查询词典 embodied

This part discusses the usage of ABC and ABM,and the ideas of SCM embodied in which .

这一部分在介绍作业成本法和作业成本管理的基础上，探讨其在战略成本管理中的运用及其中体现的战略成本管理思想。

The main function is embodied in hydrophilic activities and above-water entertainment.

主要功能体现在亲水活动、水上娱乐。

This style embodied the political, social and cultural conditions during the rule of Louis XIV, and reflected the rationalism ideology and absolute monarchy.

它是路易十四统治下的法国政治、社会和文化状况的一种反映，代表了理性主义的文化思潮，反映了绝对君权制度。

The word "realism" in the West includes the foregoing two aspects of connotation, depending its specific meaning on the described content, whereas these two aspects are described as the "factualism" and "realism" respectively in Chinese of course, these two terms are related somehow, for the realistic art is embodied by the factualistic approach, whereas other arts in the form or with the language of symbolism, nonobjectivism or absurdism are often included into other isms although such arts demonstrate the realistic traits and essence.

这两层意思在西文中都用一个Realism来表示，根据它所述内容而确定其含义，而在中文里则用"写实主义"与"现实主义"分别来加以表达。

The theory of art of translation is embodied in the purpose of translation, its thinking methods, the process of its development, the characteristics of the products of translation, the social acknowledgement and the ways of the acceptance of its fruit and so on.

关于翻译的科学性问题，学界已有充分的讨论，特别是2000到2001年关于建立翻译学的大讨论中，广大翻译工作者对翻译的科学性进行了充分的探讨，使人们对翻译的科学性有了更为全面的认识。

"As John Adams embodied the old style, Andrew Jackson embodied the new" Richard Hofstadter

"正象约翰·阿达姆斯体现了旧风格，安德鲁·杰克逊体现了新风格"理查德·霍夫施塔特

It takes the actual life as the basis of study, with the basic objective of"mental wanderings", with the"deconstruction"as the external token, with the"circle"as the inherent essence of beauty, with both academic pursuit and personality poetics, with both humanistic concerns and aesthetics trend, with a mix of preciseness, sobriety and jocosity and rebellion, with the integration of profoundness and delicacy, an open and compatible academic bosom and verve is embodied, and an exploration on active humanistic spirit is also embodied; yearning freedom, respecting personality, upholding character, persisting in creation, equal participation, be neither humble nor pushy, with the unique individual spirit of Qian Zhongshu.

它以现实人生为研究根基，以"游心"为基本旨趣，以"解构"为外在表征，以"圆"为内在美质，兼有学理追求与个性诗情、兼具人文关怀与唯美倾向、杂糅严谨庄重与戏谑叛逆、融汇博大厚重与细腻灵动，体现出了一种开放、兼容的学术胸襟与气魄，也体现出了对一种积极的人文精神的求索：向往自由、尊重个性、崇尚人格、矢志创造、平等参与、不卑不亢，熔铸着钱钟书独有的精神个体性。

These characteristics further differentiates the three Buddhist organizations into three basic types of Human Realm Buddhism:"clergy-laity structural interdependence,""inner-worldly orientation embodied by clergy," and "transcendentality embodied by laity."

由此而可以区别出以上这三个佛教团体在结构上的特性分别为「僧众结构性依存导向」、「僧团入世导向」、与「在家众出世导向」。这三个教团都以某种方式同时兼备了出世与入世性，并在某些层面上符合於「超越性的非二元性」的这个性质，也就是印顺所建构的人间佛教理想蓝图之基本立足点。

The deeper meaning of Chinese Reportage reflected both in the narrating object and the appearance of style indicates the high-level conformity and interaction of spirit of age whose core is exactly modernity. It also shows the advancement of the style. All the implications are embodied in the pursuit of modernity between the themes—the enlightenment of image and the establishment of meaning, the independence of people and the development of nation—and also embodied in the reflection and criticism of social problems such as the pursuit of"savage" which is contrary to the modernity, the"gray"social fashion, and the unbalance of two-element structure, etc.

中国报告文学文体从其言说对象及其文体面貌中所折射出来的内涵意蕴，都传达出对以现代性为核心的时代精神的深度整合与互动，凸显中国报告文学文体的前沿性，这体现于形象启蒙与内涵构筑、民族救亡与国家图存两大主题中对现代性的追寻，以及对与悖逆现代性主旨的&野蛮&的追逐、&灰色&社会风尚、二元结构失衡等社会症状的反思与批判。

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上，对40年代叙事长诗的叙事艺术与策略进行深入剖析，主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开，以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合，抒情形态表现在抒情结构与抒情语言方面；其抒情策略大体有两种方式：一是诗中人物的自我抒情，一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。