyzing the era background from the viewpoints ofeconomic globalization,political multipole,military high tech,national separatism and the hegemonism,the paper clarifies factorslimiting and stimulating the use-of-force;(3)by analyzing the lawbackground mainly from the viewpoint of international laws,the paperespecially centralizes the discussion on restrictions made by moderninternational laws on the use-of-force and their limits,dissects thechallenges brought up by the high tech war to international laws;(4)the use-of-force by UN and other regional international organization;(5)refuting the theory of"humanitarian intervention"advocated bythe USA and certain western countries,the paper expatiates the rightrelations between human rights and sovereignty,and demonstrates therightness of the sovereignties and UN;(6)the basic guidelines of theuse-of-force in the post-Cold War era.

分别从经济全球化、政治多极化、军事高技术化以及民族分离主义的泛滥、霸权主义的恶性膨胀等方面系统分析冷战后武力使用的时代背景，揭示出冷战后时代同时存在的限制、约束武力使用的因素，以及诱发、刺激武力使用的因素。（3）主要从国际法的角度分析武力使用的法律背景，着重探讨现代国际法对武力使用的规范和制约作用以及这种作用的有限性，同时剖析现代高技术战争对国际法提出的挑战。（4）主要探讨联合国以及区域性国际组织在冷战后使用武力的实践以及存在的问题。（5）驳斥以美国为首的某些西方国家所鼓吹的&人道主义干涉&论，阐述人权与主权的正确关系，论证主权国家和联合国并没有过时，不能用非人道手段解决人道主义问题。（6）系统提出了冷战后国家间使用武力应遵守的基本准则。

It set in the world by the incredible box office, marks the film from the silent era into the film with sound era, the era from entering Hei Baipian Cai Sepian times, is at an alarming rate, to enter the digital age.

它在全世界所创下的不可思议的票房收入，标志着电影从默片时代进入有声片时代，又从黑白片时代进入彩色片时代后，正以惊人的速度，进入数字化时代。

Of course, it must be admitted that the works on display at this Exhibition is not to confirm Mao Zedong Era as well as the art and lives of this Era, metaphored in the theme "Mountain Flowers in Full Bloom", but to provide a new orientation to deeply introspect the Era through re-representation of them in an artistic way. In my opinion, such new orientation is significant and meaningful because it opposes to the prevailing cynical standpoint of art that scoffs at and gets rid of that Era.

当然，必须看到的是，在本次展览中，&山花烂漫&所隐喻的毛泽东时代及其&革命现实主义和革命浪漫主义&相结合的艺术与生活，并不是这次的参展作品要去认定的一个事实，而是通过它们的再度呈现，为人们深刻反思那个&山花烂漫&的时代提供一个新的方向，而这个方向之所以重要和有意义，在我看来，正在于它与当下流行的那种以玩世不恭的艺术立场，来调侃和消解那个时代的方向是相对立的。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。