查询词典 end of the century

At the end of the 19th century to the beginning of the 20th century,one kind of new music genre --impressionism music emerged.

19世纪末、20世纪初，一种新的音乐流派——印象主义音乐兴起。

From the metaphase of the last century's 80 years to the end of last century,it is the first phase.

从上世纪八十年代中期到上世纪末是公平问题研究的第一阶段。

This can hardly be expected to be a peaceful process, and in fact it has been accompanied by major conflicts and social upheavals. The expansion of European capitalism in the nineteenth century involved the Opium Wars, genocide in the Belgian Congo, the Great Game in Central Asia, and many other forms of imperial conquest and rivalry. The seeming triumph of global capitalism at the end of the twentieth century followed two world wars, the cold war, and savage neocolonial conflicts.

很难想象这会是一个和平的过程，事实上它伴随着根本性的矛盾冲突和社会巨变：19世纪欧洲资本主义的扩张引发了鸦片战争，在比利时统治下的刚果实施了种族灭绝，在中亚展开大博弈，以及其他很多形式的帝国主义的政府和竞争。20世纪末全球资本主义看上去获得了胜利，其前有两次世界大战、冷战和野蛮的新殖民冲突。

First there was medicine, via the "nervous disorders"; next psychiatry, when it set out to discover the etiology of mental illnesses, focusing its gaze first on "excess," then onanism, then frustration, then "frauds against procreation," but especially when it annexed the whole of the sexual perversions as its own province; criminal justice, too, which had long been concerned with sexuality, particularly in the form of "heinous" crimes and crimes against nature, but which, toward the middle of the nineteenth century, broadened its jurisdiction to include petty offenses, minor indecencies, insignificant perversions; and lastly, all those social controls, cropping up at the end of the last century, which screened the sexuality of couples, parents and children, dangerous and endangered adolescents-undertaking to protect, separate, and forewarn, signaling perils everywhere, awakening people's attention, calling for diagnoses, piling up reports, organizing therapies.

首当其冲的是医学，它藉由的是"神经紊乱症"；精神病学后发先至，它着手探求精神疾病的病因。起初它目不转睛于"性无度"，接着是手淫，而后是欲求不满，而后是"反生育欺诈"，更为特别是，它将性倒错的研究领域，整个地占为己有。刑事审判也参与其中，它对于"性"的关注由来已久，特别是那些"十恶不赦"，有违人伦的性犯罪。但是，十九世纪中期，它开始大显身手，轻微犯，未成年犯、无足轻重的性倒错都难逃法网。最后，所有这些在19世纪末突现的社会控制，承担着防护、隔离与预警的责任，于是，关于"性"的危言四起、触目惊心，诊断"性"已时不我待，"性"报告堆积如山，"性"治疗大张旗鼓，以此掩护夫妻们、父母们与儿童们、以及处于或步入"危险的青春期"少年们的"性"万无一失。

A common accusation levelled against Chinese labourers brought to various British colonies at the end of the nineteenth century and the early twentieth century was that they were undesirable because of their penchant for pederasty.

十九世纪末到二十世纪初，英国的各个殖民地共同出现了一种针对中国劳工的控诉：指责他们是一些惹人讨厌的人，因为他们有鸡奸的嗜好。

From the end of 19 century to the forties of 20 century, facing up to the adversities, accompanied by the fetters of imperial power, the peremptoriness of warlords and the invasion of enemy troops, a batch of private newspaper-owners grew up.

从19世纪末到20世纪40年代，伴随着皇权的禁锢、军阀的专横、敌寇的入侵，一批批民营报人从逆境中成长起来。

After the turbulences and adjustments at the end of 20 century, the world economy appears reviviscence and stability from the new century.

在经历了二十世纪末的动荡与调整之后，进入新千年的世界经济呈现出复苏和稳定发展的态势。

Richard Strauss is one of the most important composers between the end of 19 century and the beginning of 20 century.

理查·施特劳斯是19世纪末20世纪初最重要的作曲家之一，他的歌剧既继承了前人的成就，又具有自身的特点，同时预示了20世纪音乐的一些风格倾向。

The very paper investigates the symbolical means in works of Russian symbolist writers at the end of 19 century — beginning of 20 century for expressing their religious outlook.

本文旨在研究19世纪末—20世纪初俄罗斯象征主义作家在其作品中为表达他们对世界的宗教性认识而采用的象征手法。

It should be noted that the circle of Chinese contemporary art had more than once reaffirmed the value of this mode of viewing – the most famous round of practices being the "Post-Sensibility" Exhibition series from the end of 20th century to the start of the 21st century – but so far as the present situation is concerned, the so-called "visuality" still remains to be an eyeball-catching gimmick, even in the works of some artists who put focus on the "live feeling", showing no difference in function from the lighting that shines on the works in the exhibition hall.

值得一提的是，中国当代艺术界不止一次重申过这一观看模式的价值——其中最为出名的一轮实践是20世纪末至21世纪初的"后感性"的一系列展览——但就目前的情形来看，即便是在一些注重"现场感"的艺术家的作品中，所谓的"视觉性"仍旧属于一种吸引观众眼球的手段，而它在功能上与展厅里照射作品的灯光并无什么区别。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。