查询词典 emotions

Through the comparison over the space between history and reality, emphasizes on releasing the limitation of some cultural factors in existent cogitate style such as obsolete knowledge structure, confused value concept and outdated cogitate method, to seek efficacious culture ways and forms of changing the existent cogitate style for example, creativity in knowledge, broaden in cogitate horizon, set up of the reasonable senses and the curing of establishing emotions and so on.

通过历史与现实的跨时空比较，着重揭示了现存思维方式中知识结构陈旧、价值观念混乱和思维方法落后等一些文化要素的局限性，并在一些非理性实践活动和传统思维方式中，探寻现存思维方式产生局限性的根本原因，从而找到一条变革现存思维方式的有效的文化途径与方式，比如知识的创新、思维眼界的扩宽、合理价值观念的确立和建立情感的养成等等。

Slightly cold start of the air filled with children's laughter, but also full of nice and warm emotions.

微微开始寒凉的空气里充满着孩子们的欢笑，也充满了暖融融的情绪。

People who show no human emotions or feelings, for example, are said to be cold-blooded.

例如，一些表现得没有人类的情感和感觉的人就会被指为冷血动物。

R.G. Collingwood in the 1930s took Art to be a matter of self-expression_r:"By creating for ourselves an imaginary experience or activity, we express our emotions; and this is what we call art."

1930年代的科林伍德把艺术看作一桩自我表现的事儿："借助于为我们自己创造出一个想像性的经历或者活动，我们表达我们的感情；这就是我们说的艺术。"

Benedetto Croce and RG Collingwood advanced the idealist view that art expresses emotions, and that the work of art therefore essentially exists in the mind of the creator.

克罗齐和RG科林伍德先进的唯心主义观点，即艺术表达的情感，而艺术作品因此基本上是存在于心灵的创作者。

The language of the poem is colloquial, yet it is deep in its understanding of human emotions.

诗的语言虽然很通俗，但对人的感情的揭示却有深度。

The language of the poem is colloquial, yet it's deep in its understanding of human emotions.

诗的语言虽很通俗，但对人的感情的揭示/理解却有深度。

Good control of your own emotions is critical when working with a combative negotiator.

良好的控制自己的情绪是至关重要的，当工作与好斗谈判代表。

Here too the characters, comically drawn, but with believable emotions and theirempathetic expression of everyday concerns.

这些角色，喜剧化的绘画也是同样，却能表达真实的情感和对日常关注的情感共鸣。

It's common to have multiple emotions cropping up at the same time.

同一时间有多个情绪出现是正常的现象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。