查询词典 emotions

A man who wants to get through to a woman conversationally needs to tap into emotions rather than solutions .

男人要想通过交谈来和女人沟通只需要沟通感情而不需提出解决问题的办法。

They talk until they feel better.2 A man who wants to get through to a woman conversationally needs to tap into emotions rather than solutions.

她们会一直说话直到自己感觉好一点为止。想要通过交谈了解女人的男人，需要在谈话中融入感情而不是给出解决办法。

Way of sharing their emotions with the listener. They talk until they feel better. A man who wants to get through to a woman conversationally needs to tap

男士若想在交谈中与女士沟通，就需要把注意力集中在情感上，而不是在解决问题的办法

In Sports and Passion I like flying my Plane,Skiing, Scuba Diving, Sailing,Tennis,Gardening, etc., What I am looking for A woman who is fun being with,Adventures, good Conversationist, Assertive,Spontaneous, Expressing her emotions, loyal,family oriented, positive outlook in life, healthy eating habits enjoys cooking creating a cozy home environment and sharing all future endeavors.

我寻找一个有趣，爱冒险，能很好沟通的女人。自信，自发，表达自己的感情，忠诚，以家庭为中心，有积极的人生观，健康的饮食习惯，喜欢做饭，创造一个温馨的家居环境，共享所有未来的努力方向。

He kept his emotions corked up inside him.

他把感情深藏于内心。

The findings are as follows. First of all, male cosmeticians connect masculinity and profession for promotion by interaction and cosmetic teaching with customer. According to different situations, theyconstruct masculinity and waver between femininity and masculinity. Moreover, their bodies are the practice fields to display their images by keeping a distance from customers to draw the distinctly sexual line and refusing make up for getting rid of the stigmas, such as feminine or sissy. Last but not least, male cosmeticians escape from emotional labor that connected with female closely. Meanwhile, their "backstage" life with the coworkers is the way to adjust their working emotions.Key words: cosmetician, physical labor, emotional labor, masculinity, men's study

在分析各项资料后，可归纳出以下几点研究发现：首先，男性彩妆师透过平日与顾客的互动以及彩妆活动的教学，展现男性与专业性的连结以促进销售业绩，也将「专业性」与女性脱钩；同时，他们会视不同情境，建构阳刚特质，并动态地游移在阴柔／阳刚特质两者之间；其次，身体本身会成为展现男性彩妆师形象的实践场域，他们同时透过与顾客保持接触的距离，刻划出性别界线，但他们自身也会排拒化妆，以挣脱女性化的标签或娘娘腔的污名；最后，男性彩妆师跳脱男性不被期待从事情绪工作的藩篱，而与同事相处的「后台」生活，是调节工作情绪的方式。

The "Experiment" generation of artists broke through the traditional aesthetic value system of the ink painting, and their exploration to rebuild the way of ink painting language through borrowing modern artistic concepts highlighted a cultural criticism, while the next generation of creators have vaguely presented a value orientation rather alien to that of the "Experiment" generation in their expression of contemporary emotions, experience and cognition as well as their construction of sensitivity and criticalness of contemporary cultural expression through the language of ink painting.

如果说"实验"一代艺术家们打破了水墨的传统审美价值体系，他们借鉴现代艺术观念重建水墨话语方式的探索突显出一种文化批判精神的话，那么，当下一些创作者在水墨语言对当代情感、经验、认知的表现力，对当代文化表达的敏锐性和批判性等方面的建构，则隐约显现出了与"实验"一代相异的价值取向。

If you have trouble with negative emotions, it's very likely your diet is the culprit.

如果你被消极的情绪困扰，很可能罪魁祸首就是饮食。

Since she was new to cunnilingus, her emotions about all the new sexual feelings where everywhere.

由于她是新cunnilingus ，她的情绪，对所有新性的感情，那里无处不在。

That can be damaging when you're working so much with your emotions and feelings.

她说，这会给你带来损害，当你在工作中投入那么多的情绪和感受的时候。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。