查询词典 drowned

We also tried to look at the Crab Nebula (M 1) but failed as the bright Moon light drowned out this very faint object.

我们也试着望M1蟹状星云，但是这本就黯淡的星团淹没在明亮的月光下了。

The noise level reached a crescendo and drowned out everything else.

史蒂夫！的欢呼声越来越大，几乎把所有的一切都给淹没了。

To Europe to see his car hit a tree, while the curved glass, like the night stand the rain like a drowned rat , startled, and despite the heavy rain was directly ...

以娆看到他的车子撞在树上，而曲璃夜像个落汤鸡一样站在雨里，吓了一跳，也不顾得大雨直接。。。

Large cylinder depth, saw the child had drowned soon.

缸大水深，眼看那孩子快要没顶了。

Her husband drowned in 1986, but Ms. Morton stayed on, supporting her work by writing articles and books, designing Tshirts and working as a deckhand on a fishing boat.

她丈夫1986年溺水身亡，莫顿女士不改其志，她靠写文章和出书，设计T恤并在渔船上打杂，资助自己的工作。

In linan's work , there is a world that drowned by sunlight in day time, after sunset, there is a dancer in darkness , dancing in a more beautiful world than day, just like a fairytale world ,a piece oflyric in his work, dancer also the declaimer.

李楠的作品中呈现了在白天被光线所略去的事物，到了夜间却如童话故事里的精灵般在现实世界中舞蹈，在一个比白天更加美丽的世界里，摄影作品中缓缓流淌出一首抒情诗，舞者也是朗诵者。

In LiNan's work , there is a world that drowned by sunlight in day time, after sunset, there is a dancer in darkness , dancing in a more beautiful world than day, just like a fairytale world ,a piece of lyric in his work, dancer also the declaimer.

李楠的作品中呈现了在白天被光线所略去的事物，到了夜间却如童话故事里的精灵般在现实世界中舞蹈，在一个比白天更加美丽的世界里，摄影作品中缓缓流淌出一首抒情诗，舞者也是朗诵者。

In LiNan's work , there is a world that drowned by sunlight in day time, after su et, there is a dancer in darkne , dancing in a more beautiful world than day, just like a fairytale world ,a piece of lyric in his work, dancer also the declaimer.

李楠的作品中呈现了在白天被光线所略去的事物，到了夜间却如童话故事里的精灵般在现实世界中舞蹈，在一个比白天更加美丽的世界里，摄影作品中缓缓流淌出一首抒情诗，舞者也是朗诵者。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

His voice is drowned by the dissonant scream of a siren outside.

她的声音被外面杂乱刺耳的警报声吞没了。

Finally it offers the analysis of the fault-tolerance system as well as its test verification.

这样，运行于空间环境中的系统的设计目标就是在保证系统实时性

However, it is still difficult to find out the real reason of the increase of the keratinized gingiva during the orthodontic extrusion whether it is due to the proliferation of the gingival tissue or to its elastic nature, that is because the proliferation of the fibroblasts as well as the connective tissue changes in volume and the intra-fibers spaces were all immeasurable in most of the studies.

然而，仍然难以找到真正的原因增加的角化牙龈在正畸挤压它是否是由于扩散的牙龈组织或其弹性性质，这是因为增殖的成纤维细胞以及作为结缔组织的变化量和内部纤维空格都是不可估量的，大多数的研究。