查询词典 emotions

Quality of the imagination, a vigor of the emotions; it is the freshness of

在学校我花了三年幸福的，丰富的几年，我收到太多那里。

As the woman makes plans of a future with the perfect mate, her emotions are ecstatic.

当一个女人和自己最好的伴侣计划未来时，她的激情就会欣喜若狂。

This thesis focuses on the intelligent control strategies based on fuzzy logic and artificial emotions.

本文的研究内容是基于模糊逻辑和人工情感的智能控制策略。

See How to Gain Control of Your Emotions.

参考"如何控制你的情绪"一文。

During a different interview, for an art magazine, Paul was asked to comment on what he might recognize as the inspiration for his remarkable creations: So many of our most indelible moments are etched from the most fleeting instants in our life---a journey of chiaroscuroed moments, galleried images and sounds; tableaux tinged and recalled in a palette borne of our emotions.

在一次别开生面的采访中，有人问保罗他的杰出创新的动力和灵感是什么，他说道：生活中很多精彩的瞬间都被岁月磨蚀掉了，我喜欢扑捉，升华，破解这些精彩的瞬间于纸上。

I don't know about my teammates, but I ran the gambit of emotions, from excitement, to stress and worry and hopeful optimism, and finally a great deal of pride and satisfaction.

我不知道我的队友，但我运行gambit的情绪，从兴奋，压力和忧虑和希望，乐观，并最终大量的自豪感和满足感。

Filled with scenes of intimate beauty, explores the emotions of a lonely woman trapped in a sterile marriage and her growing love for the robust gamekeeper of her husband's estate.

美与亲密场面，探讨了在无菌的婚姻和她丈夫的财产日益强大的猎场看守她的爱陷入一个孤独的女人的感情。

She ran the whole gamut of the emotions from A to B.

她的经历了从a到b的情绪的整个范围。

She run the whole gamut of the emotions from a to b.

她经历了从a到b的情绪的整个范围。

She felt she had run the gamut of human emotions from joy to despair in one day.

她感到自己在一天中经历了从欢乐到绝望的人类的一切情感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。