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emptiness相关的网络例句

查询词典 emptiness

与 emptiness 相关的网络例句 [注:此内容来源于网络,仅供参考]

I remember well the shame I would always feel after having masturbated to porn, or how filthy I felt after having had sex with a prostitute, or the emptiness that came with promiscuity.

我记得好羞耻,我总是感到手淫后,以色情,或如何肮脏之后我觉得有过性关系的是一名妓女,或空虚附带滥交。

It is just a lot of blah blah filling the emptiness of the people perpetuating it.

连篇的废话充斥于人们使信息永垂不朽的空洞之中。

Instead of finding breakfast set in morning, the children suffer headaches and hunger pangs from the emptiness that pummels at their insides.

早晨没有早餐,他们忍受着身体内空虚带来的头痛和腹疼。

In its mystic dimensions, emptiness is seen as a meditational process through which one purges one's mind.

在其神秘的尺寸,空虚,被视为是meditational过程中,通过其中一大清洗一个人的心。

Through his continuous confrontations with the whiteness of the canvas, with an "emptiness" that - more or less - terrifies us all, Zhu Bing re-examines his life, which is full of "memories that chain dreams"(as in the lyrics of "Volver"- a beautiful song by the Argentinian songwriter Carlos Gardel) and which influence the artist's present life in sometimes pressing terms, while at other times tinging it with a yearning nostalgia.

有时候,艺术家会有一个明确的方向,迅速完成整个过程;但有时候,这个过程会漫长而复杂,艺术家则会疑惑重重,不断改变主意。通过长期直面白色的画布,面对这种我们都觉得有些害怕的&空白&,朱兵重新审视着自己充满&拴住梦想的回忆&的生活。(引自阿根廷作曲家卡洛斯·加德尔Carlos Gardel的杰作《回归Volver》)。这些回忆时而会有力的左右艺术家现在的生活,时而则会让他怀旧而伤怀。

On one hand, he unseals the receptive types of Chinese artistic space as representation of life significance, interpreting the characteristics of the receptive types of Chinese artistic space through two concepts:"Emptiness" and " Dance", insisting that "limpid breast seeing Tao" should be the experience of spacial creation of Chinese art, understanding the whole and foundational property of Chinese art in the long run; on the other hand, he indicates that the receptive types of Western artistic space are short of flowing Yijing of life in the light of mathematical space of science, which is a kind of standardized "God's ambit" and " ideal beauty".

宗白华一方面揭示了中国艺术空间感型对于生命意义的体现,以&空白&和&舞&两个概念来诠释中国艺术的空间感型特征,强调&澄怀观道&乃是中国艺术在空间创造上的体验,从而在一个完整层面上把握了中国艺术的根本特质;另一方面,他又强调,西方艺术的空间感型由于依据了科学的数理空间,缺乏一种生命的流动境界,因而是一种规范化的&神的境界&、&理想的美&。

Based on its theory of all-including emptiness,Mahayana generally adopts thepractice of awakening in a flash of insight;however,the uniqueness of Zen is that itsreflecting object is one's own character,which means returning directly back to one'sown nature.

大乘佛教在诸法性空的理论基础上普遍主张顿悟,禅宗的不同,在于其主张顿悟自己本心,直了见性。

Emptiness is the true nature of the mind, but the mind also possesses a quality of all-pervasive luminosity at the same time.

心的本质乃为空性,同时心亦具有一种无碍的光明。

They also display emptiness and form, consciousness and matter, spirit and the world.

他们也显示空和有〔形相〕,意识知觉和物质、精神和世界。

The nature of all dharmas is "emptiness," from time immemorial, ever non-arising, equal, serene and still.

的性质,所有dharmas是&虚&,从远古时代,永远不出现,平等,宁静和仍然。

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