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To keep away from digital distortion caused by analog conversion,"Boutique Recording" applies APOGEE Analog to Digital Converter System in pre-recording, adopts Hi-End Prism Sound Digital to Analog Converter System during post mix and master disposal processes. In a word,"Boutique Recording" minimizes the distortion rate, and maintains the unique spirit of analog music.

为避免后期缩混时过多数字设备所造成的数码味，录音师坚持在前期录音与母带处理过程中使用传奇的模拟设备，在现场录音的同时进行立体声混音工作，为了避免模数转换时所造成的数字失真，达人艺典在前期录音中采用APOGEE模数转换系统，后期缩混及母带制作采用顶级HI-END厂牌Prism Sound数模转换系统，将失真率减到最低，保持独有的模拟音乐味道。

The specimen used was an 8 carbon steel pipe closed in one end by welding and flanged in the other end.

采用的样本是一端用焊接封闭，另一端装法兰的8英寸的碳素钢管。

The activation of NRM neurons by electroaeupuncture was eliminated after decerebration at superior colliculus level, indicating that this effect of EA depends mainly on the supra-midbrain structure. Furthermore, all treatments including AR isolation, disconnection of #beta#-endorphinergic tract and micrpinjection of naloxone or anti-#beta#-endorphin serum into PAG, would make the effect of EA disappear. Thus, it is the #beta#-endorphinergic pathway between AR and PAG-NRM system that mediates the major excitatory effect of EA on NRM.

检验AR至 PAG-NRM的神经通路在电针效应中的作用：实验显示上丘水平去大脑后，电针兴奋NRM的效应完全消失，表明此效应主要依赖中脑以上结构实现，进一步分别用Halfisz氏刀游离AR、切断AR至PAG的β-End能束、PAG内注射纳洛酮或抗β-End血清后，也使电针效应基本上完全消失，说明电针使NRM神经元兴奋的效应，主要通过AR与PAG-NRM间的β-End能神经通路实现。

"The cylinder of an internal-combustion engine is closed at one end by a plate called the head and open at the other end to permit free oscillation of the connecting rod, which joins the piston to the crankshaft."

内燃机的汽缸在一端用盖封住，叫做头，另一端敞开，使连接活塞和曲轴的连杆能自由摆动。

Of a roof constructed with a single slope on each side of the ridge supported at the end by a gable or vertical triangular portion of an end wall.

建成屋脊每边都有唯一斜坡的样子，两个斜坡的末端有山墙或者端墙垂直的三角形部分来支撑。

Never Say Goodbye Bon Jovi Crossroad As I sit in this smokey room The night about to end I pass my time with strangers But this bottle's my only friend Remember when we used to park On Butler Street out in the dark Remember when we lost the keys And you lost more than that in my backseat baby Remember how we used to talk About busting out - we'd break their hearts Together - forever Never say goodbye, never say goodbye You and me and my old friends Hoping it would never end Never say goodbye, never say goodbye Holdin' on - we got to try Holdin' on to never say goodbye Remember days of skipping school Racing cars and being cool With a six pack and the radio We didn't need no place to go Remember at the prom that night You and me we had a fight But the band they played our favorite song And I held you in my arms so strong We danced so close We danced so slow And I swore I'd never let you go Together - forever Never say goodbye, never say goodbye You and me and my old friends Hoping it would never end Never say goodbye, never say goodbye Holdin' on - we got to try Holdin' on to never say goodbye I guess you'd say we used to talk About busting out We'd break their hearts Together - forever THE END by lune

不要说再见邦乔维十字路口正如我坐在这个熊室夜晚即将结束传递我的时间与陌生人但是，这瓶是我唯一的朋友请记住，当我们用公园对巴特勒街在黑暗请记住，当我们失去了钥匙和你失去了，在我的后座婴儿还记得我们用来谈论关于破坏了-我们要打破他们的心在一起-永远从来没有说再见，从来没有说再见你和我和我的老朋友希望它会永远不会结束从来没有说再见，从来没有说再见握住'的-我们得尝试握住就永远不会说再见记住天逃学赛车酷六包和电台我们不需要没有地方可去记得那天晚上的舞会你和我，我们进行了斗争但是，带他们打我们最喜爱的歌曲举行你和我在我的武器如此强大我们跳舞如此接近我们跳舞如此缓慢，我发誓我从未让你去在一起-永远从来没有说再见，从来没有说再见你和我和我的老朋友希望它会永远不会结束从来没有说再见，从来没有说再见握住的-我们得尝试握住就永远不会说再见我猜你会说我们用来谈论关于破坏了我们想打破他们的心在一起-永远再见 LUNE

Requires : value must be an lvalue and p must point to an element contained by the list or to end.

要求： value 必须为左值且 p 必须指向链表中的元素或为 end。

Get into the car, get on the bus, jump onto the platform, out of (6)介词和名词动词等有不少固定搭配和习惯用法: to one's surprise / joy, in charge of , instead of, in bed, in trouble, in a hurry, in surprise, with a smile, with one voice, according to, at once, on time, in time, in all, at home,, at last, at least, in the end, by the way, for example, at the same time, at the same speed, on one's way, in the sun, on the football team, in line, with the help of, in red / green … put on, look for, look after, run after, send for, enter for, pay for, show…around, listen to, arrive in / at, get to, agree with, succeed in, think of, wait for,….

7表示加减乘除，分别用介词 plus， minus， times 和动词过去分词 divided + by 二，复习时需要注意的要点(1)介词一般放在名词之前，但它后面的介词宾语是疑问代词，疑问副词或者关系代词时，这些词提到了前面而只剩下介词在后了。(2)介词和动词，形容词，名词等常常构成固定搭配，也就是说，在这些词的后面常常要求用一定的介词。这一点在学习时要特别注意。

We believe and confess that Jesus Christ, who is the end of the law, hath made an end, by the shedding of His blood, of all other sheddings of blood which men could or would make as a propitiation or satisfaction for sin; and that He, having abolished circumcision, which was done with blood, hath instituted the sacrament of baptism instead thereof, by which we are received into the Church of God, and separated from all other people and strange religions, that we may wholly belong to Him whose ensign and banner we bear, and which serves as a testimony unto us that He will forever be our gracious God and Father.

我们相信，并坦白地说，耶稣基督的人，谁是最后的法律，祂所作出了年底，由换掉他的血液，其他一切sheddings的血液，官兵们还是会作为一个propitiation或满意度为单，并认为他因废除割礼，这是做血液，祂所提起圣事的洗礼，而不是时，是由我们所收到的成神的教会，并脱离所有其他人，奇怪的宗教，我们能完全属於自己的旗和一面旗帜，我们的承受能力，并提供了一个证词所不欲，我们说，他将永远是我们的慈悲上帝和父亲。

A young man is so strong,so mad,os certain,and so lost.he has every thing and he is able to use nothing.he hurls the great shoulder of his strength forever against phantantasmal barriers,he is a wave egose power explodes in lost mind-oceans under timeless skies,he reaches out to grip a fume of painted smoke , he wants nothing.in the end,he is destroyed by this own wealth.devoughtless of money or the accumulation of material possessions,he is none the less defeated in the end by his own gerrd a grees that makes the avarice.

年轻人是那么的强壮，那么的狂妄，那么的固执，又是那么的迷茫。他拥有一切，却不会利用。他永无休止地用他那强壮的臂膀撞击着一个个假想的壁垒；他是海中巨浪，在永恒的天空下无助地怒吼；他伸手欲接取一把斑斓的烟雾；他贪欲无穷，他心存对一切欲望的渴求，而最终一无所获。末了，他被自己的力量所毁灭，被自己的欲求所吞灭，而最终一无所获，由于自己的财富而变得贫困。从不考虑积累金钱与财富，最终被自己的贪欲所累，这种贪欲使贪婪迈达斯国王在其面前都相形见绌。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。